In god’s gleaming empire, herds of triceratops
lunge up on their hind legs to somersault
around the plains. The angels lie in the sun
using straight pins to eat hollyhocks. Mostly
they just rub their bellies and hum quietly

to themselves, but the few sentences
they do utter come out as perfect poems.
Here on earth we blather constantly, and
all we say is divided between combat
and seduction. Combat: I understand you perfectly. 
Seduction: Next time don’t say so out loud.
Here the perfect poem eats its siblings

in the womb like a sand shark or a star turning
black hole, then saunters into the world
daring us to stay mad. We know most of our
universe is missing. The perfect poem knows
where it went. The perfect poem is no bigger
than a bear. Its birthday hat comes with
a black veil which prattles on and on about

comet ash and the ten thousand buds of
the tongue. Like people and crows, the
perfect poem can remember faces and hold
grudges. It keeps its promises. The perfect
poem is not gold or lead or a garden gate
locked shut or a sail slapping in a storm.
The perfect poem is its own favorite toy.

It is not a state of mind or a kind of doubt
or a good or bad habit or a flower of any
color. It will not be available to answer
questions. The perfect poem is light as dust
on a bat’s wing, lonely as a single flea.

Copyright © 2017 by Kaveh Akbar. Originally published in Poem-a-Day on April 3, 2017, by the Academy of American Poets.

In the republic of flowers I studied
the secrets of hanging clothes I didn't
know if it was raining or someone
was frying eggs I held the skulls
of words that mean nothing you left
between the hour of the ox and the hour
of the rat I heard the sound of two
braids I watched it rain through
a mirror am I asking to be spared
or am I asking to be spread your body
smelled like cathedrals and I kept
your photo in a bottle of mezcal
semen-salt wolf’s teeth you should have
touched my eyes until they blistered
kissed the skin of my instep for thousands
of years sealed honey never spoils
won’t crystallize I saw myself snapping
a swan's neck I needed to air out
my eyes the droplets on a spiderweb
and the grace they held who gave me
permission to be this person to drag
my misfortune on this leash made of gold

Copyright © 2017 by Erika L. Sánchez. Originally published in Poem-a-Day on April 10, 2017, by the Academy of American Poets.

That whisper takes the voice
Of a Spirit, speaking to me,
Close, but invisible,
And throws me under a spell
At the kindling vision it brings;
And for a moment I rejoice,
And believe in transcendent things
That would make of this muddy earth
A spot for the splendid birth
Of everlasting lives,
Whereto no night arrives;
And this gaunt gray gallery
A tabernacle of worth
On this drab-aired afternoon,
When you can barely see
Across its hazed lacune
If opposite aught there be
Of fleshed humanity
Wherewith I may commune;
Or if the voice so near
Be a soul’s voice floating here.

This poem is in the public domain.

I was light from the mouth from every part of me
I was of the earth or a scar in the earth rent through
the ruins of late civilization and bubbled from it and
became a saint’s reptilian spirit and I could taste
the wheat and coal and gold like a trinity of bounty
and I was vapor like a smog that becomes a wraith
over the city then back to its animal form decompressed
and atomized into its past life as star and I was that animal
truth the spirit I had dreamt about being more cloud
and star then given I was just the density of water
a reciprocity in and out the fade of my fugitive
substance going south and the yearn for decadence
disappears in the annals yet leaves a taste in the mouth
metallic and lime the sense of dissolution and I was speed
and insistence to reset the orb of gravity I was risen from foam
necessitated by colony sired in violence exported as luxury

Copyright © 2017 by Carmen Giménez Smith. Originally published in Poem-a-Day on April 13, 2017, by the Academy of American Poets.

Ink runs from the corners of my mouth.
There is no happiness like mine.
I have been eating poetry.

The librarian does not believe what she sees.
Her eyes are sad
and she walks with her hands in her dress.

The poems are gone.
The light is dim.
The dogs are on the basement stairs and coming up.

Their eyeballs roll,
their blond legs burn like brush.
The poor librarian begins to stamp her feet and weep.

She does not understand.
When I get on my knees and lick her hand,
she screams.

I am a new man.
I snarl at her and bark.
I romp with joy in the bookish dark.

From Collected Poems by Mark Strand. Copyright © 2014 by Mark Strand. Excerpted by permission of Alfred A. Knopf, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

I wanted a man's face looking into the jaws and throat
     of life
With something proud on his face, so proud no smash
     of the jaws,
No gulp of the throat leaves the face in the end
With anything else than the old proud look:
          Even to the finish, dumped in the dust,
          Lost among the used-up cinders,
          This face, men would say, is a flash,
          Is laid on bones taken from the ribs of the earth,
          Ready for the hammers of changing, changing years,
          Ready for the sleeping, sleeping years of silence.
          Ready for the dust and fire and wind.
I wanted this face and I saw it today in an Aztec mask.
A cry out of storm and dark, a red yell and a purple prayer,
A beaten shape of ashes
               waiting the sunrise or night,
               something or nothing,
               proud-mouthed,
               proud-eyed gambler.

Originally published in 1913, this poem is in the public domain.