The truth is that I fall in love
so easily because
a dozen times some days.
I've lived whole lives,
grown old, and died
in the arms of other women
in no more time
than it takes the 2-train
to get from City Hall to Brooklyn,
which brings me back
to you: the only one
I fall in love with
at least once every day—
there are no other
lovely women in the world,
but because each time,
dying in their arms,
I call your name.
From Boy (University of Georgia Press, 2008). Copyright © 2008 by Patrick Phillips. Used with permission of University Georgia Press.
When you came, you were like red wine and honey,
And the taste of you burnt my mouth with its sweetness.
Now you are like morning bread,
Smooth and pleasant.
I hardly taste you at all for I know your savour,
But I am completely nourished.
This poem is in the public domain. Published in Poem-a-Day on June 25, 2022, by the Academy of American Poets.
Every morning you'd think
all the moths would throw themselves
into the Sun.
But they wait
to consume them
in small coughs
I have stopped
listening to my moth soul.
My dear, I am done
tilting at streetlights.
My paper wings soar,
your blazing heart.
Copyright © 2006 by Matt Mason. From Things We Don’t Know We Don’t Know (The Backwaters Press, 2006). Used with the permission of the poet.
since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world
my blood approves,
and kisses are a better fate
lady i swear by all flowers. Don’t cry
—the best gesture of my brain is less than
your eyelids’ flutter which says
we are for each other: then
laugh, leaning back in my arms
for life’s not a paragraph
And death i think is no parenthesis
This poem is in the public domain. Published in Poem-a-Day on April 16, 2022, by the Academy of American Poets.
The light retreats and is generous again.
No you to speak of, anywhere—neither in vicinity nor distance,
so I look at the blue water, the snowy egret, the lace of its feathers
shaking in the wind, the lake—no, I am lying.
There are no egrets here, no water. Most of the time,
my mind gnaws on such ridiculous fictions.
My phone notes littered with lines like Beauty will not save you.
Or: mouthwash, yogurt, cilantro.
A hummingbird zips past me, its luminescent plumage
disturbing my vision like a tiny dorsal fin.
But what I want does not appear. Instead, I find the redwoods and pines,
figs that have fallen and burst open on the pavement,
announcing that sickly sweet smell,
the sweetness of grief, my prayer for what is gone.
You are so dramatic, I say to the reflection on my phone,
then order the collected novels of Jean Rhys.
She, too, was humiliated by her body, that it wanted
such stupid, simple things: food and cherry wine, to touch someone.
On my daily walk, I steal Meyer lemons from my neighbors’ yard,
a small pomegranate. Instead of eating them,
I observe their casual rot on the kitchen counter,
this theatre of good things turning into something else.
Copyright © 2021 by Aria Aber. Originally published in Poem-a-Day on October 19, 2021, by the Academy of American Poets.