translated from the Spanish by William George Williams
Lord, I ask a garden in a quiet spot
where there may be a brook with a good flow,
an humble little house covered with bell-flowers,
and a wife and a son who shall resemble Thee.
I should wish to live many years, free from hates,
and make my verses, as the rivers
that moisten the earth, fresh and pure.
Lord, give me a path with trees and birds.
I wish that you would never take my mother,
for I should wish to tend to her as a child
and put her to sleep with kisses, when somewhat old
she may need the sun.
I wish to sleep well, to have a few books,
an affectionate dog that will spring upon my knees,
a flock of goats, all things rustic,
and to live off the soil tilled by my own hand.
To go into the field and flourish with it;
to seat myself at evening under the rustic eaves,
to drink in the fresh mountain perfumed air
and speak to my little one of humble things.
At night to relate him some simple tale,
teach him to laugh with the laughter of water
and put him to sleep thinking that he may later on
keep that freshness of the moist grass.
And afterward, the next day, rise with dawn
admiring life, bathe in the brook,
milk my goats in the happiness of the garden
and add a strophe to the poem of the world.
Señor, yo pido un huerto
Señor, yo pido un huerto en un rincón tranquilo
donde haya una quebrada con aguas abundantes
una casita humilde cubierta de campánulas,
y una mujer y un hijo que sean como Vos.
Yo quisiera vivir muchos años, sin odios,
y hacer como los ríos que humedecen la tierra
mis versos y mis actos frescos y de puros.
Señor, dadme un sendero con árboles y pájaros.
Yo deseo que nunca os llevéis a mi madre,
porque a mi me gustara cuidarla cual a un niño
y dormirla con besos, cuando ya viejecita
necesite del sol.
Quiero tener buen sueño, algunos pocos libros
un perro cariñoso que me salte a las piernas,
un rebaño de cabras, toda cosa silvestre,
y vivir de la tierra labrada por mis manos.
Salir a la campiña, y florecer en ella;
sentarme por la tarde, bajo el rústico alero,
a beber aire fresco y olorosa a montaña,
y hablarle a mi pequeño de las cosas humildes
Por la noche contarle algún cuento sencillo,
enseñarle a reír con la risa del agua
y dormirle pensando en que pueda, a la tarde,
guardar esa frescura de la hierba embebida;
y luego, al otro día, levantarme a la aurora
admirando la vida, bañarme en la quebrada,
ordeñar a mis cabras en la dicha del huerto,
y agregar una estrofa al poema del mundo.
From Hispanic Anthology: Poems Translated From the Spanish by English and North American Poets (G. P. Putnam’s Sons, 1920), edited by Thomas Walsh. Translated from the Spanish by William G. Williams. This poem is in the public domain. Published in Poem-a-Day on October 8, 2022, by the Academy of American Poets.
10
maggie and milly and molly and may
went down to the beach(to play one day)
and maggie discovered a shell that sang
so sweetly she couldn’t remember her troubles,and
milly befriended a stranded star
whose rays five languid fingers were;
and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and
may came home with a smooth round stone
as small as a world and as large as alone.
For whatever we lose(like a you or a me)
it’s always ourselves we find in the sea
Copyright © 1956, 1984, 1991 by the Trustees for the E. E. Cummings Trust from The Complete Poems: 1904–1962 by E. E. Cummings, Edited by George J. Firmage. Reprinted by permission of Liveright Publishing Corporation. All rights reserved.
I was angry with my friend:
I told my wrath, my wrath did end.
I was angry with my foe:
I told it not, my wrath did grow.
And I watered it in fears
Night and morning with my tears,
And I sunned it with smiles
And with soft deceitful wiles.
And it grew both day and night,
Till it bore an apple bright,
And my foe beheld it shine,
And he knew that it was mine,--
And into my garden stole
When the night had veiled the pole;
In the morning, glad, I see
My foe outstretched beneath the tree.
This poem is in the public domain.
The line-storm clouds fly tattered and swift,
The road is forlorn all day,
Where a myriad snowy quartz stones lift,
And the hoof-prints vanish away.
The roadside flowers, too wet for the bee,
Expend their bloom in vain.
Come over the hills and far with me,
And be my love in the rain.
The birds have less to say for themselves
In the wood-world’s torn despair
Than now these numberless years the elves,
Although they are no less there:
All song of the woods is crushed like some
Wild, easily shattered rose.
Come, be my love in the wet woods; come,
Where the boughs rain when it blows.
There is the gale to urge behind
And bruit our singing down,
And the shallow waters aflutter with wind
From which to gather your gown.
What matter if we go clear to the west,
And come not through dry-shod?
For wilding brooch shall wet your breast
The rain-fresh goldenrod.
Oh, never this whelming east wind swells
But it seems like the sea’s return
To the ancient lands where it left the shells
Before the age of the fern;
And it seems like the time when after doubt
Our love came back amain.
Oh, come forth into the storm and rout
And be my love in the rain.
This poem is in the public domain.
Remember not the promises we made
In this same garden many moons ago.
You must forget them. I would have it so.
Old vows are like old flowers as they fade
And vaguely vanish in a feeble death.
There is no reason why your hands should clutch
At pretty yesterdays. There is not much
Of beauty in me now. And though my breath
Is quick, my body sentient, my heart
Attuned to romance as before, you must
Not, through mistaken chivalry, pretend
To love me still. There is no mortal art
Can overcome Time’s deep, corroding rust.
Let Love’s beginning expiate Love’s end.
From The Book of American Negro Poetry (Harcourt, Brace and Company, 1922), edited by James Weldon Johnson. This poem is in the public domain.
Let it be said that Tim's year was divided into two seasons: sneakers and flip-flops. Let us remember that Tim would sometimes throw a football with all the requisite grip, angle and spiral-talk. Let us recall that for the sake of what was left of appearances, my mother never once let him sleep in her bed; he snored all over our dog-chewed couch, and in the mornings when I tip-toed past him on my way to school, his jowls fat as a catcher's mitt, I never cracked an empty bottle across that space where his front teeth rotted out. Nor did I touch a struck match to that mole by his lip, whiskery dot that—he believed—made him irresistable to all lovelorn women. Still, let us remember sweetness: Tim lying face down, Mom popping the zits that dotted his broad, sun-spotted back, which, though obviously gross, gets the January photo in my personal wall calendar of what love should be, if such a calendar could still exist above my kitchen table junked up with the heretos and therefores from my last divorce. Let us not forget how my mother would slip into her red cocktail dress and Tim would say, "Your mother is beautiful," before getting up to go dance with someone else. In fairness, let me confess that I pedaled my ten-speed across the Leaf River bridge all the way to Tim's other woman's house and lay with that woman's daughter beside the moon- cold weight of the propane tank, dumb with liquor, numb to the fire ants that we spread our blanket over until I stopped for a second and looked up because I wondered if her mother could hear us, or if Tim might not have stood in the kitchen, maybe looked out the window and saw my white ass pumping in the moonlight, and whispered to himself, "That's my boy."
"Elegy for My Mother's Ex-Boyfriend" from Smote. Copyright © 2015 by James Kimbrell. Used with the permission of The Permissions Company, Inc., on behalf of Sarabande Books, www.sarabandebooks.org.