What little I know, I hold closer, 
more dear, especially now
that I take the daily
reinvention of loss as my teacher.
I will never graduate from this college,
whose M.A. translates
“Master of Absence,”
with a subtext in the imperative:
Misplace Anything.
If there’s anything I want, it’s that more
people I love join the search party.
You were once renowned
among friends for your luck
in retrieving from the wayside
the perfect bowl for the kitchen,
or a hand carved deer, a pencil drawn
portrait of a young girl
whose brimming innocence
still makes me ache. Now
the daily litany of common losses
goes like this: Do you have
your wallet, keys, glasses, gloves,
giraffe? Oh dear, I forgot
my giraffe—that’s the preferred
response, but no: it’s usually
the glasses, the gloves, the wallet.
The keys I’ve hidden. 
I’ve signed you up for “safe return”
with a medallion (like a diploma)
on a chain about your neck.

Okay, today, this writing, 
I’m amused by the art of losing.  
I bow to Elizabeth Bishop, I try 
“losing faster”—but when I get 
frantic, when I’ve lost
my composure, my nerve, my patience, 
my compassion, I have only
what little I know
to save me. Here’s what I know:
it’s not absence I fear, but anonymity.
I remember taking a deep breath, 
stopped in my tracks.  I’d been
looking for an important document 
I had myself misplaced; 
high and low, no luck yet.  
I was “beside myself,”
so there may have indeed been
my double running the search party.
“Stop,” you said gently.  “I’ll go
get Margaret. She’ll know where it is.”
“But I’m Margaret,” I wailed.
“No, no.” You held out before me
a copy of one of my books,
pointing to the author’s photograph,
someone serious and composed.
“You know her. Margaret 
Gibson, the poet.” We looked 
into each others’ eyes a long time. 
The earth tilted on its axis, 
and what we were looking for,
each other and ourselves,
took the tilt, and we slid into each others’ arms, 
holding on for dear life, holding on. 

Copyright © 2014 by Margaret Gibson. Used with permission of the author. This poem appeared in Poem-A-Day on March 18, 2014. Browse the Poem-A-Day archive.

                                        Ciconia ciconia
 

Such jazzy arrhythmia, 
                            the white storks' 
Plosive and gorgeous leave-takings suggest 
Oracular utterance where the blurred 
Danube disperses its silts.
                                    Then the red-
Billed, red-legged creatures begin to spiral,
To float among thermals like the souls, wrote
Pythagoras, praising the expansive
Grandeur of black-tipped wings, of dead poets.
Most Eastern cultures would not allow them 
To be struck, not with slung stone or arrow 
Or, later, lead bullet— 
                         birds who have learned, 
While living, to keep their songs to themselves, 
Who return to nests used for centuries, 
Nests built on rooftops, haystacks, telegraph 
Poles, on wooden wagon wheels placed on cold 
Chimneys by peasants who hoped to draw down 
Upon plague-struck villages such winged luck. 

If the body in its failure remains
A nest, if the soul chooses to return…

Yet not one stork has been born in Britain 
Since 1416, the last nest renounced 
When Julian of Norwich, anchoress,
Having exhausted all revelations,
Took earthly dispensation, that final 
Stork assuring, even while vanishing,
"Sin is behovely, but all shall be well."

Copyright © 2011 by Michael Waters. Reprinted from Gospel Night with the permission of BOA Editions.