the unholy trinity of suburban late-night salvation
barring seemingly endless options of worship

bean burrito breadsticks and mashed potatoes
or a soft taco pan pizza and a buttered biscuit

an unimaginable combination of food flavors
for people not ready to go home to their parents

and yet none of the options feel quite right
so maybe I should call it Self-Portrait as idling

in a drive-thru with your friends crammed
across the sunken bench seats avoiding

the glow of the check engine light with black tape
pressed with a precision unseen anywhere else

in their lives as a fractured voice says don’t worry
take your time and order whenever you’re ready

from behind a menu backlit like the window
inside of a confessional booth as the hands

of the driver open up like a collection basket
for the wadded-up bills and loose change

that slowly stack up as the years go by
and I’m not sure what I’m supposed to be

in this analogy but I know about masking
warning signs and hearing out of tune

voices scream WE’RE THE KIDS WHO FEEL
LIKE DEAD ENDS so instead I’ll call it Self-

Portrait as From Under the Cork Tree
or maybe even Self-Portrait as whatever

album people listen to when they love
their friends and still want to feel connected

to the grass walls of a teenage wasteland
that they can’t help but run away from

Copyright © 2024 by Aaron Tyler Hand. Originally published in Poem-a-Day on April 22, 2024, by the Academy of American Poets. 

We’d lift gin from your mother’s cabinet  
and walk the hallways of Robert Asp Middle  
taking swigs in plain sight from a 20 oz  
Pepsi Clear, your gap tooth flashing  
at teachers we passed, your hands forgetting  
to pass the bottle, screwing and unscrewing  
the cap. After that I moved. We lost track.  
The news was six months old by the time  
I heard. When they don’t say what happened  
you know what happened. We used to catch  
rides from highschoolers out to the Red to jump  
the bridge. Water thick with clay. Red with clay.  
We kept close watch for underwater logs.  
Smoked Menthols. A 40-foot drop into swirls  
of currents. One time you stayed under  
and kicked downstream to trick me. Nervous,  
I stared at the surface for signs. No signs.  
I stumbled down the bank to dive in.  
The moment you were certain you had me  
the valley cracked with your laughter.

Copyright © 2026 by Anders Carlson-Wee. Originally published in Poem-a-Day on April 27, 2026, by the Academy of American Poets. 

Of course, she was not chosen to deliver
any of the official hail-and-farewells. Would, in fact,
have skipped the whole pomp and circumstance crap
if the principal had not threatened to hold her diploma hostage,
if her parents had not pleaded with her to celebrate
the milestone for their sakes—so she donned
the rented robe, the dorky mortarboard, and paraded
down the auditorium aisles with her beaming so-called peers.

Lots of introductions. Lots of momentous occasions
and memories—many of which Ms. S was already
eager to forget. But she listened politely to the usual
promises of new beginnings, the exhortations to follow
dreams and change the world—even got a bit teary eyed
at the prospect that one of them actually might.
Then the ritual flipping of the tassels, the alma mater
one last time off-key, the filing out to hugs and congratulations
and vows to stay in touch she knew she’d never keep.

Ms. S had her eye on distant horizons, some vague
anywhere-else-but-here place where her brief past
could be erased and all the potential her teachers had,
for years, claimed she was wasting, would be realized,
where she would finally hear her life’s calling
calling her into the life she was meant to have.

The world, she thought, is my oyster.

Of course, being an inland girl, she had never
actually seen an oyster up close. Had yet to discover
how hard the damn things were to crack.

Copyright © 2018 Grace Bauer. This poem originally appeared in Tin House, Winter 2018. Used with permission of the authors.

I want to write a poem as long as California
like lying on a couch forever
as a serious man takes notes on your dreams in a little book
maybe I mean I want to talk forever
but is there even a difference anyway
like my uncle who went walking
and never stopped
or that day on the LA Freeway
when a horse got loose, people freaking out 
cars honking and skidding 
and me and my sister rooting for the horse
who I still imagine, 20 years later
trotting around the LA Freeway
a living argument against time
as people drive right past her
without even noticing a horse 
she keeps on, at home in the gridlock
a phenomenon in the smog
we want to think she is looking for something
but she is past panic now
content, her heart a part of that freeway
unaware that I 
am the one telling this story
and in this version
no one listens to anyone’s dreams
and that couch is the one we broke off on
while your parents were gone 
blood on the cushion 
which wouldn’t come out
no matter what we tried
so we gave up 
and just laid there, sweating
in the bliss of thinking nothing
and somewhere 
a startled horse 
is not smashed by a semi
on the LA Freeway
on a summer day in 1988

Copyright © 2014 by Sampson Starkweather. Used with permission of the author. This poem appeared in Poem-a-Day on March 12, 2014. Browse the Poem-a-Day archive.