Love, leave me like the light,
    The gently passing day;
We would not know, but for the night,
    When it has slipped away.

Go quietly; a dream,
    When done, should leave no trace
That it has lived, except a gleam
    Across the dreamer's face.

This poem is in the public domain. 

In the burned house I am eating breakfast.
You understand: there is no house, there is no breakfast,
yet here I am.

The spoon which was melted scrapes against
the bowl which was melted also.
No one else is around.

Where have they gone to, brother and sister,
mother and father? Off along the shore,
perhaps. Their clothes are still on the hangers,

their dishes piled beside the sink,
which is beside the woodstove
with its grate and sooty kettle,

every detail clear,
tin cup and rippled mirror.
The day is bright and songless,

the lake is blue, the forest watchful.
In the east a bank of cloud
rises up silently like dark bread.

I can see the swirls in the oilcloth,
I can see the flaws in the glass,
those flares where the sun hits them.

I can't see my own arms and legs
or know if this is a trap or blessing,
finding myself back here, where everything

in this house has long been over,
kettle and mirror, spoon and bowl,
including my own body,

including the body I had then,
including the body I have now
as I sit at this morning table, alone and happy,

bare child's feet on the scorched floorboards
(I can almost see)
in my burning clothes, the thin green shorts

and grubby yellow T-shirt
holding my cindery, non-existent,
radiant flesh. Incandescent.

From Morning in the Burned House by Margaret Atwood. Copyright © 1995 by Margaret Atwood. Published in the United States by Houghton Mifflin Co., published in Canada by McClelland and Stewart, Inc. All rights reserved.

Out of the night that covers me,   
  Black as the Pit from pole to pole,   
I thank whatever gods may be   
  For my unconquerable soul.   

In the fell clutch of circumstance 
  I have not winced nor cried aloud.   
Under the bludgeonings of chance   
  My head is bloody, but unbowed.   

Beyond this place of wrath and tears   
  Looms but the Horror of the shade, 
And yet the menace of the years   
  Finds, and shall find, me unafraid.   

It matters not how strait the gate,   
  How charged with punishments the scroll,   
I am the master of my fate:
  I am the captain of my soul.

This poem is in the public domain.

Late night July, Minnesota,
John asleep on the glassed-in porch,
Bob Dylan quiet on a cassette


you made from an album
I got rid of soon after
you died.  Years later,


I regret giving up
your two boxes of vinyl,
which I loved.  Surely


they were too awkward,
too easily broken
for people who loved music


the way we did.  But tonight
I’m in the mood for ghosts,
for sounds we hated: pop,


scratch, hiss, the occasional
skip.  The curtains balloon;
I’ve got a beer; I’m struck


by guilt, watching you
from a place ten years away,
kneeling and cleaning each


with a velvet brush before 
and after, tucking them in
their sleeves.  Understand,


I was still moving then.
The boxes were heavy.
If I had known



I would stop here
with a husband to help me
carry, and room—too late,


the college kids pick over
your black bones on Mass. Ave.,
we’ll meet again some day


on the avenue but still,
I want to hear it,
the needle hitting the end


of a side and playing silence
until the arm gives up,
pulls away.

Copyright © 2005 by Katrina Vandenberg. From Atlas. Reprinted with permission of Milkweed Editions.

I’m Nobody! Who are you?
Are you – Nobody – too?
Then there’s a pair of us!
Don't tell! they'd advertise – you know!

How dreary – to be – Somebody!
How public – like a Frog –
To tell one’s name – the livelong June –
To an admiring Bog!

Poetry used by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press. Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979 by the President and Fellows of Harvard College.

                                              One river gives
                                              Its journey to the next.

We give because someone gave to us.
We give because nobody gave to us.

We give because giving has changed us.
We give because giving could have changed us.

We have been better for it,
We have been wounded by it—

Giving has many faces: It is loud and quiet,
Big, though small, diamond in wood-nails.

Its story is old, the plot worn and the pages too,
But we read this book, anyway, over and again:

Giving is, first and every time, hand to hand,
Mine to yours, yours to mine.

You gave me blue and I gave you yellow.
Together we are simple green. You gave me

What you did not have, and I gave you
What I had to give—together, we made

Something greater from the difference.
 

Copyright © 2014 by Alberto Ríos. Used with permission of the author.