Then Almitra spoke, saying, We would ask now of Death.
    And he said:
    You would know the secret of death.
    But how shall you find it unless you seek it in the heart of life?
    The owl whose night-bound eyes are blind unto the day cannot unveil the mystery of light.
    If you would indeed behold the spirit of death, open your heart wide unto the body of life.
    For life and death are one, even as the river and the sea are one.

    In the depth of your hopes and desires lies your silent knowledge of the beyond;
    And like seeds dreaming beneath the snow your heart dreams of spring.
    Trust the dreams, for in them is hidden the gate to eternity.
    Your fear of death is but the trembling of the shepherd when he stands before the king whose hand is to be laid upon him in honour.
    Is the shepherd not joyful beneath his trembling, that he shall wear the mark of the king?
    Yet is he not more mindful of his trembling?

    For what is it to die but to stand naked in the wind and to melt into the sun?
    And what is it to cease breathing, but to free the breath from its restless tides, that it may rise and expand and seek God unencumbered?

    Only when you drink from the river of silence shall you indeed sing.
    And when you have reached the mountain top, then you shall begin to climb.
    And when the earth shall claim your limbs, then shall you truly dance.

From The Prophet (Knopf, 1923). This poem is in the public domain.

Gaza has become a funeral home, 
but there are no seats, 
no mourners, no bodies. 
In the caskets are nothing but 
what remained of the dead’s clothes, 
and on the crumbling walls are clocks 
that have not moved for fourteen months.

Copyright © 2025 by Mosab Abu Toha. Published by permission of the author.

I, too, sing America.

I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.

Tomorrow,
I'll be at the table
When company comes.
Nobody'll dare
Say to me,
“Eat in the kitchen,”
Then.

Besides,
They'll see how beautiful I am
And be ashamed—

I, too, am America.

From The Collected Poems of Langston Hughes, published by Knopf and Vintage Books. Copyright © 1994 by the Estate of Langston Hughes. All rights reserved. Used by permission of Harold Ober Associates Incorporated.

It’s dusk on a Tuesday in June. A hot wind

       bears down and east. In my room, a stranger’s

hairclip lies like a gilded insect beside the sink.

       Hours later, it’s still dusk; it will be dusk all night.

Last month, I cut the masking tape from a box my mother left

       my sister and me. On the lid, she wrote, Life is hard, not

unbeatable. If I can do it, darlings, so can you. 2 am. A rosy dark

       dusting the window, the heat a ladder into sleep.

Copyright © 2019 by Chloe Honum. Originally published in Poem-a-Day on May 15, 2019, by the Academy of American Poets

              10

maggie and milly and molly and may
went down to the beach(to play one day)

and maggie discovered a shell that sang
so sweetly she couldn’t remember her troubles,and

milly befriended a stranded star
whose rays five languid fingers were;

and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and

may came home with a smooth round stone
as small as a world and as large as alone.

For whatever we lose(like a you or a me)
it’s always ourselves we find in the sea

Copyright © 1956, 1984, 1991 by the Trustees for the E. E. Cummings Trust from The Complete Poems: 1904–1962 by E. E. Cummings, Edited by George J. Firmage. Reprinted by permission of Liveright Publishing Corporation. All rights reserved.

Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O, no! it is an ever-fixed mark,
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth’s unknown, although his height be taken.
Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
    If this be error, and upon me prov’d,
    I never writ, nor no man ever lov’d.

This poem is in the public domain.

Mountains, a moment’s earth-waves rising and hollowing; the earth too’s an ephemerid; the stars—
Short-lived as grass the stars quicken in the nebula and dry in their summer, they spiral
Blind up space, scattered black seeds of a future; nothing lives long, the whole sky’s
Recurrences tick the seconds of the hours of the ages of the gulf before birth, and the gulf
After death is like dated: to labor eighty years in a notch of eternity is nothing too tiresome,
Enormous repose after, enormous repose before, the flash of activity.
Surely you never have dreamed the incredible depths were prologue and epilogue merely
To the surface play in the sun, the instant of life, what is called life? I fancy
That silence is the thing, this noise a found word for it; interjection, a jump of the breath at that silence;
Stars burn, grass grows, men breathe: as a man finding treasure says ‘Ah!’ but the treasure’s the essence;
Before the man spoke it was there, and after he has spoken he gathers it, inexhaustible treasure.

This poem is in the public domain. Published in Poem-a-Day on July 10, 2022, by the Academy of American Poets.

Two roads diverged in a yellow wood,

And sorry I could not travel both

And be one traveler, long I stood

And looked down one as far as I could

To where it bent in the undergrowth;

Then took the other, as just as fair,

And having perhaps the better claim,

Because it was grassy and wanted wear;

Though as for that the passing there

Had worn them really about the same,

And both that morning equally lay

In leaves no step had trodden black.

Oh, I kept the first for another day!

Yet knowing how way leads on to way,

I doubted if I should ever come back.

I shall be telling this with a sigh

Somewhere ages and ages hence:

Two roads diverged in a wood, and I—

I took the one less traveled by,

And that has made all the difference.

From The Poetry of Robert Frost by Robert Frost, edited by Edward Connery Lathem. Copyright 1916, 1923, 1928, 1930, 1934, 1939, 1947, 1949, © 1969 by Holt Rinehart and Winston, Inc. Copyright 1936, 1942, 1944, 1945, 1947, 1948, 1951, 1953, 1954, © 1956, 1958, 1959, 1961, 1962 by Robert Frost. Copyright © 1962, 1967, 1970 by Leslie Frost Ballantine.

 

Although she feeds me bread of bitterness,

And sinks into my throat her tiger’s tooth,

Stealing my breath of life, I will confess

I love this cultured hell that tests my youth!

Her vigor flows like tides into my blood,

Giving me strength erect against her hate.

Her bigness sweeps my being like a flood.

Yet as a rebel fronts a king in state,

I stand within her walls with not a shred

Of terror, malice, not a word of jeer.

Darkly I gaze into the days ahead,

And see her might and granite wonders there,

Beneath the touch of Time’s unerring hand,

Like priceless treasures sinking in the sand.

From Harlem Shadows (New York, Harcourt, Brace and company, 1922) by Claude McKay. This poem is in the public domain.