This is what I vow;
He shall have my heart to keep,
Sweetly will we stir and sleep,
     All the years, as now.
Swift the measured sands may run;
Love like this is never done;
He and I are welded one:
     This is what I vow.

     This is what I pray:
Keep him by me tenderly;
Keep him sweet in pride of me,
     Ever and a day;
Keep me from the old distress;
Let me, for our happiness,
Be the one to love the less:
     This is what I pray.

     This is what I know:
Lovers’ oaths are thin as rain;
Love's a harbinger of pain—
     Would it were not so!
Ever is my heart a-thirst,
Ever is my love accurst;
He is neither last nor first—
     This is what I know.

From Enough Rope (Boni & Liveright, 1926) by Dorothy Parker. This poem is in the public domain.

it is you who leaves. So I set out 
to read for signs of imminence, 
the same river twice stepped in.
Morning rises gently on the harbor;
our letters come disguised as life. 
We know the score but fracture 
on fact. We sign a dotted line 
made out of promise—the pipes 
in November clanging on with heat,
the window left at night a little open. 
I love you; then what? Hands 
suddenly alive. I plead with time, 
adamant, remorseless. So we begin 
in earnest; what then? I plead 
with time, adamant, remorseless.
Hands suddenly alive. I love you; 
then what? The pipes in November 
clanging on with heat, the window 
left at night a little open. We sign 
a dotted line made out of promise—
we know the score but fracture 
on fact. Our letters come disguised 
as life; morning rises gently on 
the harbor. So I set out to read 
for signs of imminence, the same 
river twice stepped in. One way 
or another, it is you who leaves.

Copyright © 2022 by Maya C. Popa. Originally published in Poem-a-Day on March 15, 2022, by the Academy of American Poets.

for RJ

You always called late and drunk, 
your voice luxurious with pain,
I, tightly wrapped in dreaming, 
listening as if to a ghost.

Tonight a friend called to say your body 
was found in your apartment, where 
it had lain for days. You'd lost your job, 
stopped writing, saw nobody for weeks. 
Your heart, he said. Drink had destroyed you.

We met in a college town, first teaching jobs, 
poems flowing from a grief we enshrined 
with myth and alcohol. I envied the way 
women looked at you, a bear blunt with rage, 
tearing through an ever-darkening wood.

Once we traded poems like photos of women 
whose beauty tested God's faith. 'Read this one 
about how friendship among the young can't last, 
it will rip your heart out of your chest!'

Once you called to say J was leaving, 
the pain stuck in your throat like a razor blade. 
A woman was calling me back to bed 
so I said I'd call back. But I never did.

The deep forlorn smell of moss and pine 
behind your stone house, you strumming 
and singing Lorca, Vallejo, De Andrade, 
as if each syllable tasted of blood, 
as if you had all the time in the world. . .

You knew your angels loved you 
but you also knew they would leave 
someone they could not save.

Copyright © 2002 by Philip Schultz. Reprinted with the permission of Harcourt, Inc. All rights reserved.