I think of a good night’s sleep
an exhale taking its precious time

to leave my lungs         unworried
about the breathing to come       If only

I did not hail from the sweet state
of panic                               the town’s river,

my adrenaline raging without cease
I’d love peace but the moon is pulling me by my water

I know this is no way to live     but I was born here
a mobile of vultures orbiting above my crib

the noise you speak      bragging
about the luxury of your stillness

reminds me that some children are told to pick flowers
while others are told to pick a tree switch

that’ll best write a lesson across their hide
and my skin is a master course written in welts

I touch myself and read about the years
I cannot escape                              I hold my kids

and pray our embrace is not a history
repeating itself

Copyright © 2020 by Rasheed Copeland. Originally published in Poem-a-Day on July 22, 2020 by the Academy of American Poets.

the way
my lineage is deaf
not deaf
the way
America is deaf
not deaf
the way
my president is deaf
not Deaf
the way
DEAF-PREZ-NOW is Deaf
not deaf
the way
my family is D/deaf
not Deaf
the way
DEAF-WAY is Deaf
not Deaf
the way
DEAF-WORLD is not deaf
not deaf
the way
my culture is deaf
not deaf
the way
my culture is Deaf
not Deaf
the way
my culture is Deaf
not Deaf
but not deaf, either

Originally printed in Troubling the Line: An Anthology of Trans and Genderqueer Poetry & Poetics (EOAGH Press, 2013). Copyright © 2013 by Meg Day. Used with the permission of the author.

My father tells the story of his life

and he repeats The most important thing:
          to love your work.
I always loved my work. I was a lucky man.

This man who makes up half of who I am,
         this blusterer
who tricked the rich, outsmarting smarter men,

gave up his Army life insurance plan
          (not thinking of the future
wife and kids) and brokered deals with two-faced

rats who disappeared his cash but later overpaid
         for building sites.
In every tale my father plays outlaw, a Robin Hood

for whom I'm named, a type of yeoman
         refused admission
into certain clubs. For years he joined no guild—

no Drapers, Goldsmiths, Skinners, Merchant
         Tailors, Salters, Vintners—
but lived on prescience and cleverness.

He was the self-inventing Polish immigrant's
         Son, transformed
By American tools into Errol Flynn.

As he speaks, I remember the phone calls
         during meals—
an old woman dead in apartment two-twelve

or burst pipes and water flooding rooms.
         Hatless,
he left the house and my mother's face

assumed the permanent worry she wore,
         forced to watch him
gamble the future of the semi-detached house,

our college funds, and his weekly payroll.
         Manorial halls
of Philadelphia his Nottingham,

my father fashioned his fraternity
         without patronage
or royal charters but a mercantile

swagger, finding his Little John, Tinker,
         and Allen-a-Dale.
Wholesalers, retailers, in time they resembled

the men they set themselves against.
         Each year they roast and toast
one member, a remnant of the Grocer's Feast

held on St. Anthony's Day, when brothers
         communed and dined
on swan, capon, partridges, and wine.

They commission a coat of arms, a song,
         and honor my father—
exemplary, self-made, without debt—

as Man of the Year, a title he reveres
          for the distinguished
peerage he joins, the lineage of merry men.

From Domain of Perfect Affection © 2006. All rights are controlled by the University of Pittsburgh Press, Pittsburgh, PA 15260. Used by permission of the University of Pittsburgh Press.