The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your own mirror,
and each will smile at the other’s welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

From THE POETRY OF DEREK WALCOTT, 1948–2013 by Derek Walcott, selected by Glyn Maxwell. Copyright © 2014 by Derek Walcott. Reprinted by permission of Farrar, Straus and Giroux. All Rights Reserved.

Love that is dead and buried, yesterday 
  Out of his grave rose up before my face, 
  No recognition in his look, no trace 
Of memory in his eyes dust-dimmed and grey. 
While I, remembering, found no word to say, 
  But felt my quickened heart leap in its place; 
  Caught afterglow thrown back from long set days, 
Caught echoes of all music passed away. 
Was this indeed to meet?—I mind me yet 
  In youth we met when hope and love were quick, 
    We parted with hope dead, but love alive: 
  I mind me how we parted then heart sick, 
    Remembering, loving, hopeless, weak to strive:— 
Was this to meet? Not so, we have not met.

This poem is in the public domain. Published in Poem-a-Day on September 13, 2026, by the Academy of American Poets.

Who made the world? 
Who made the swan, and the black bear? 
Who made the grasshopper? 
This grasshopper, I mean— 
the one who has flung herself out of the grass, 
the one who is eating sugar out of my hand, 
who is moving her jaws back and forth instead of up and down— 
who is gazing around with her enormous and complicated eyes. 
Now she lifts her pale forearms and thoroughly washes her face. 
Now she snaps her wings open, and floats away. 
I don’t know exactly what a prayer is. 
I do know how to pay attention, how to fall down 
into the grass, how to kneel down in the grass, 
how to be idle and blessed, how to stroll through the fields, 
which is what I have been doing all day. 
Tell me, what else should I have done? 
Doesn’t everything die at last, and too soon? 
Tell me, what is it you plan to do 
with your one wild and precious life?

“The Summer Day” by Mary Oliver reprinted by the permission of The Charlotte Sheedy Literary Agency as agent for the author. Copyright © 1990, 2006, 2008, 2017 by Mary Oliver with permission of Bill Reichblum

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

From The Poems of Dylan Thomas, published by New Directions. Copyright © 1952, 1953 Dylan Thomas. Copyright © 1937, 1945, 1955, 1962, 1966, 1967 the Trustees for the Copyrights of Dylan Thomas. Copyright © 1938, 1939, 1943, 1946, 1971 New Directions Publishing Corp. Used with permission.