the unholy trinity of suburban late-night salvation
barring seemingly endless options of worship
bean burrito breadsticks and mashed potatoes
or a soft taco pan pizza and a buttered biscuit
an unimaginable combination of food flavors
for people not ready to go home to their parents
and yet none of the options feel quite right
so maybe I should call it Self-Portrait as idling
in a drive-thru with your friends crammed
across the sunken bench seats avoiding
the glow of the check engine light with black tape
pressed with a precision unseen anywhere else
in their lives as a fractured voice says don’t worry
take your time and order whenever you’re ready
from behind a menu backlit like the window
inside of a confessional booth as the hands
of the driver open up like a collection basket
for the wadded-up bills and loose change
that slowly stack up as the years go by
and I’m not sure what I’m supposed to be
in this analogy but I know about masking
warning signs and hearing out of tune
voices scream WE’RE THE KIDS WHO FEEL
LIKE DEAD ENDS so instead I’ll call it Self-
Portrait as From Under the Cork Tree
or maybe even Self-Portrait as whatever
album people listen to when they love
their friends and still want to feel connected
to the grass walls of a teenage wasteland
that they can’t help but run away from
Copyright © 2024 by Aaron Tyler Hand. Originally published in Poem-a-Day on April 22, 2024, by the Academy of American Poets.
We’d lift gin from your mother’s cabinet
and walk the hallways of Robert Asp Middle
taking swigs in plain sight from a 20 oz
Pepsi Clear, your gap tooth flashing
at teachers we passed, your hands forgetting
to pass the bottle, screwing and unscrewing
the cap. After that I moved. We lost track.
The news was six months old by the time
I heard. When they don’t say what happened
you know what happened. We used to catch
rides from highschoolers out to the Red to jump
the bridge. Water thick with clay. Red with clay.
We kept close watch for underwater logs.
Smoked Menthols. A 40-foot drop into swirls
of currents. One time you stayed under
and kicked downstream to trick me. Nervous,
I stared at the surface for signs. No signs.
I stumbled down the bank to dive in.
The moment you were certain you had me
the valley cracked with your laughter.
Copyright © 2026 by Anders Carlson-Wee. Originally published in Poem-a-Day on April 27, 2026, by the Academy of American Poets.
Of course, she was not chosen to deliver
any of the official hail-and-farewells. Would, in fact,
have skipped the whole pomp and circumstance crap
if the principal had not threatened to hold her diploma hostage,
if her parents had not pleaded with her to celebrate
the milestone for their sakes—so she donned
the rented robe, the dorky mortarboard, and paraded
down the auditorium aisles with her beaming so-called peers.
Lots of introductions. Lots of momentous occasions
and memories—many of which Ms. S was already
eager to forget. But she listened politely to the usual
promises of new beginnings, the exhortations to follow
dreams and change the world—even got a bit teary eyed
at the prospect that one of them actually might.
Then the ritual flipping of the tassels, the alma mater
one last time off-key, the filing out to hugs and congratulations
and vows to stay in touch she knew she’d never keep.
Ms. S had her eye on distant horizons, some vague
anywhere-else-but-here place where her brief past
could be erased and all the potential her teachers had,
for years, claimed she was wasting, would be realized,
where she would finally hear her life’s calling
calling her into the life she was meant to have.
The world, she thought, is my oyster.
Of course, being an inland girl, she had never
actually seen an oyster up close. Had yet to discover
how hard the damn things were to crack.
Copyright © 2018 Grace Bauer. This poem originally appeared in Tin House, Winter 2018. Used with permission of the authors.
I want to write a poem as long as California like lying on a couch forever as a serious man takes notes on your dreams in a little book maybe I mean I want to talk forever but is there even a difference anyway like my uncle who went walking and never stopped or that day on the LA Freeway when a horse got loose, people freaking out cars honking and skidding and me and my sister rooting for the horse who I still imagine, 20 years later trotting around the LA Freeway a living argument against time as people drive right past her without even noticing a horse she keeps on, at home in the gridlock a phenomenon in the smog we want to think she is looking for something but she is past panic now content, her heart a part of that freeway unaware that I am the one telling this story and in this version no one listens to anyone’s dreams and that couch is the one we broke off on while your parents were gone blood on the cushion which wouldn’t come out no matter what we tried so we gave up and just laid there, sweating in the bliss of thinking nothing and somewhere a startled horse is not smashed by a semi on the LA Freeway on a summer day in 1988
Copyright © 2014 by Sampson Starkweather. Used with permission of the author. This poem appeared in Poem-a-Day on March 12, 2014. Browse the Poem-a-Day archive.