I think of a good night’s sleep
an exhale taking its precious time
to leave my lungs unworried
about the breathing to come If only
I did not hail from the sweet state
of panic the town’s river,
my adrenaline raging without cease
I’d love peace but the moon is pulling me by my water
I know this is no way to live but I was born here
a mobile of vultures orbiting above my crib
the noise you speak bragging
about the luxury of your stillness
reminds me that some children are told to pick flowers
while others are told to pick a tree switch
that’ll best write a lesson across their hide
and my skin is a master course written in welts
I touch myself and read about the years
I cannot escape I hold my kids
and pray our embrace is not a history
repeating itself
Copyright © 2020 by Rasheed Copeland. Originally published in Poem-a-Day on July 22, 2020 by the Academy of American Poets.
the way
my lineage is deaf
not deaf
the way
America is deaf
not deaf
the way
my president is deaf
not Deaf
the way
DEAF-PREZ-NOW is Deaf
not deaf
the way
my family is D/deaf
not Deaf
the way
DEAF-WAY is Deaf
not Deaf
the way
DEAF-WORLD is not deaf
not deaf
the way
my culture is deaf
not deaf
the way
my culture is Deaf
not Deaf
the way
my culture is Deaf
not Deaf
but not deaf, either
Originally printed in Troubling the Line: An Anthology of Trans and Genderqueer Poetry & Poetics (EOAGH Press, 2013). Copyright © 2013 by Meg Day. Used with the permission of the author.
My father tells the story of his life and he repeats The most important thing: to love your work. I always loved my work. I was a lucky man. This man who makes up half of who I am, this blusterer who tricked the rich, outsmarting smarter men, gave up his Army life insurance plan (not thinking of the future wife and kids) and brokered deals with two-faced rats who disappeared his cash but later overpaid for building sites. In every tale my father plays outlaw, a Robin Hood for whom I'm named, a type of yeoman refused admission into certain clubs. For years he joined no guild— no Drapers, Goldsmiths, Skinners, Merchant Tailors, Salters, Vintners— but lived on prescience and cleverness. He was the self-inventing Polish immigrant's Son, transformed By American tools into Errol Flynn. As he speaks, I remember the phone calls during meals— an old woman dead in apartment two-twelve or burst pipes and water flooding rooms. Hatless, he left the house and my mother's face assumed the permanent worry she wore, forced to watch him gamble the future of the semi-detached house, our college funds, and his weekly payroll. Manorial halls of Philadelphia his Nottingham, my father fashioned his fraternity without patronage or royal charters but a mercantile swagger, finding his Little John, Tinker, and Allen-a-Dale. Wholesalers, retailers, in time they resembled the men they set themselves against. Each year they roast and toast one member, a remnant of the Grocer's Feast held on St. Anthony's Day, when brothers communed and dined on swan, capon, partridges, and wine. They commission a coat of arms, a song, and honor my father— exemplary, self-made, without debt— as Man of the Year, a title he reveres for the distinguished peerage he joins, the lineage of merry men.
From Domain of Perfect Affection © 2006. All rights are controlled by the University of Pittsburgh Press, Pittsburgh, PA 15260. Used by permission of the University of Pittsburgh Press.