I wandered lonely as a Cloud
That floats on high o’er Vales and Hills,
When all at once I saw a crowd,
A host of golden Daffodils;
Beside the Lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the Milky Way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced, but they
Out-did the sparkling waves in glee:—
A Poet could not but be gay
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude,
And then my heart with pleasure fills,
And dances with the Daffodils.
This poem appeared in Poem-a-Day on October 1, 2017. This poem is in the public domain.
Slight as thou art, thou art enough to hide,
Like all created things, secrets from me,
And stand a barrier to eternity.
And I, how can I praise thee well and wide
From where I dwell—upon the hither side?
Thou little veil for so great mystery,
When shall I penetrate all things and thee,
And then look back? For this I must abide,
Till thou shalt grow and fold and be unfurled
Literally between me and the world.
Then shall I drink from in beneath a spring,
And from a poet’s side shall read his book.
O daisy mine, what will it be to look
From God’s side even of such a simple thing?
This poem is in the public domain. Published in Poem-a-Day on March 25, 2023, by the Academy of American Poets.
Like tiny drops of crystal rain,
In every life the moments fall,
To wear away with silent beat,
The shell of selfishness o’er all.
And every act, not one too small,
That leaps from out the heart’s pure glow,
Like ray of gold sends forth a light,
While moments into seasons flow.
Athwart the dome, Eternity,
To Iris grown resplendent, fly
Bright gleams from every noble deed,
Till colors with each other vie.
’Tis glimpses of this grand rainbow,
Where moments with good deeds unite,
That gladden many weary hearts,
Inspiring them to seek more Light.
This poem is in the public domain. Published in Poem-a-Day on November 5, 2022, by the Academy of American Poets.
Pink faces—(worlds or flowers or seas or stars),
You all alike are patterned with hot bars
Of coloured light; and falling where I stand,
The sharp and rainbow splinters from the band
Seem fireworks, splinters of the Infinite—
(Glitter of leaves the echoes). And the night
Will weld this dust of bright Infinity
To forms that we may touch and call and see:—
Pink pyramids of faces: tulip-trees
Spilling night perfumes on the terraces.
The music, blond airs waving like a sea
Draws in its vortex of immensity
The new-awakened flower-strange hair and eyes
Of crowds beneath the floating summer skies.
And, ’gainst the silk pavilions of the sea
I watch the people move incessantly
Vibrating, petals blown from flower-hued stars
Beneath the music-fireworks’ waving bars;
So all seems indivisible, at one:
The flow of hair, the flowers, the seas that run,—
A coloured floating music of the night
Through the pavilions of the Infinite.
This poem is in the public domain. Published in Poem-a-Day on July 23, 2022, by the Academy of American Poets.
The sun is lord of life and colour,
Blood of the rose and hyacinth,
Hair of the sea and forests,
Crown of the cornfields,
Body of the hills.
The moon is the harlot of Death,
Slaughterer of the sun,
Priestess and poisoner she goes
With all her silver flock of wandering souls,
Her chant of wailing waters,
The bed of shimmering dust from which she comes
Bound all around with bandages of mist….
The living are as blossoms and fruit on the tree,
The dead are as lilies and wind on the marshes;
The living are as cherries that bow to the morning
Beckoning to the loitering stranger,
The wind, to sing them his eerie ballads.
The dead are as frozen skeleton branches
Whereon the stillness perches like an owl….
The dead are as snow on the cherry orchard.
This poem is in the public domain. Published in Poem-a-Day on May 28, 2022, by the Academy of American Poets.
There are dogs who will follow you
perpetually and as gladly
as if it were their purpose in life,
at least while in the act of following you.
Other dogs enjoy being followed.
They sniff around, look back, then run ahead.
W. B. Yeats, so monumentally heartsick,
spent his boyhood summers
following a black dog and a white dog
around the hilly Irish countryside,
as if that were the purpose of his life,
which it might have been at the time.
Clearly, there are worse practices
than spending your time following a dog
whichever way she may roam
into the woods or across a stream.
How would it be possible
to slap a child or smuggle arms
to a band of wrathful guerrillas
if you’re busy keeping up with a dog?
So, instead of following your bliss,
follow around some lighthearted dog.
Surely, it’s better than doing nothing,
if anything were better than doing nothing,
which, setting dogs aside for now,
is said to be the best thing one can do
or not do, but in a positive way, forever, amen.
Excerpted from Dog Show by Billy Collins. Copyright © 2025 by Billy Collins. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Ring out, ye bells! All Nature swells With gladness at the wondrous story,— The world was lorn, But Christ is born To change our sadness into glory. Sing, earthlings, sing! To-night a King Hath come from heaven's high throne to bless us. The outstretched hand O'er all the land Is raised in pity to caress us. Come at his call; Be joyful all; Away with mourning and with sadness! The heavenly choir With holy fire Their voices raise in songs of gladness. The darkness breaks And Dawn awakes, Her cheeks suffused with youthful blushes. The rocks and stones In holy tones Are singing sweeter than the thrushes. Then why should we In silence be, When Nature lends her voice to praises; When heaven and earth Proclaim the truth Of Him for whom that lone star blazes? No, be not still, But with a will Strike all your harps and set them ringing; On hill and heath Let every breath Throw all its power into singing!
This poem appeared in The Complete Poems of Paul Laurence Dunbar (Dodd, Mead and Company, 1922). It is in the public domain.
“I cannot go to school today,”
Said little Peggy Ann McKay.
“I have the measles and the mumps,
A gash, a rash and purple bumps.
My mouth is wet, my throat is dry,
I’m going blind in my right eye.
My tonsils are as big as rocks,
I’ve counted sixteen chicken pox
And there’s one more—that’s seventeen,
And don’t you think my face looks green?
My leg is cut—my eyes are blue—
It might be instamatic flu.
I cough and sneeze and gasp and choke,
I’m sure that my left leg is broke—
My hip hurts when I move my chin,
My belly button’s caving in,
My back is wrenched, my ankle’s sprained,
My ’pendix pains each time it rains.
My nose is cold, my toes are numb.
I have a sliver in my thumb.
My neck is stiff, my voice is weak,
I hardly whisper when I speak.
My tongue is filling up my mouth,
I think my hair is falling out.
My elbow’s bent, my spine ain’t straight,
My temperature is one-o-eight.
My brain is shrunk, I cannot hear,
There is a hole inside my ear.
I have a hangnail, and my heart is—what?
What’s that? What’s that you say?
You say today is . . . Saturday?
G’bye, I’m going out to play!”
From Shel Silverstein: Poems and Drawings; originally appeared in Where the Sidewalk Ends by Shel Silverstein. Copyright © 2003 by HarperCollins Children's Books. Reprinted by permission of the publisher. All rights reserved.
Remember the sky that you were born under,
know each of the star’s stories.
Remember the moon, know who she is.
Remember the sun’s birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother’s, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.
“Remember.” Copyright © 1983 by Joy Harjo from She Had Some Horses by Joy Harjo. Used by permission of W. W. Norton & Company, Inc.
The great thing
is not having
a mind. Feelings:
oh, I have those; they
govern me. I have
a lord in heaven
called the sun, and open
for him, showing him
the fire of my own heart, fire
like his presence.
What could such glory be
if not a heart? Oh my brothers and sisters,
were you like me once, long ago,
before you were human? Did you
permit yourselves
to open once, who would never
open again? Because in truth
I am speaking now
the way you do. I speak
because I am shattered.
From The Wild Iris, published by Ecco Press, 1992. Copyright © 1992 by Louise Glück. All rights reserved. Used with permission. This poem appeared in Poem-a-Day on October 10, 2020.
The world is a beautiful place
to be born into
if you don’t mind happiness
not always being
so very much fun
if you don’t mind a touch of hell
now and then
just when everything is fine
because even in heaven
they don’t sing
all the time
The world is a beautiful place
to be born into
if you don’t mind some people dying
all the time
or maybe only starving
some of the time
which isn’t half so bad
if it isn’t you
Oh the world is a beautiful place
to be born into
if you don’t much mind
a few dead minds
in the higher places
or a bomb or two
now and then
in your upturned faces
or such other improprieties
as our Name Brand society
is prey to
with its men of distinction
and its men of extinction
and its priests
and other patrolmen
and its various segregations
and congressional investigations
and other constipations
that our fool flesh
is heir to
Yes the world is the best place of all
for a lot of such things as
making the fun scene
and making the love scene
and making the sad scene
and singing low songs of having
inspirations
and walking around
looking at everything
and smelling flowers
and goosing statues
and even thinking
and kissing people and
making babies and wearing pants
and waving hats and
dancing
and going swimming in rivers
on picnics
in the middle of the summer
and just generally
‘living it up’
Yes
but then right in the middle of it
comes the smiling
mortician
From A Coney Island of the Mind, copyright © 1955 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp.
On the road home the tide is rising.
Riding the road-tide is dangerous
but it’s not safe to stand still.
Hang on the verge & you drown.
I’m going along for the tide.
I may see more riders further on.
Drowning must wait till I get there
and who knows who might be waiting
with a flashlight, a thermos,
even a raft or canoe.
“Rain All Night, Paris” from SPRINGING: NEW AND SELECTED POEMS by Marie Ponsot, copyright © 2002 by Marie Ponsot. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.
My mother was transforming
another tough pot roast into meat loaf,
grinding up chunks of gristly beef, bovine scraps
she’d boned off a shoulder blade.
As she bore down on the stiff
crank handle & fed the iron gullet
of the meat grinder, the auger hole, I stood
beside her, a shadow, not yet two,
held onto the counter & cutting board, listened to
the squish & roar of meat pushing through
spaghetti sized holes. I was mesmerized
by those oozing red hamburger strings.
In a flash I reached up & plugged a hole
with my finger to stop the flow, didn’t know about
the slashing, windmilling knives
turning industriously, cleaving all meat.
My mother & I screamed, cried hysterically,
held hands & a dish towel full of blood
while my dad drove the thirty miles of curvy
road, a two lane along the river, cussing,
full throttle. They hustled me through the lobby
of the clinic, brick & glass. I saw wheel chairs,
white gowns running about, watched
an overhead light fade. Finally, at home
I remember sitting on the floor in overalls,
a lemon sucker in one hand & plaster
cast on the other, people laughing, smiling at me:
the fabled “Little Dutch Boy” who survived
the flood. I was the talk of the neighborhood,
the focus of the family. My first memory,
that trauma, was perfect drama. An audience brings
us joy. Our greatest happiness is
the belief we are loved. It’s what we live for,
what we desire most. We learn to tolerate
any pain, risk blood or breath, anything, if
we believe we are loved, right now, forever.
Reprinted from blue horizon (Two Dogs Press, 2007). Copyright © 2007 by Mark Gibbons. Used with permission of the author. All rights reserved.
For Clayton “Peg Leg” Bates
Some people got two good feet
and still don’t know what to do.
My smoothness makes the argument
for just one. My other leg be long gone
sacrificed to the cotton gin god.
They pinned my mangled mess down
to the kitchen table. Made me suffer more
under the hand of an unsterilized knife
with only a cotton bit to bare the pain.
I got up and spit out that terrible taste
of Jim Crow and pity. Spun my mama’s guilt
and worry into a dance that twists past
the neighbors’ prayer, gossip and stares
of how he gonna make do with just one leg?
I strap on my dreams with tux, tails and flair.
Turn can’t into can without losing time
not even in my mind. This Fountain Inn son
done good, I knock beats on wood.
I’m a worldwide showstopper all right.
Shout rings around all those two-footers.
I’m the master of my own fate,
when the world cut me at the thigh
I don’t shuffle off in misery,
I get up on my one good leg and fly.
Copyright © 2016 by Glenis Redmond. This poem appeared in What My Hand Say (Press 53, 2016). Used with permission of the author.
A chance so close to zero, zero’s a baby
pool shoved against your screen door
thirty-six thousand feet below this airplane
where a preschooler chokes on a pretzel.
Every passenger stands, clutching
their necks as the mother scrapes her finger
down the girl’s throat. “You’re living in despair,”
the psychiatrist said back home. Long after
she forgets she once stopped breathing,
the girl asks if a plane ever falls from the sky.
“Sometimes it does,” you say. “Sometimes it does.”
One in eleven million. And when she says,
“They’ll catch us, the yellow trees,” you see
the start of a ginkgo tunnel: You haven’t lost
a baby. You go to work, sell tires, rinse
your feet at dusk in your makeshift plastic
pond, where soon all the suns will float:
the bright petals you won’t win, but find.
Copyright © 2018 Kristin Robertson. Reprinted with permission of the author. This poem originally appeared in The Southern Review, Autumn 2018.