Droning a drowsy syncopated tune,
Rocking back and forth to a mellow croon,
     I heard a Negro play.
Down on Lenox Avenue the other night
By the pale dull pallor of an old gas light
     He did a lazy sway . . .
     He did a lazy sway . . .
To the tune o’ those Weary Blues.
With his ebony hands on each ivory key
He made that poor piano moan with melody.
     O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
     Sweet Blues!
Coming from a black man’s soul.
     O Blues!
In a deep song voice with a melancholy tone
I heard that Negro sing, that old piano moan—
     "Ain’t got nobody in all this world,
       Ain’t got nobody but ma self.
       I’s gwine to quit ma frownin’
       And put ma troubles on the shelf."

Thump, thump, thump, went his foot on the floor.
He played a few chords then he sang some more—
     "I got the Weary Blues
       And I can’t be satisfied.
       Got the Weary Blues
       And can’t be satisfied—
       I ain’t happy no mo’
       And I wish that I had died."
And far into the night he crooned that tune.
The stars went out and so did the moon.
The singer stopped playing and went to bed
While the Weary Blues echoed through his head.
He slept like a rock or a man that's dead.

From The Weary Blues (Alfred A. Knopf, 1926) by Langston Hughes. This poem is in the public domain. 

Reflected in the plate glass, the pies
look like clouds drifting off my shoulder.
I’m telling myself my face has character,
not beauty. It’s my mother’s Slavic face.
She washed the floor on hands and knees
below the Black Madonna, praying
to her god of sorrows and visions
who’s not here tonight when I lay out the plates,
small planets, the cups and moons of saucers.
At this hour the men all look
as if they’d never had mothers.
They do not see me. I bring the cups.
I bring the silver. There’s the man
who leans over the jukebox nightly
pressing the combinations
of numbers. I would not stop him
if he touched me, but it’s only songs
of risky love he leans into. The cook sings
with the jukebox, a moan and sizzle
into the grill. On his forehead
a tattooed cross furrows,
diminished when he frowns. He sings words
dragged up from the bottom of his lungs.
I want a song that rolls
through the night like a big Cadillac
past factories to the refineries
squatting on the bay, round and shiny
as the coffee urn warming my palm.
Sometimes when coffee cruises my mind
visiting the most remote way stations,
I think of my room as a calm arrival
each book and lamp in its place. The calendar
on my wall predicts no disaster
only another white square waiting
to be filled like the desire that fills
jail cells, the cold arrest
that makes me stare out the window or want
to try every bar down the street.
When I walk out of here in the morning
my mouth is bitter with sleeplessness.
Men surge to the factories and I’m too tired
to look. Fingers grip lunch box handles,
belt buckles gleam, wind riffles my uniform
and it’s not romantic when the sun unlids
the end of the avenue. I’m fading
in the morning’s insinuations
collecting in the crevices of the building,
in wrinkles, in every fault
of this frail machinery.

From Collected Poems (Graywolf Press, 2006). Copyright © 2006 by Lynda Hull. Used with the permission of Graywolf Press.