We walk on starry fields of white
   And do not see the daisies;
For blessings common in our sight
   We rarely offer praises.
We sigh for some supreme delight
   To crown our lives with splendor,
And quite ignore our daily store
   Of pleasures sweet and tender.

Our cares are bold and push their way
   Upon our thought and feeling.
They hand about us all the day,
   Our time from pleasure stealing.
So unobtrusive many a joy
   We pass by and forget it,
But worry strives to own our lives,
   And conquers if we let it.

There’s not a day in all the year
   But holds some hidden pleasure,
And looking back, joys oft appear
   To brim the past’s wide measure.
But blessings are like friends, I hold,
   Who love and labor near us.
We ought to raise our notes of praise
   While living hearts can hear us.

Full many a blessing wears the guise
   Of worry or of trouble;
Far-seeing is the soul, and wise,
   Who knows the mask is double.
But he who has the faith and strength
   To thank his God for sorrow
Has found a joy without alloy
   To gladden every morrow.

We ought to make the moments notes
   Of happy, glad Thanksgiving;
The hours and days a silent phrase
   Of music we are living.
And so the theme should swell and grow
   As weeks and months pass o’er us,
And rise sublime at this good time,
   A grand Thanksgiving chorus.

This poem is in the public domain.

I.

Although Tía Miriam boasted she discovered
at least half-a-dozen uses for peanut butter—
topping for guava shells in syrup,
butter substitute for Cuban toast,
hair conditioner and relaxer—
Mamá never knew what to make
of the monthly five-pound jars
handed out by the immigration department
until my friend, Jeff, mentioned jelly.

II.

There was always pork though,
for every birthday and wedding,
whole ones on Christmas and New Year's Eves,
even on Thanksgiving Day—pork,
fried, broiled or crispy skin roasted—
as well as cauldrons of black beans,
fried plantain chips and yuca con mojito.

These items required a special visit
to Antonio's Mercado on the corner of 8th street
where men in guayaberas stood in senate
blaming Kennedy for everything—"Ese hijo de puta!"
the bile of Cuban coffee and cigar residue
filling the creases of their wrinkled lips;
clinging to one another's lies of lost wealth,
ashamed and empty as hollow trees.

III.

By seven I had grown suspicious—we were still here.
Overheard conversations about returning
had grown wistful and less frequent.
I spoke English; my parents didn't.
We didn't live in a two story house
with a maid or a wood panel station wagon
nor vacation camping in Colorado.
None of the girls had hair of gold;
none of my brothers or cousins
were named Greg, Peter, or Marcia;
we were not the Brady Bunch.
None of the black and white characters
on Donna Reed or on Dick Van Dyke Show
were named Guadalupe, Lázaro, or Mercedes.
Patty Duke's family wasn't like us either—
they didn't have pork on Thanksgiving,
they ate turkey with cranberry sauce;
they didn't have yuca, they had yams
like the dittos of Pilgrims I colored in class.

IV.

A week before Thanksgiving
I explained to my abuelita
about the Indians and the Mayflower,
how Lincoln set the slaves free;
I explained to my parents about
the purple mountain's majesty,
"one if by land, two if by sea"
the cherry tree, the tea party,
the amber waves of grain,
the "masses yearning to be free"
liberty and justice for all, until
finally they agreed:
this Thanksgiving we would have turkey,
as well as pork.

V.

Abuelita prepared the poor fowl
as if committing an act of treason,
faking her enthusiasm for my sake.
Mamà set a frozen pumpkin pie in the oven
and prepared candied yams following instructions
I translated from the marshmallow bag.
The table was arrayed with gladiolus,
the plattered turkey loomed at the center
on plastic silver from Woolworths.
Everyone sat in green velvet chairs
we had upholstered with clear vinyl,
except Tío Carlos and Toti, seated
in the folding chairs from the Salvation Army.
I uttered a bilingual blessing
and the turkey was passed around
like a game of Russian Roulette.
"DRY," Tío Berto complained, and proceeded
to drown the lean slices with pork fat drippings
and cranberry jelly—"esa mierda roja," he called it.

Faces fell when Mamá presented her ochre pie—
pumpkin was a home remedy for ulcers, not a dessert.
Tía María made three rounds of Cuban coffee
then Abuelo and Pepe cleared the living room furniture,
put on a Celia Cruz LP and the entire family
began to merengue over the linoleum of our apartment,
sweating rum and coffee until they remembered—
it was 1970 and 46 degrees—
in América.
After repositioning the furniture,
an appropriate darkness filled the room.
Tío Berto was the last to leave.

From City of a Hundred Fires, by Richard Blanco, © 1998. All rights are controlled by the University of Pittsburgh Press, Pittsburgh, PA 15260. Used by permission of the publisher. 

The holiest of all holidays are those
    Kept by ourselves in silence and apart;
    The secret anniversaries of the heart,
    When the full river of feeling overflows;—
The happy days unclouded to their close;
    The sudden joys that out of darkness start
    As flames from ashes; swift desires that dart
    Like swallows singing down each wind that blows!
White as the gleam of a receding sail,
    White as a cloud that floats and fades in air,
    White as the whitest lily on a stream,
These tender memories are;— a Fairy Tale
    Of some enchanted land we know not where,
    But lovely as a landscape in a dream.

This poem is in the public domain.

Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed—
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There’s never been equality for me,
Nor freedom in this “homeland of the free.”)

Say, who are you that mumbles in the dark?
And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,
I am the Negro bearing slavery’s scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek—
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one’s own greed!

I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the Negro, servant to you all.
I am the people, humble, hungry, mean—
Hungry yet today despite the dream.
Beaten yet today—O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.

Yet I’m the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That’s made America the land it has become.
O, I’m the man who sailed those early seas
In search of what I meant to be my home—
For I’m the one who left dark Ireland’s shore,
And Poland’s plain, and England’s grassy lea,
And torn from Black Africa’s strand I came
To build a “homeland of the free.”

The free?

Who said the free? Not me?
Surely not me? The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we’ve dreamed
And all the songs we’ve sung
And all the hopes we’ve held
And all the flags we’ve hung,
The millions who have nothing for our pay—
Except the dream that’s almost dead today.

O, let America be America again—
The land that never has been yet—
And yet must be—the land where every man is free.
The land that’s mine—the poor man’s, Indian’s, Negro’s, ME—
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.

Sure, call me any ugly name you choose—
The steel of freedom does not stain.
From those who live like leeches on the people’s lives,
We must take back our land again,
America!

O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath—
America will be!

Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain—
All, all the stretch of these great green states—
And make America again!

From The Collected Poems of Langston Hughes, published by Alfred A. Knopf, Inc. Copyright © 1994 the Estate of Langston Hughes. Used with permission.