Aztec Mask

- 1878-1967

I wanted a man's face looking into the jaws and throat
     of life
With something proud on his face, so proud no smash
     of the jaws,
No gulp of the throat leaves the face in the end
With anything else than the old proud look:
          Even to the finish, dumped in the dust,
          Lost among the used-up cinders,
          This face, men would say, is a flash,
          Is laid on bones taken from the ribs of the earth,
          Ready for the hammers of changing, changing years,
          Ready for the sleeping, sleeping years of silence.
          Ready for the dust and fire and wind.
I wanted this face and I saw it today in an Aztec mask.
A cry out of storm and dark, a red yell and a purple prayer,
A beaten shape of ashes
               waiting the sunrise or night,
               something or nothing,
               proud-mouthed,
               proud-eyed gambler.

More by Carl Sandburg

Fog

The fog comes
on little cat feet.

It sits looking 
over harbor and city
on silent haunches
and then moves on.

I am the People, the Mob

I am the people—the mob—the crowd—the mass.
Do you know that all the great work of the world is done through me?
I am the workingman, the inventor, the maker of the world's food and clothes.
I am the audience that witnesses history. The Napoleons come from me and the Lincolns. They die. And then I send forth more Napoleons and Lincolns.
I am the seed ground. I am a prairie that will stand for much plowing. Terrible storms pass over me. I forget. The best of me is sucked out and wasted. I forget. Everything but Death comes to me and makes me work and give up what I have. And I forget.
Sometimes I growl, shake myself and spatter a few red drops for history to remember. Then—I forget.
When I, the People, learn to remember, when I, the People, use the lessons of yesterday and no longer forget who robbed me last year, who played me for a fool—then there will be no speaker in all the world say the name: "The People," with any fleck of a sneer in his voice or any far-off smile of derision.
The mob—the crowd—the mass—will arrive then.

Honky Tonk in Cleveland, Ohio

It's a jazz affair, drum crashes and cornet razzes.
The trombone pony neighs and the tuba jackass snorts.
The banjo tickles and titters too awful.
The chippies talk about the funnies in the papers.
     The cartoonists weep in their beer.
     Ship riveters talk with their feet
     To the feet of floozies under the tables.
A quartet of white hopes mourn with interspersed snickers:
        "I got the blues.
        I got the blues.
        I got the blues."
And . . . as we said earlier:
     The cartoonists weep in their beer.