after Anis Mojgani and Audre Lorde

For those making tea in the soft light of Saturday morning
in the peaceful kitchen
in the cool house
For those with shrunken hearts still trying to love
For those with large hearts trying to forget
For those with terrors they cannot name
upset stomachs and too tight pants
For those who get cut off in traffic
For those who spend all day making an elaborate meal
that turns out mediocre
For those who could not leave
even when they knew they had to
For those who never win the lottery
or become famous
For those getting groceries on Friday nights

There is something you know
about living
that you guard with your life
your one fragile, wonderful life
wonder, as in, awe,
as in, I had no idea I would be here now.

For those who make plans and those who don’t
For those driving across the country to a highway that knows them
For the routes we take in the dark, trusting
For the roads for the woods for the dead humming in prayer
For an old record and a strong sun
For teeth bared to the wind
a pulse in the chest
a body making love to itself

There is every reason to hate it here
There is a list of things making it bearable:
your friend’s shoulder Texas barbecue a new book
a loud song a strong song a highway that knows you
sweet tea an orange cat a helping hand
an unforgettable dinner

a laugh that escapes you and deflates you
like a pink balloon left soft with room
for goodness to take hold

For those who have looked in the mirror and begged
For those with weak knees and an attitude
For those called “sensitive” or “too much”
For those not called enough
For the times you needed and went without
For the photo of you as a child
quietly icing cupcakes your hair a crackling thunderstorm

Love is coming.
It’s on its way.
Look—

Copyright © 2022 by Ariana Brown. Originally published in Poem-a-Day on October 14, 2022, by the Academy of American Poets.

She pressed her lips to mind.
—a typo

How many years I must have yearned
for someone’s lips against mind.
Pheromones, newly born, were floating
between us. There was hardly any air.

She kissed me again, reaching that place
that sends messages to toes and fingertips,
then all the way to something like home.
Some music was playing on its own.

Nothing like a woman who knows
to kiss the right thing at the right time,
then kisses the things she’s missed.
How had I ever settled for less?

I was thinking this is intelligence,
this is the wisest tongue
since the Oracle got into a Greek’s ear,
speaking sense. It’s the Good,

defining itself. I was out of my mind.
She was in. We married as soon as we could.

"The Kiss," from Everything Else in the World by Stephen Dunn. Copyright © 2007 by Stephen Dunn. Used by permission of W. W. Norton & Company, Inc.

When she says margarita she means daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."

He's supposed to know that.

When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithaca
or he is driving to East Hampton and she is standing disconsolate
at the window overlooking the bay
where a regatta of many-colored sails is going on
while he is stuck in traffic on the Long Island Expressway.

When a woman loves a man it is one ten in the morning
she is asleep he is watching the ball scores and eating pretzels
drinking lemonade
and two hours later he wakes up and staggers into bed
where she remains asleep and very warm.

When she says tomorrow she means in three or four weeks.
When she says, "We're talking about me now,"
he stops talking. Her best friend comes over and says,
"Did somebody die?"

When a woman loves a man, they have gone
to swim naked in the stream
on a glorious July day
with the sound of the waterfall like a chuckle
of water rushing over smooth rocks,
and there is nothing alien in the universe.

Ripe apples fall about them.
What else can they do but eat?

When he says, "Ours is a transitional era,"
"that's very original of you," she replies,
dry as the martini he is sipping.

They fight all the time
It's fun
What do I owe you?
Let's start with an apology
Ok, I'm sorry, you dickhead.
A sign is held up saying "Laughter."
It's a silent picture.
"I've been fucked without a kiss," she says,
"and you can quote me on that,"
which sounds great in an English accent.

One year they broke up seven times and threatened to do it another nine times.

When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep.
When a man loves a woman he's there. He doesn't complain that she's two hours late
and there's nothing in the refrigerator.

When a woman loves a man, she wants to stay awake.
She's like a child crying
at nightfall because she didn't want the day to end.

When a man loves a woman, he watches her sleep, thinking:
as midnight to the moon is sleep to the beloved.
A thousand fireflies wink at him.
The frogs sound like the string section
of the orchestra warming up.
The stars dangle down like earrings the shape of grapes.

From Columbia: A Journal of Literature and Art. Copyright © 1996 by David Lehman. All rights reserved. Reprinted by permission of the author.

It is difficult to know what to do with so much happiness.
With sadness there is something to rub against,
a wound to tend with lotion and cloth.
When the world falls in around you, you have pieces to pick up,
something to hold in your hands, like ticket stubs or change.

But happiness floats.
It doesn’t need you to hold it down.
It doesn’t need anything.
Happiness lands on the roof of the next house, singing,
and disappears when it wants to.
You are happy either way.
Even the fact that you once lived in a peaceful tree house
and now live over a quarry of noise and dust
cannot make you unhappy.
Everything has a life of its own,
it too could wake up filled with possibilities
of coffee cake and ripe peaches,
and love even the floor which needs to be swept,
the soiled linens and scratched records . . .

Since there is no place large enough
to contain so much happiness,
you shrug, you raise your hands, and it flows out of you
into everything you touch. You are not responsible.
You take no credit, as the night sky takes no credit
for the moon, but continues to hold it, and share it,
and in that way, be known.

“So Much Happiness” from Words Under the Words: Selected Poems by Naomi Shihab Nye, copyright © 1995. Reprinted with the permission of Far Corner Books.

In one story, the lovers are two halves
split by jealous gods, and in another story,

the lovers are victims of a wicked baby
with a bow and arrow. In one story,

love means never touching, but exchanging
a lot of handkerchiefs, and in another story,

love means a drastic change in brain
chemistry that lasts a year, even though

the after effects are lifelong. In one story,
love is the north star guiding sailors,

and in one story love is a sharp blade,
a body of water, and a trophy all at once.

The truth is that love is nothing but itself,
an axiomatic property of humankind,

like storytelling and explanation giving,
which explains why everyone explains

love in stories, the way I once called it
a form of disappearing, and my favorite

philosopher called it a holiday. Listen,
storytelling animals: today, we say, love

is only love. Put down the crossbow, baby.
Put down the handkerchief, Lancelot.

Put away the easy chair, Babs. Let’s let love
be felt in its touch, and be known by its face.

Let’s let love speak Ada and Lucas,
and then let’s let love be silent.

Copyright © 2017 by Jason Schneiderman. Originally published in Poem-a-Day on July 21, 2017, by the Academy of American Poets.

I wake up in your bed. I know I have been dreaming.
Much earlier, the alarm broke us from each other,
you’ve been at your desk for hours. I know what I dreamed:
our friend the poet comes into my room
where I’ve been writing for days,
drafts, carbons, poems are scattered everywhere,
and I want to show her one poem
which is the poem of my life. But I hesitate,
and wake. You’ve kissed my hair
to wake me. I dreamed you were a poem,
I say, a poem I wanted to show someone . . .
and I laugh and fall dreaming again
of the desire to show you to everyone I love,
to move openly together
in the pull of gravity, which is not simple,
which carries the feathered grass a long way down the upbreathing air.

Poem II from “Twenty-One Love Poems,” from The Dream of a Common Language: Poems 1974–1977 by Adrienne Rich. Copyright © 1978 by W. W. Norton & Company, Inc. Used by permission of W. W. Norton & Company, Inc.