somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands

From Complete Poems: 1904-1962 by E. E. Cummings, edited by George J. Firmage. Used with the permission of Liveright Publishing Corporation. Copyright © 1923, 1931, 1935, 1940, 1951, 1959, 1963, 1968, 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976, 1978, 1979 by George James Firmage.

Since men grow diffident at last,
And care no whit at all,
If spring be come, or the fall be past,
Or how the cool rains fall,

I come to no flower but I pluck,
I raise no cup but I sip,
For a mouth is the best of sweets to suck;
The oldest wine's on the lip.

If I grow old in a year or two,
And come to the querulous song
Of 'Alack and aday' and 'This was true,
And that, when I was young,'

I must have sweets to remember by,
Some blossom saved from the mire,
Some death-rebellious ember I
Can fan into a fire.

From The Book of American Negro Poetry (Harcourt, Brace and Company, 1922) edited by James Weldon Johnson. This poem is in the public domain.