The bud
stands for all things,
even for those things that don't flower,
for everything flowers, from within, of self-blessing;
though sometimes it is necessary
to reteach a thing its loveliness,
to put a hand on its brow
of the flower
and retell it in words and in touch
it is lovely
until it flowers again from within, of self-blessing;
as Saint Francis
put his hand on the creased forehead
of the sow, and told her in words and in touch
blessings of earth on the sow, and the sow
began remembering all down her thick length,
from the earthen snout all the way
through the fodder and slops to the spiritual curl of the tail,
from the hard spininess spiked out from the spine
down through the great broken heart
to the sheer blue milken dreaminess spurting and shuddering
from the fourteen teats into the fourteen mouths sucking and blowing beneath them:
the long, perfect loveliness of sow.

A little while spring will claim its own,
In all the land around for mile on mile
Tender grass will hide the rugged stone.
My still heart will sing a little while.

And men will never think this wilderness
Was barren once when grass is over all,
Hearing laughter they may never guess
My heart has known its winter and carried gall.

Fluid curse
Cut loose from the face
Aeolian window
Singing my costume
The rain too wrongly falling to run in
When asked in an interview
Do I want the position
By night I do
No by day
And mute life plays, rising to the skin
To dream this concrete
Shape we’re in

I can never remake the thing I have destroyed;
   I brushed the golden dust from the moth’s bright wing,
I called down wind to shatter the cherry-blossoms,
   I did a terrible thing.

I feared that the cup might fall, so I flung it from me;
   I feared that the bird might fly, so I set it free;
I feared that the dam might break, so I loosed the river:
   May its waters cover me.

            and i return to the field
that i never leave          other boys 
are here too          stamping the bruise-dark grass
one of us stands alone     between posts
and waits for the rest       to rifle
a ball through the dark      and toward the net
he defends               security lights
from the school     on the embankment 
above us     cast angles and shadows      that cut 
through our bodies
and abstract them          all i have learned
up till now     is fear 
                                     of opaque windows 
in houses outside the fence          of headlights
to lone cars that pass     leaving a wake
of deeper dark          of the neighbor nightwalking
his brindled, snarl-jawed dog          of other boys     
laughing and taunting     before their volleys     
bullet     toward and beyond the boy guarding the net          
of myself    how i understand no choice
but to join them
                             then     i am called     
to stand between the posts    
and what else can I do
                                      when i am there     
other boys strike     the one ball
shared between us     and it sidewinds      
out of the dark     hurtling above or around or 
sometimes straight at me     
                                           and what else 
can i do     crouched in my place 
and ready to throw my body     
after the ball      as it rips out of the night
but raise my own laughter    against them
the boys     arrayed 20 yards away     and aiming 
for my failure     but ring out with a taunting 
glee of my own     
                          until i call another boy 
to his turn     and walk back to the edge 
of the group     and wait to stand over the ball
and hope     to make the new boy     
lay down his body    for our game     as i 
have laid down mine          
                                    and      at the end of it     
what else can i do     but return the shoves 
of other boys     as we send each other 
away     in a gesture we refuse to name      as love
and slip through      the fence gap 
where we first snuck in      and leave 
the field i can never leave     and     all my fear intact     
be gone

I

Living is no laughing matter:
	you must live with great seriousness
		like a squirrel, for example—
   I mean without looking for something beyond and above living,
		I mean living must be your whole occupation.
Living is no laughing matter:
	you must take it seriously,
	so much so and to such a degree
   that, for example, your hands tied behind your back,
                                            your back to the wall,
   or else in a laboratory
	in your white coat and safety glasses,
	you can die for people—
   even for people whose faces you’ve never seen,
   even though you know living
	is the most real, the most beautiful thing.
I mean, you must take living so seriously
   that even at seventy, for example, you’ll plant olive trees—
   and not for your children, either,
   but because although you fear death you don’t believe it,
   because living, I mean, weighs heavier.

II

Let’s say we’re seriously ill, need surgery—
which is to say we might not get up
			from the white table.
Even though it’s impossible not to feel sad
			about going a little too soon,
we’ll still laugh at the jokes being told,
we’ll look out the window to see if it’s raining,
or still wait anxiously
		for the latest newscast . . . 
Let’s say we’re at the front—
	for something worth fighting for, say.
There, in the first offensive, on that very day,
	we might fall on our face, dead.
We’ll know this with a curious anger,
        but we’ll still worry ourselves to death
        about the outcome of the war, which could last years.
Let’s say we’re in prison
and close to fifty,
and we have eighteen more years, say,
                        before the iron doors will open.
We’ll still live with the outside,
with its people and animals, struggle and wind—
                                I  mean with the outside beyond the walls.
I mean, however and wherever we are,
        we must live as if we will never die.

III

This earth will grow cold,
a star among stars
               and one of the smallest,
a gilded mote on blue velvet—
	  I mean this, our great earth.
This earth will grow cold one day,
not like a block of ice
or a dead cloud even 
but like an empty walnut it will roll along
	  in pitch-black space . . . 
You must grieve for this right now
—you have to feel this sorrow now—
for the world must be loved this much
                               if you’re going to say “I lived” . . .

Lying, thinking
Last night
How to find my soul a home
Where water is not thirsty
And bread loaf is not stone
I came up with one thing
And I don’t believe I’m wrong
That nobody,
But nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

There are some millionaires
With money they can’t use
Their wives run round like banshees
Their children sing the blues
They’ve got expensive doctors
To cure their hearts of stone.
But nobody
No, nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

Now if you listen closely
I’ll tell you what I know
Storm clouds are gathering
The wind is gonna blow
The race of man is suffering
And I can hear the moan,
’Cause nobody,
But nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

^{—after Freda Epum}

the day could do without
me. The ice outside glitters around
my car’s tires like a pageant
dress. Only digital utterances between
myself and the world for at least
a week. The last time he visited, my friend
noted the lack of natural light
in my downstairs apartment, 
the posthumous-grey bleeding into
the mood. Aught of light
in the bedroom due to the blackout
curtains. But sometimes,
the day heckles, with its high-
bitch sun and melting snow. Some
days, I lay in the morgue
of darkness, hyper-alone,
and the sunlight, so audacious, paints
the color back onto my cheeks. 

The sun goes down, and over all
    These barren reaches by the tide
Such unelusive glories fall,
    I almost dream they yet will bide
    Until the coming of the tide.

And yet I know that not for us,
    By any ecstasy of dream,
He lingers to keep luminous
    A little while the grievous stream,
    Which frets, uncomforted of dream—

A grievous stream, that to and fro
    Athrough the fields of Acadie
Goes wandering, as if to know
    Why one beloved face should be
    So long from home and Acadie.

Was it a year or lives ago
    We took the grasses in our hands,
And caught the summer flying low
    Over the waving meadow lands,
    And held it there between our hands?

The while the river at our feet—
    A drowsy inland meadow stream—
At set of sun the after-heat
    Made running gold, and in the gleam
    We freed our birch upon the stream.

There down along the elms at dusk
    We lifted dripping blade to drift,
Through twilight scented fine like musk,
    Where night and gloom awhile uplift,
    Nor sunder soul and soul adrift.

And that we took into our hands
    Spirit of life or subtler thing—
Breathed on us there, and loosed the bands
    Of death, and taught us, whispering,
    The secrets of some wonder-thing.

Then all your face grew light, and seemed
    To hold the shadow of the sun;
The evening faltered, and I deemed
    That time was ripe, and years had done
    Their wheeling underneath the sun.

So all desire and all regret,
    And fear and memory, were naught;
One to remember or forget
    The keen delight our hands had caught;
    Morrow and yesterday were naught.

The night has fallen, and the tide . . .
    Now and again comes drifting home,
Across these aching barrens wide,
    A sigh like driven wind or foam:
    In grief the flood is bursting home.

^{for Sean Ferguson}

The mother laid her boy to sleep
in a laundry hamper. Its weave curved 
around his head just as the glow 
of a dying planet had curved 
around Kal-El, another boy ejected 
into space. Buckled into 
the seat of her stationwagon, 
the hamper traveled north, as far 
from the panhandle as Ephrata, Washington, 
no father for miles. For her boy 
his mother packed the stroller, 
a painting, and all the towels 
in the damp rowhouse near the airforce base. 
For her boy she drove eleven days. 
Now the boy is forty, he lives 
in LA, he’s learned to love 
without caution. She lives alone, 
she attends church twice a week. 
The minister argues that hers 
is a heroism of the natural order 
overthrown: the patriarch gone mad, 
the son preserved to replace him. 
Yet the mother sees the little stories 
curtained by the great. She is certain 
that, during those eleven days of driving, 
she was mythic. They were mythic. 
Mary and Christ. Jessica and Paul. 
Heroine and hero, together in flight. 

Sand-gray desert siren, a roadrunner  
             froze between creosote, confused 

                          not by prickly pear or pencil cactus,  
                                       but by fumes choking the road’s throat.

A toddler nearby tensed at each  
             tire’s shriek, his hand crushed inside

                          his mother’s as the roadrunner  
                                       swiveled its head as if looking for his

before darting west, then north,  
             then west again, this time    

                          toward a canyon whose creek,   
                                       after a meagre snowmelt, 

was ringed by thin reeds, skeeters  
             careening between them. Don’t, 

                          my mother had warned when I crawled 
                                       from beneath mesquite, 

lizard’s tail dangling from my fist.  
             When she tried to stop    
            
                          bulldozers from collapsing bighorn  
                                       habitat, I ignored her, grabbing

whiptails, dung beetles, centipedes.  
             Now the toddler,

                          eyeing flecks of fool’s gold glowing  
                                       in a chunk of sandstone          

slips free of his mother’s hand 
             to flop in the dirt beside the highway. 

                          Can he feel dunes breathing  
                                       beneath his feet, aquifer dwindling

but still rich as his own blood running?—  
             Or does he hear only the groans

                          of a desert emptying, ravens massed  
                                       in the valley to scavenge. 

is up The Met’s stone steps,
so many that I have trouble collecting 
my girthy tourist’s breaths

and my palms, all sweaty, 
smeared with ink 
from his crinkled face,

wrinkled in the brochure, and
to think I’m too underdressed 
for a pocket square,

so up goes the tee’s hem
to blot my forehead dry
enough, when, of course,

there goes my furry gut’s apron
for everyone to see 
it unfurling like the carpet

Claudia Schiffer stomped
toward that one Lagerfeld photoshoot:
her mean mien

of a pouty puss made up 
to an almost-
black face, blond braided back

under a theoretical afro, 
an aphrodisiac, you know, 
what men want, a diasporic taste

in their ladies: hot 
enough to boil a stew pot, thin 
as ladle handles, good cooks

in the bedroom—yet 
still Lagerfeld wanted
supremacy’s payload, to not see

that which was too colored 
for his pleathered hands to hold 
not but to plunder, and so here we are

staring up at his sketched waifs,
craning our necks
to take in the niched wall,

each gown an upturned urn
shelved in its own alcove, 
dressed in nothing

but archive’s bleached light, 
the mannequins’ clean faces 
looking down on us—

crowded together 
like the staggered heads 
of snaggleteeth 
in his stitched mouth.

We'll say unbelievable things 
to each other in the early morning— 
  
our blue coming up from our roots, 
our water rising in our extraordinary limbs. 
  
All night I dreamt of bonfires and burn piles 
and ghosts of men, and spirits 
behind those birds of flame. 
  
I cannot tell anymore when a door opens or closes, 
I can only hear the frame saying, Walk through. 
  
It is a short walkway— 
into another bedroom. 
  
Consider the handle. Consider the key. 
  
I say to a friend, how scared I am of sharks. 
  
How I thought I saw them in the creek 
across from my street. 
  
I once watched for them, holding a bundle 
of rattlesnake grass in my hand, 
shaking like a weak-leaf girl. 
  
She sends me an article from a recent National Geographic that says, 
  
Sharks bite fewer people each year than 
New Yorkers do, according to Health Department records. 
  
Then she sends me on my way. Into the City of Sharks. 
  
Through another doorway, I walk to the East River saying, 
  
Sharks are people too. 
Sharks are people too. 
Sharks are people too. 
  
I write all the things I need on the bottom 
of my tennis shoes. I say, Let's walk together. 
  
The sun behind me is like a fire. 
Tiny flames in the river's ripples. 
  
I say something to God, but he's not a living thing, 
so I say it to the river, I say, 
  
I want to walk through this doorway 
But without all those ghosts on the edge, 
I want them to stay here. 
I want them to go on without me. 
  
I want them to burn in the water.

And a woman who held a babe against her bosom said, Speak to us of Children.
     And he said:
     Your children are not your children.
     They are the sons and daughters of Life’s longing for itself.
     They come through you but not from you,
     And though they are with you yet they belong not to you.

     You may give them your love but not your thoughts,
     For they have their own thoughts.
     You may house their bodies but not their souls,
     For their souls dwell in the house of tomorrow, which you cannot visit, not even in your dreams.
     You may strive to be like them, but seek not to make them like you.
     For life goes not backward nor tarries with yesterday.
     You are the bows from which your children as living arrows are sent forth.
     The archer sees the mark upon the path of the infinite, and He bends you with His might that His arrows may go swift and far.
     Let your bending in the archer’s hand be for gladness;
     For even as He loves the arrow that flies, so He loves also the bow that is stable.

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and purchase bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

Beat, old heart, these are the old bars
All stragglers have beat against.
Beat on these bars like the old sea
Beats on the rocks and beaches.
Beat here like the old winter winds
Beat on the prairies and timbers.
Old grizzlies, eagles, buffalo,
Their paws and beaks register this.
Their hides and heads say it with scars.

If you can keep your head when all about you

   Are losing theirs and blaming it on you;

If you can trust yourself when all men doubt you,

   But make allowance for their doubting too;

If you can wait and not be tired by waiting,

   Or, being lied about, don’t deal in lies,

Or, being hated, don’t give way to hating,

   And yet don’t look too good, nor talk too wise;

If you can dream—and not make dreams your master;

   If you can think—and not make thoughts your aim;

If you can meet with triumph and disaster

   And treat those two impostors just the same;

If you can bear to hear the truth you’ve spoken

   Twisted by knaves to make a trap for fools,

Or watch the things you gave your life to broken,

   And stoop and build ’em up with wornout tools;

If you can make one heap of all your winnings

   And risk it on one turn of pitch-and-toss,

And lose, and start again at your beginnings

   And never breathe a word about your loss;

If you can force your heart and nerve and sinew

   To serve your turn long after they are gone,

And so hold on when there is nothing in you

   Except the Will which says to them: “Hold on”;

If you can talk with crowds and keep your virtue,

   Or walk with kings—nor lose the common touch;

If neither foes nor loving friends can hurt you;

   If all men count with you, but none too much;

If you can fill the unforgiving minute

With sixty seconds’ worth of distance run—

   Yours is the Earth and everything that’s in it,

And—which is more—you’ll be a Man, my son!

Who made the world? 
Who made the swan, and the black bear? 
Who made the grasshopper? 
This grasshopper, I mean— 
the one who has flung herself out of the grass, 
the one who is eating sugar out of my hand, 
who is moving her jaws back and forth instead of up and down— 
who is gazing around with her enormous and complicated eyes. 
Now she lifts her pale forearms and thoroughly washes her face. 
Now she snaps her wings open, and floats away. 
I don’t know exactly what a prayer is. 
I do know how to pay attention, how to fall down 
into the grass, how to kneel down in the grass, 
how to be idle and blessed, how to stroll through the fields, 
which is what I have been doing all day. 
Tell me, what else should I have done? 
Doesn’t everything die at last, and too soon? 
Tell me, what is it you plan to do 
with your one wild and precious life?

O too dull brain, O unperceiving nerves
That cannot sense what so torments my soul,
But like torn trees, when deep Novembers roll
Tragic with mighty winds and vaulting curves
Of sorrowful vast sound, and light that swerves
In blown and tossing eddies, branch and bole
Shudder and gesture with a grotesque dole,
A grief that misconceives the grief it serves,

O too dull brain,—with some more subtle sense
I know you here within the lightless room
Reaching your hand to me, and my faint eyes
See only darkness and the night’s expanse,
And horribly, within the listening gloom,
My voice comes back, still eager with surprise.

I started out in the Virginia mountains
with my grandma’s pansy bed
and my Aunt Maud’s dandelion wine.
We lived on greens and back-fat and biscuits.
My Aunt Maud scrubbed right through the linoleum.
My daddy was a Northerner who played drums
and chewed tobacco and gambled.
He married my mama on the rebound.
Who would want an ignorant hill girl with red hair?
They took a Pullman up to Indianapolis
and someone stole my daddy’s wallet.
My whole life has been stained with pokeberries.
No man seemed right for me. I was awkward
until I found a good wood-burning stove.
There is no use asking what it means.
With my first piece of ready cash I bought my own
place in Vermont; kerosene lamps, dirt road.
I’m sticking here like a porcupine up a tree.
Like the one our neighbor shot. Its bones and skin
hung there for three years in the orchard.
No amount of knowledge can shake my grandma out of me;
or my Aunt Maud; or my mama, who didn’t just bite an apple
with her big white teeth. She split it in two.

Things will be different.
No one will lose their sight,
their hearing, their gallbladder.
It will be all Catskills with brand
new wrap-around verandas.
The idea of Hitler will not
have vibrated yet.
While back here,
they are still cleaning out
pockets of wrinkled
Nazis hiding in Argentina.
But in the next galaxy,
certain planets will have true
blue skies and drinking water.

Never, never, never, never, never.
—King Lear

Even now I can’t grasp “nothing” or “never.”
They’re unholdable, unglobable, no map to nothing.
Never? Never ever again to see you?
An error, I aver. You’re never nothing,
because nothing’s not a thing.
I know death is absolute, forever,
the guillotine—gutting—never to which we never say goodbye.
But even as I think “forever” it goes “ever”
and “ever” and “ever.” Ever after.
I’m a thing that keeps on thinking. So I never see you
is not a thing or think my mouth can ever. Aver:
You’re not “nothing.” But neither are you something.
Will I ever really get never?
You’re gone. Nothing, never—ever.

I

Jesús, Estrella, Esperanza, Mercy:

       Sails flashing to the wind like weapons, 
       sharks following the moans the fever and the dying;   
       horror the corposant and compass rose. 

Middle Passage: 
               voyage through death 
                               to life upon these shores. 

       “10 April 1800— 
       Blacks rebellious. Crew uneasy. Our linguist says   
       their moaning is a prayer for death, 
       ours and their own. Some try to starve themselves.   
       Lost three this morning leaped with crazy laughter   
       to the waiting sharks, sang as they went under.” 

Desire, Adventure, Tartar, Ann:

       Standing to America, bringing home   
       black gold, black ivory, black seed. 

               Deep in the festering hold thy father lies,   
               of his bones New England pews are made,   
               those are altar lights that were his eyes.

Jesus    Saviour    Pilot    Me 
Over    Life’s    Tempestuous    Sea 

We pray that Thou wilt grant, O Lord,   
safe passage to our vessels bringing   
heathen souls unto Thy chastening. 

Jesus    Saviour 

       “8 bells. I cannot sleep, for I am sick 
       with fear, but writing eases fear a little 
       since still my eyes can see these words take shape   
       upon the page & so I write, as one 
       would turn to exorcism. 4 days scudding, 
       but now the sea is calm again. Misfortune 
       follows in our wake like sharks (our grinning   
       tutelary gods). Which one of us 
       has killed an albatross? A plague among 
       our blacks—Ophthalmia: blindness—& we   
       have jettisoned the blind to no avail. 
       It spreads, the terrifying sickness spreads. 
       Its claws have scratched sight from the Capt.'s eyes   
       & there is blindness in the fo’c’sle 
       & we must sail 3 weeks before we come 
       to port.” 

               What port awaits us, Davy Jones’ 
               or home? I’ve heard of slavers drifting, drifting,   
               playthings of wind and storm and chance, their crews   
               gone blind, the jungle hatred 
               crawling up on deck.

Thou    Who    Walked    On    Galilee 

       “Deponent further sayeth The Bella J 
       left the Guinea Coast 
       with cargo of five hundred blacks and odd   
       for the barracoons of Florida: 

       “That there was hardly room ’tween-decks for half   
       the sweltering cattle stowed spoon-fashion there;   
       that some went mad of thirst and tore their flesh   
       and sucked the blood: 

       “That Crew and Captain lusted with the comeliest   
       of the savage girls kept naked in the cabins;   
       that there was one they called The Guinea Rose   
       and they cast lots and fought to lie with her: 

       “That when the Bo’s’n piped all hands, the flames   
       spreading from starboard already were beyond   
       control, the negroes howling and their chains   
       entangled with the flames: 

       “That the burning blacks could not be reached,   
       that the Crew abandoned ship, 
       leaving their shrieking negresses behind, 
       that the Captain perished drunken with the wenches: 

       “Further Deponent sayeth not.” 

Pilot    Oh    Pilot    Me 

       II

Aye, lad, and I have seen those factories,   
Gambia, Rio Pongo, Calabar; 
have watched the artful mongos baiting traps   
of war wherein the victor and the vanquished 

Were caught as prizes for our barracoons.   
Have seen the nigger kings whose vanity 
and greed turned wild black hides of Fellatah,   
Mandingo, Ibo, Kru to gold for us. 

And there was one—King Anthracite we named him— 
fetish face beneath French parasols 
of brass and orange velvet, impudent mouth 
whose cups were carven skulls of enemies: 

He’d honor us with drum and feast and conjo   
and palm-oil-glistening wenches deft in love,   
and for tin crowns that shone with paste,   
red calico and German-silver trinkets 

Would have the drums talk war and send   
his warriors to burn the sleeping villages   
and kill the sick and old and lead the young   
in coffles to our factories. 

Twenty years a trader, twenty years, 
for there was wealth aplenty to be harvested   
from those black fields, and I’d be trading still   
but for the fevers melting down my bones. 

       III

Shuttles in the rocking loom of history,   
the dark ships move, the dark ships move,   
their bright ironical names 
like jests of kindness on a murderer’s mouth;   
plough through thrashing glister toward   
fata morgana’s lucent melting shore,   
weave toward New World littorals that are   
mirage and myth and actual shore. 

Voyage through death, 
                               voyage whose chartings are unlove. 

A charnel stench, effluvium of living death   
spreads outward from the hold, 
where the living and the dead, the horribly dying,   
lie interlocked, lie foul with blood and excrement. 

       Deep in the festering hold thy father lies,   
       the corpse of mercy rots with him,   
       rats eat love’s rotten gelid eyes. 

       But, oh, the living look at you 
       with human eyes whose suffering accuses you,   
       whose hatred reaches through the swill of dark   
       to strike you like a leper’s claw. 

       You cannot stare that hatred down 
       or chain the fear that stalks the watches 
       and breathes on you its fetid scorching breath;   
       cannot kill the deep immortal human wish,   
       the timeless will.

               “But for the storm that flung up barriers   
               of wind and wave, The Amistad, señores, 
               would have reached the port of Príncipe in two,   
               three days at most; but for the storm we should   
               have been prepared for what befell.   
               Swift as the puma’s leap it came. There was   
               that interval of moonless calm filled only   
               with the water’s and the rigging’s usual sounds,   
               then sudden movement, blows and snarling cries   
               and they had fallen on us with machete   
               and marlinspike. It was as though the very   
               air, the night itself were striking us.   
               Exhausted by the rigors of the storm, 
               we were no match for them. Our men went down   
               before the murderous Africans. Our loyal   
               Celestino ran from below with gun   
               and lantern and I saw, before the cane- 
               knife’s wounding flash, Cinquez, 
               that surly brute who calls himself a prince,   
               directing, urging on the ghastly work. 
               He hacked the poor mulatto down, and then   
               he turned on me. The decks were slippery 
               when daylight finally came. It sickens me   
               to think of what I saw, of how these apes   
               threw overboard the butchered bodies of 
               our men, true Christians all, like so much jetsam.   
               Enough, enough. The rest is quickly told:   
               Cinquez was forced to spare the two of us   
               you see to steer the ship to Africa,   
               and we like phantoms doomed to rove the sea   
               voyaged east by day and west by night,   
               deceiving them, hoping for rescue,   
               prisoners on our own vessel, till   
               at length we drifted to the shores of this   
               your land, America, where we were freed   
               from our unspeakable misery. Now we   
               demand, good sirs, the extradition of   
               Cinquez and his accomplices to La   
               Havana. And it distresses us to know   
               there are so many here who seem inclined   
               to justify the mutiny of these blacks.   
               We find it paradoxical indeed 
               that you whose wealth, whose tree of liberty   
               are rooted in the labor of your slaves 
               should suffer the august John Quincy Adams   
               to speak with so much passion of the right   
               of chattel slaves to kill their lawful masters   
               and with his Roman rhetoric weave a hero’s   
               garland for Cinquez. I tell you that   
               we are determined to return to Cuba 
               with our slaves and there see justice done. Cinquez— 
               or let us say ‘the Prince’—Cinquez shall die.” 

       The deep immortal human wish,   
       the timeless will: 

               Cinquez its deathless primaveral image,   
               life that transfigures many lives. 

       Voyage through death 
                                     to life upon these shores.

I have had my dream—like others—
and it has come to nothing, so that
I remain now carelessly
with feet planted on the ground
and look up at the sky—
feeling my clothes about me,
the weight of my body in my shoes,
the rim of my hat, air passing in and out
at my nose—and decide to dream no more.

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands

Love that is dead and buried, yesterday 
  Out of his grave rose up before my face, 
  No recognition in his look, no trace 
Of memory in his eyes dust-dimmed and grey. 
While I, remembering, found no word to say, 
  But felt my quickened heart leap in its place; 
  Caught afterglow thrown back from long set days, 
Caught echoes of all music passed away. 
Was this indeed to meet?—I mind me yet 
  In youth we met when hope and love were quick, 
    We parted with hope dead, but love alive: 
  I mind me how we parted then heart sick, 
    Remembering, loving, hopeless, weak to strive:— 
Was this to meet? Not so, we have not met.

^{translated from the Ojibwe by the author}

At the threshold
of melancholy
is a voice barely heard

a light wrapped in fog
and a piece of steel
longing for flint.

Strike it.
 

Zisikinebidoon

Gashkikanokaaning
apii gashkenindaman
agaawaa bapoweyan

waateg gashkaabateg
manidoo-biiwaabik
misawenimaad biiwaanan.

Zisikinebidoon.

High in the secret places of the hills
Cliff-girt it stands, in grassy solitude,
No ruin but a vision unachieved.

This temple is a house not made with hands
But born of man’s incorrigible need
For permanence and beauty in the scud
And wreckage of mortality—as though
Great thoughts, communing in the noise of towns
With inward isolation and deep peace,
And dreams gold-paven for celestial feet,
Had wrought the sudden wonder; and behold,
The sky, the hills, the awful colonnade,
And, night-long woven through the fane’s august
Intercolumniations, all the stars
Processionally wheeling—

                                                Then it was
That, having reared their wonder, it would seem
The makers feared their God might prove less great
Than man’s heart dreaming on him—and so left
The shafts unroofed, untenanted the shrine.