I went to the worst of bars hoping to get killed. but all I could do was to get drunk again. worse, the bar patrons even ended up liking me. there I was trying to get pushed over the dark edge and I ended up with free drinks while somewhere else some poor son-of-a-bitch was in a hospital bed, tubes sticking out all over him as he fought like hell to live. nobody would help me die as the drinks kept coming, as the next day waited for me with its steel clamps, its stinking anonymity, its incogitant attitude. death doesn't always come running when you call it, not even if you call it from a shining castle or from an ocean liner or from the best bar on earth (or the worst). such impertinence only makes the gods hesitate and delay. ask me: I'm 72.
Copyright © 2005 by Charles Bukowski. From Slouching Toward Nirvana: New Poems. Reprinted with permission of HarperCollins Publishers.
I have done it again.
One year in every ten
I manage it—
A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot
A paperweight,
My face a featureless, fine
Jew linen.
Peel off the napkin
O my enemy.
Do I terrify?—
The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.
Soon, soon the flesh
The grave cave ate will be
At home on me
And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash
To annihilate each decade.
What a million filaments.
The peanut-crunching crowd
Shoves in to see
Them unwrap me hand and foot—
The big strip tease.
Gentlemen, ladies
These are my hands
My knees.
I may be skin and bone,
Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.
The second time I meant
To last it out and not come back at all.
I rocked shut
As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.
Dying
Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I’ve a call.
It’s easy enough to do it in a cell.
It’s easy enough to do it and stay put.
It’s the theatrical
Comeback in broad day
To the same place, the same face, the same brute
Amused shout:
‘A miracle!’
That knocks me out.
There is a charge
For the eyeing of my scars, there is a charge
For the hearing of my heart—
It really goes.
And there is a charge, a very large charge
For a word or a touch
Or a bit of blood
Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.
I am your opus,
I am your valuable,
The pure gold baby
That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.
Ash, ash—
You poke and stir.
Flesh, bone, there is nothing there--
A cake of soap,
A wedding ring,
A gold filling.
Herr God, Herr Lucifer
Beware
Beware.
Out of the ash
I rise with my red hair
And I eat men like air.
23–29 October 1962
From The Collected Poems by Sylvia Plath, published by Harper & Row. Copyright © 1981 by the Estate of Sylvia Plath. Used with permission.
A poor boy promised me a textbook view
of the stars. No snaking city lights
from a crown of downtown buildings,
Medusa-like in their paralyzing beauty.
He drives the dark highway
and I hold him to his word, he turns
onto a roughly paved hillside.
Stiff black trunks and treetops wave
goodbye from the roadside. Visions of policemen
in orange reflective vests
pulled by search dogs for a scent,
a scrap of cloth, follows me into the field.
He places a hand on the dip of my back
to guide me, like Hades, into his world.
Copyright © 2015 by Sjohnna McCray. Used with permission of the author.