Last night I get all the way to Ocean Street Extension, squinting through the windshield, wipers smearing the rain, lights of the oncoming cars half-blinding me. The baby’s in her seat in the back singing the first three words of You’re the Top. Not softly and sweetly the way she did when she woke in her crib, but belting it out like Ethel Merman. I don’t drive much at night anymore. And then the rain and the bad wipers. But I tell myself it’s too soon to give it up. Though the dark seems darker than I ever remember. And as I make the turn and head uphill, I can’t find the lines on the road. I start to panic. No! Yes—the lights! I flick them on and the world resolves. My god, I could have killed her. And I’ll think about that more later. But right now new galaxies are being birthed in my chest. There are no gods, but not everyone is cursed every moment. There are minutes, hours, sometimes even whole days when the earth is spinning 1.6 million miles around the sun and nothing tragic happens to you. I do not have to enter the land of everlasting sorrow. Every mistake I’ve made, every terrible decision—how I married the wrong man, hurt my child, didn’t go to Florence when she was dying—I take it all because the baby is commanding, “Sing, Nana.” And I sing, You’re the top. You’re the Coliseum, and the baby comes in right on cue.

Copyright © 2024 by Ellen Bass. Originally published in Poem-a-Day on March 11, 2024, by the Academy of American Poets. 

When the grizzly cubs were caught, collared, and taken away—
relocated they call it—
their mother ran back and forth on the road screaming.
Brutal sound. Torn from her lungs. Her heart,
twisted knot, hot blood rivering
to the twenty-six pounding bones of her feet.
Just weeks before
I watched a bear and her cubs run down a mountain
in the twilight.
So buoyant, they seemed to be tumbling
to the meadow,
to the yarrow root they dug, rocking
to wrest it from the hard ground, fattening for winter.
They were breathing what looked like gladness.
But that other mother . . .
Her massive head raised, desperate to catch their scent.
Each footfall a fracture in the earth’s crust.

Copyright © 2022 by Ellen Bass. Originally published in Poem-a-Day on August 17, 2022, by the Academy of American Poets.

Work in the early morning but at 3 A.M.
when I’m wide awake, holding you in my arms,
time is a debt that will never be forgiven us.
For whatever night is left, our bodies draping
the peeled leather couch, your head tilts up toward
mine in still sleep & I tuck in my ear to bridge
the farness of your breathing, faint & steady,
as if you were giving me flashes of your life
without words. I want there to be nothing
which exists beyond this room, save the thrush
obligato at dawn & the past that has made me
fragile enough to feel the time bend in your hold
but once my eyes map the ceiling there’s no hope
for desire to remake life in our light-shorn image.
I begin to think about all those ancient epics
where the heroes rather become infinite than fall in love,
narrowly conquering death at the expense of glimpsing
any heaven worth living for, betraying wind, staking
silver through their own humanity. For a moment I find myself
bent on one of us becoming exactly like that—undying
& indeterminate, god-renowned & never gaining, never
losing—but something pulls me back when your hand,
even in sleep, reaches a part of my neck which has a pulse
I’ve almost forgotten, lingers as if you were making
an afterlife with your touch, says we are here even
where we are gone, going, & the world means nothing.
Who cares what I have failed to become.
I will die knowing that
we lived forever.

Copyright © 2025 by Wes Matthews. Originally published in Poem-a-Day on June 13, 2025, by the Academy of American Poets. 

try calling it hibernation.
Imagine the darkness is a cave
in which you will be nurtured
by doing absolutely nothing.
Hibernating animals don’t even dream.
It’s okay if you can’t imagine
Spring. Sleep through the alarm
of the world. Name your hopelessness
a quiet hollow, a place you go
to heal, a den you dug,
Sweetheart, instead
of a grave.

From You Better Be Lightning (Button Poetry, 2021) by Andrea Gibson. Copyright © 2021 Andrea Gibson. Reprinted by permission of the author.

Whenever I spend the day crying, 
my friends tell me I look high. Good grief,  

they finally understand me.  
Even when the arena is empty, I thank god  

for the shots I miss. If you ever catch me  
only thanking god for the shots I make,  

remind me I’m not thanking god. Remind me  
all my prayers were answered  

the moment I started praying  
for what I already have.  

Jenny says when people ask if she’s out of the woods,  
she tells them she’ll never be out of the woods,  

says there is something lovely about the woods.  
I know how to build a survival shelter  

from fallen tree branches, packed mud,  
and pulled moss. I could survive forever  

on death alone. Wasn’t it death that taught me  
to stop measuring my lifespan by length,

but by width? Do you know how many beautiful things  
can be seen in a single second? How you can blow up

a second like a balloon and fit infinity inside of it? 
I’m infinite, I know, but I still have a measly wrinkle

collection compared to my end goal. I would love  
to be a before picture, I think, as I look in the mirror

and mistake my head for the moon. My dark  
thoughts are almost always 238,856 miles away 

from me believing them. I love this life, 
I whisper into my doctor’s stethoscope

so she can hear my heart. My heart, an heirloom
I didn’t inherit until I thought I could die.

Why did I go so long believing I owed the world
my disappointment? Why did I want to take

the world by storm when I could have taken it
by sunshine, by rosewater, by the cactus flowers

on the side of the road where I broke down?
I’m not about to waste more time

spinning stories about how much time
I’m owed, but there is a man

who is usually here, who isn’t today.  
I don’t know if he’s still alive. I just know

his wife was made of so much hope  
she looked like a firework above his chair.

Will the afterlife be harder if I remember
the people I love, or forget them?

Either way, please let me remember.

Copyright © 2023 by Andrea Gibson. Originally published in Poem-a-Day on May 30, 2023, by the Academy of American Poets.