I am lazy, the laziest
girl in the world. I sleep during
the day when I want to, 'til
my face is creased and swollen,
'til my lips are dry and hot. I 
eat as I please: cookies and milk
after lunch, butter and sour cream
on my baked potato, foods that
slothful people eat, that turn
yellow and opaque beneath the skin.
Sometimes come dinnertime Sunday
I am still in my nightgown, the one
with the lace trim listing because
I have not mended it. Many days
I do not exercise, only
consider it, then rub my curdy
belly and lie down. Even
my poems are lazy. I use
syllabics instead of iambs,
prefer slant to the gong of full rhyme,
write briefly while others go
for pages. And yesterday,
for example, I did not work at all!
I got in my car and I drove 
to factory outlet stores, purchased
stockings and panties and socks
with my father's money.

To think, in childhood I missed only
one day of school per year. I went
to ballet class four days a week
at four-forty-five and on
Saturdays, beginning always
with plie, ending with curtsy.
To think, I knew only industry,
the industry of my race
and of immigrants, the radio
tuned always to the station
that said, Line up your summer
job months in advance. Work hard
and do not shame your family,
who worked hard to give you what you have.
There is no sin but sloth. Burn
to a wick and keep moving.

I avoided sleep for years,
up at night replaying 
evening news stories about
nearby jailbreaks, fat people
who ate fried chicken and woke up
dead. In sleep I am looking
for poems in the shape of open
V's of birds flying in formation,
or open arms saying, I forgive you, all.

From Body of Life by Elizabeth Alexander, published by Tia Chucha Press. Copyright © 1996 by Elizabeth Alexander. Reprinted by permission of the author. All rights reserved.

1.
My blurring eyes, my deafened ears—
O careless sadism of the years!
 
Sun-loving and sun-ravaged skin—
One-sided love has done you in.
 
My teeth—less said, less missed!—my heart—
My runaway, my telltale heart—
 
Heart whose misfirings can defeat
The pulse of this iambic beat! 
 
(While hypochondria detects
Whatever ill it hears of next.)
 
2.
In couplets that are not heroic
I try to say, in accents stoic:
 
For every rusting body-fetter
Perhaps my wit will work the better.
 
I will not be subservient
To every ruined ligament!
 
I'll prove on my anatomy
A body-mind dichotomy!
 
3.
Brave words! No use! I cannot force
Such an unnatural divorce.
 
My body! You have stood by me
Through insult and through injury
 
Some eighty years. How can my mind,
Seeing you slow, not lag behind?
 
Its sharpness dulls, yet feels each ache.
How not to mourn for your sweet sake?
 
My generous, my failing host,
O do not yet give up this ghost.
 
Kindle for me a little spark,
For I am whistling in the dark.
 

Copyright © 2012 by Naomi Replansky. “Catalogue” originally appeared in Collected Poems (Black Sparrow Books, 2012). Reprinted by permission of the author. All rights reserved.

I was leaving a country of rain for a country of apples. I hadn’t much time. I told my beloved to wear his bathrobe, his cowboy boots, a black patch like a pirate might wear over his sharpest eye. My own bags were full of salt, which made them shifty, hard to lift. Houses had fallen, face first, into the mud at the edge of the sea. Hurry, I thought, and my hands were like birds. They could hold nothing. A feathery breeze. Then a white tree blossomed over the bed, all white blossoms, a painted tree. “Oh,” I said, or my love said to me. We want to be human, always, again, so we knelt like children at prayer while our lost mothers hushed us. A halo of bees. I was dreaming as hard as I could dream. It was fast—how the apples fattened and fell. The country that rose up to meet me was steep as a mirror; the gold hook gleamed.

From Carpathia by Cecilia Woloch. Copyright © 2010 by Cecilia Woloch. Used by permission of BOA Editions, Ltd. All rights reserved.

i’m confident that the absolute dregs of possibility for this society,
the sugary coffee mound at the bottom of this cup,
our last best hope that when our little bit of assigned plasma implodes 
it won’t go down as a green mark in the cosmic ledger,
lies in the moment when you say hello to a bus driver 
and they say it back—

when someone holds the door open for you 
and you do a little jog to meet them where they are—

walking my dog, i used to see this older man 
and whenever I said good morning, 
he replied ‘GREAT morning’—

in fact, all the creative ways our people greet each other
may be the icing on this flaming trash cake hurtling through the ether. 

when the clerk says how are you 
and i say ‘i’m blessed and highly favored’ 

i mean my toes have met sand, and wiggled in it, a lot. 
i mean i have laughed until i choked and a friend slapped my back.
i mean my niece wrote me a note: ‘you are so smart + intellajet’

i mean when we do go careening into the sun, 

i’ll miss crossing guards ushering the grown folks too, like ducklings 
and the lifeguards at the community pool and
men who yelled out the window that they’d fix the dent in my car, 
right now! it’d just take a second—

and actually everyone who tried to keep me alive, keep me afloat, 
and if not unblemished, suitably repaired.

but I won’t feel too sad about it,
becoming a star 

Copyright © 2024 by Eve L. Ewing. Originally published in Poem-a-Day on February 6, 2024, by the Academy of American Poets. 

store water; make a point of filling your bathtub

at the first news of trouble: they turned off the water

in the 4th ward for a whole day during the Newark riots;

or better yet make a habit

of keeping the tub clean and full when not in use

change this once a day, it should be good enough

for washing, flushing toilets when necessary

and cooking, in a pinch, but it’s a good idea

to keep some bottled water handy too

get a couple of five gallon jugs and keep them full

for cooking

//

store food—dry stuff like rice and beans stores best

goes farthest. SALT VERY IMPORTANT: it’s health and energy

healing too, keep a couple pounds

sea salt around, and, because we’re spoiled, some tins

tuna, etc. to keep up morale—keep up the sense

of ‘balanced diet’ ‘protein intake’ remember

the stores may be closed for quite some time, the trucks

may not enter your section of the city for weeks, you can cool it indefinitely

//

with 20 lb brown rice

20 lb whole wheat flour

10 lb cornmeal

10 lb good beans—kidney or soy

5 lb sea salt

2 qts good oil

dried fruit and nuts

add nutrients and a sense of luxury

to this diet, a squash or coconut

in a cool place in your pad will keep six months.

//

remember we are all used to eating less

than the ‘average American’ and take it easy

before we

ever notice we’re hungry the rest of the folk will be starving

used as they are to meat and fresh milk daily

and help will arrive, until the day no help arrives

and then you’re on your own.

//

hoard matches, we aren’t good

at rubbing sticks together any more

a tinder box is useful, if you can work it

don’t count on gas stove, gas heater

electric light

keep hibachi and charcoal, CHARCOAL STARTER a help

kerosene lamp and candles, learn to keep warm

with breathing

remember the blessed American habit of bundling

From Revolutionary Letters (City Lights Publishers, 1971). Copyright © 1971 Diane di Prima. Used with permission of Sheppard Powell.

          If many remedies are prescribed
          for an illness, you may be certain
          that the illness has no cure.
                              —A. P. CHEKHOV
                             The Cherry Orchard

 

1  FROM THE NURSERY
When I was born, you waited 
behind a pile of linen in the nursery, 
and when we were alone, you lay down 
on top of me, pressing
the bile of desolation into every pore.
And from that day on 
everything under the sun and moon 
made me sad—even the yellow 
wooden beads that slid and spun 
along a spindle on my crib.
You taught me to exist without gratitude. 
You ruined my manners toward God:
“We’re here simply to wait for death; 
the pleasures of earth are overrated.”
I only appeared to belong to my mother, 
to live among blocks and cotton undershirts 
with snaps; among red tin lunch boxes
and report cards in ugly brown slipcases. 
I was already yours—the anti-urge, 
the mutilator of souls.
2  BOTTLES
Elavil, Ludiomil, Doxepin, 
Norpramin, Prozac, Lithium, Xanax, 
Wellbutrin, Parnate, Nardil, Zoloft. 
The coated ones smell sweet or have 
no smell; the powdery ones smell 
like the chemistry lab at school 
that made me hold my breath.
3  SUGGESTION FROM A FRIEND
You wouldn’t be so depressed
if you really believed in God.
4  OFTEN
Often I go to bed as soon after dinner 
as seems adult
(I mean I try to wait for dark)
in order to push away 
from the massive pain in sleep’s 
frail wicker coracle.
5  ONCE THERE WAS LIGHT
Once, in my early thirties, I saw 
that I was a speck of light in the great 
river of light that undulates through time.
I was floating with the whole 
human family. We were all colors—those 
who are living now, those who have died, 
those who are not yet born. For a few
moments I floated, completely calm, 
and I no longer hated having to exist.
Like a crow who smells hot blood 
you came flying to pull me out 
of the glowing stream.
“I’ll hold you up. I never let my dear 
ones drown!” After that, I wept for days.
6  IN AND OUT
The dog searches until he finds me 
upstairs, lies down with a clatter 
of elbows, puts his head on my foot.
Sometimes the sound of his breathing 
saves my life—in and out, in 
and out; a pause, a long sigh. . . . 
7  PARDON
A piece of burned meat 
wears my clothes, speaks 
in my voice, dispatches obligations 
haltingly, or not at all.
It is tired of trying 
to be stouthearted, tired 
beyond measure.
We move on to the monoamine 
oxidase inhibitors. Day and night 
I feel as if I had drunk six cups 
of coffee, but the pain stops
abruptly. With the wonder 
and bitterness of someone pardoned 
for a crime she did not commit 
I come back to marriage and friends, 
to pink fringed hollyhocks; come back 
to my desk, books, and chair.
8  CREDO
Pharmaceutical wonders are at work 
but I believe only in this moment 
of well-being. Unholy ghost, 
you are certain to come again.
Coarse, mean, you’ll put your feet 
on the coffee table, lean back, 
and turn me into someone who can’t 
take the trouble to speak; someone 
who can’t sleep, or who does nothing 
but sleep; can’t read, or call 
for an appointment for help.
There is nothing I can do 
against your coming. 
When I awake, I am still with thee.
9  WOOD THRUSH
High on Nardil and June light 
I wake at four, 
waiting greedily for the first
note of the wood thrush. Easeful air 
presses through the screen 
with the wild, complex song 
of the bird, and I am overcome
by ordinary contentment. 
What hurt me so terribly 
all my life until this moment? 
How I love the small, swiftly 
beating heart of the bird 
singing in the great maples; 
its bright, unequivocal eye.

From Constance by Jane Kenyon, published by Graywolf Press. © 1993 by Jane Kenyon. Used with permission. All rights reserved.

But you can have the fig tree and its fat leaves like clown hands

gloved with green. You can have the touch of a single eleven-year-old finger

on your cheek, waking you at one a.m. to say the hamster is back.

You can have the purr of the cat and the soulful look

of the black dog, the look that says, If I could I would bite

every sorrow until it fled, and when it is August,

you can have it August and abundantly so. You can have love,

though often it will be mysterious, like the white foam

that bubbles up at the top of the bean pot over the red kidneys

until you realize foam's twin is blood.

You can have the skin at the center between a man's legs,

so solid, so doll-like. You can have the life of the mind,

glowing occasionally in priestly vestments, never admitting pettiness,

never stooping to bribe the sullen guard who'll tell you

all roads narrow at the border.

You can speak a foreign language, sometimes,

and it can mean something. You can visit the marker on the grave

where your father wept openly. You can't bring back the dead,

but you can have the words forgive and forget hold hands

as if they meant to spend a lifetime together. And you can be grateful

for makeup, the way it kisses your face, half spice, half amnesia, grateful

for Mozart, his many notes racing one another towards joy, for towels

sucking up the drops on your clean skin, and for deeper thirsts,

for passion fruit, for saliva. You can have the dream,

the dream of Egypt, the horses of Egypt and you riding in the hot sand.

You can have your grandfather sitting on the side of your bed,

at least for a while, you can have clouds and letters, the leaping

of distances, and Indian food with yellow sauce like sunrise.

You can't count on grace to pick you out of a crowd

but here is your friend to teach you how to high jump,

how to throw yourself over the bar, backwards,

until you learn about love, about sweet surrender,

and here are periwinkles, buses that kneel, farms in the mind

as real as Africa. And when adulthood fails you,

you can still summon the memory of the black swan on the pond

of your childhood, the rye bread with peanut butter and bananas

your grandmother gave you while the rest of the family slept.

There is the voice you can still summon at will, like your mother's,

it will always whisper, you can't have it all,

but there is this.

From Bite Every Sorrow by Barbara Ras, published by Louisiana State University Press, 1998. Copyright © 1997 by Barbara Ras. All rights reserved. Used with permission.

1
I drove all the way to Cape Disappointment but didn’t
have the energy to get out of the car. Rental. Blue Ford
Focus. I had to stop in a semipublic place to pee
on the ground. Just squatted there on the roadside.
I don’t know what’s up with my bladder. I pee and then
I have to pee and pee again. Instead of sightseeing
I climbed into the back seat of the car and took a nap.
I’m a little like Frank O’Hara without the handsome
nose and penis and the New York School and Larry
Rivers. Paid for a day pass at Cape Disappointment
thinking hard about that long drop from the lighthouse
to the sea. Thought about going into the Ocean
Medical Center for a check-up but how do I explain
this restless search for beauty or relief?

2
No need to sparkle, Virginia Woolf wrote in “A Room
of One’s Own,” oh, would that it were true, I loved the kids
who didn’t, June, can’t remember her last name, tilt of her
head like an off-brand flower on the wane, her little rotten
teeth the color of pencil lead, house dresses even in 4th grade,
and that boy Danny Davis, gray house, horse, eyes, clothes,
fingertips and prints, freckles not copper-colored but like metal
shavings you could clean up with a magnet. Now Mrs. LaPointe
was a dug-up bone but Miss Edge sparkled, she taught the half-
and-half class, 3rd and 4th grades cut down the middle
of the room like sheet cake, she wore a lavender chiffon dress
with a gauzy cape to school, aquamarine eye shadow, Sweetie,
she whispered to me, leaning down, breath a perfume, your
daddy’s dead, tears stuck to her cheeks like leeches or jewels.

3
I aborted two daughters, how do I know they were girls,
a mother knows, at least one daughter, maybe one
daughter and a son, will it hurt I asked the pre-abortion
lady and she said, her eyes were so level, I haven’t been
stupid enough to need to find out, cruel but she was right,
I was and am stupid, please no politics, I’ve never gotten
over it, no I don’t regret it, two girls with a stupid penniless
mother and a drug-addict father, I don’t think so, I shot
a rabbit once for food, I am not pristine, I am not good,
I am in no way Jesus, I am in no way even the bad Mary
let alone the good, though I have held my living son
in the pietà pose, I didn’t know at the time I was doing it
but now that I look back, he’d overdosed and nearly died,
my heart, he said, his lips blue, don’t worry, I’ve paid.

4
To return from Paradise I guess they call that
resurrection. Don’t remember the black cherries’
gleam, bay shine, mountain’s sheen, blissful
appalling loneliness. Messy foam at sea’s edge,
slurry they call it, where love and death meld
into slop, and unaccustomed birds. Forget all
the way back to where you were before you were
born. When Dyl was a toddler, still finger-sucking,
he said he remembered the sound of my blood
whooshing past him in utero, maybe the first of many
lies, this one with an adorable speech impediment.
I always return, it’s my nature, like the man who
couldn’t stop liberating the crayfish even though
it pinched him hard, that song, that Grand Ole Opry.

5
The best is when you respond only to the absolute present
tense, the rain, the rain, rain, rain, and wind, an iridescent
cloud, another shooting, this time in a shopping mall
in Germany, so this is why people want other people to put
their arms around them, I will walk to the bay where there is
a kind of peace, even emptiness, the barn swallows’ sharp
flight and cry, who now has the luxury of emptiness or peace,
the beauty of thunder in a place where there is rarely thunder,
the mind like a jackrabbit bounding, bounding, my wet hair
against my neck, grandfather’s barber shop, the line-up
of hair tonics by color like a spectrum, the pool table removed
to make a room for great-grandma to live out her years, my
father cutting a semicircle in her kitchen table so it would fit
around the stove pipe, rain, rain, fascism in America is loud.

6
Poetry, the only father, landscape, moon, food, the bowl
of clam chowder in Nahcotta, was I happy, mountains
of oyster shells gleaming silver, poetry, the only gold,
or is it, my breasts, feet, my hands, index finger,
fingernail, hangnail, paper cut, what is divine, I drove
to the sea, wandered aimlessly, I stared at my tree, I said
in my mind there’s my tree, there’s my tree I said in my mind,
I remember myself before words, thrilled at my parents’
touch, opened milkweed with no agenda, blew the fluff,
no reaching for comparison, to be free of signification,
wriggle out of the figurative itchy sweater, body, breasts,
vulva, little cave of the uterus, clit, need, touch, come, I came
before I knew what coming was, iambic pentameter, did I
feel it, does language eclipse feeling, does it eclipse the eclipse

Copyright © 2017 Diane Seuss. Used with permission of the author. This poem originally appeared in Kenyon Review, November/December 2017