When someone dies, the clothes are so sad. They have outlived
their usefulness and cannot get warm and full.
You talk to the clothes and explain that he is not coming back

as when he showed up immaculately dressed in slacks and plaid jacket
and had that beautiful smile on and you’d talk.
You’d go to get something and come back and he’d be gone.

You explain death to the clothes like that dream.
You tell them how much you miss the spouse
and how much you miss the pet with its little winter sweater.

You tell the worn raincoat that if you talk about it,
you will finally let grief out. The ancients etched the words
for battle and victory onto their shields and then they went out

and fought to the last breath. Words have that kind of power
you remind the clothes that remain in the drawer, arms stubbornly
folded across the chest, or slung across the backs of chairs,

or hanging inside the dark closet. Do with us what you will,
they faintly sigh, as you close the door on them.
He is gone and no one can tell us where.

was no consolation to the woman
whose husband was strung out on opioids.

Gone to a better place: useless and suspect intel
for the couple at their daughter’s funeral

though there are better places to be
than a freezing church in February, standing

before a casket with a princess motif. 
Some moments can’t be eased

and it’s no good offering clichés like stale
meat to a tiger with a taste for human suffering.

When I hear the word miracle I want to throw up
on a platter of deviled eggs. Everything happens

for a reason: more good tidings someone will try
to trepan your skull to insert. When fire

inhales your house, you don’t care what the haiku says
about seeing the rising moon. You want

an avalanche to bury you. You want to lie down
under a slab of snow, dumb as a jarred

sideshow embryo. What a circus.
The tents dismantled, the train moving on,

always moving, starting slow and gaining speed,
taking you where you never wanted to go.