the life of a writer is desire 
            i hammer into the page 
                        i make up my mind: the streetlight 

is not the moon, but anything can be
            made beautiful under the ease 
                        of my hammer 

i wish you could see that i write in blue ink
            the color of oceans & early mornings 
                        & everything is clear like 

tears rushing towards the chin 
            of my desire. i pen what i’m meant
                        to pen. how deep in love i am 

& how silly of me to spend all morning dreaming 
            about love & not expect my 
                        desire to set me free 

the knives of my fingers tap
            out the notion that if i turn the key 
                        it will unlock.

admittedly, i am foolish 
            about love—a simple yes excites me—
                        ’cause i know that all that i require will be met

like water meets the tongue. it’s scary
            desire, a small fan at my window in the summer, 
                        a booklight lighting the pages of my life

Copyright © 2021 by Jalynn Harris. Originally published in Poem-a-Day on August 19, 2021, by the Academy of American Poets.

A man crosses the street in rain,
stepping gently, looking two times north and south,
because his son is asleep on his shoulder.

No car must splash him.
No car drive too near to his shadow.

This man carries the world’s most sensitive cargo
but he’s not marked.
Nowhere does his jacket say FRAGILE,
HANDLE WITH CARE.

His ear fills up with breathing.
He hears the hum of a boy’s dream
deep inside him.

We’re not going to be able
to live in this world
if we’re not willing to do what he’s doing
with one another.

The road will only be wide.
The rain will never stop falling.

Naomi Shihab Nye, “Shoulders” from Red Suitcase. Copyright © 1994 by Naomi Shihab Nye. Reprinted with the permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd., www.boaeditions.org.

The Arabs used to say,
When a stranger appears at your door,
feed him for three days
before asking who he is,
where he’s come from,
where he’s headed.
That way, he’ll have strength
enough to answer.
Or, by then you’ll be
such good friends
you don’t care.
 
Let’s go back to that.
Rice? Pine nuts?
Here, take the red brocade pillow.
My child will serve water
to your horse.
 
No, I was not busy when you came!
I was not preparing to be busy.
That’s the armor everyone put on
to pretend they had a purpose
in the world.
 
I refuse to be claimed.
Your plate is waiting.
We will snip fresh mint
into your tea.

Copyright © by Naomi Shihab Nye. Used with the permission of the author.

The light here on earth keeps us plenty busy: a fire
in central Pennsylvania still burns bright since 1962.

Whole squads of tiny squid blaze up the coast of Japan
before sunrise. Of course you didn’t show when we went

searching for you, but we found other lights: firefly,
strawberry moon, a tiny catch of it in each other’s teeth.

Someone who saw you said they laid down
in the middle of the road and took you all in,

and I’m guessing you’re used to that—people falling
over themselves to catch a glimpse of you

and your weird mint-glow shushing itself over the lake.
Aurora, I’d rather stay indoors with him—even if it meant

a rickety hotel and its wood paneling, golf carpeting
in the bathrooms, and grainy soapcakes. Instead

of waiting until just the right hour of the shortest
blue-night of the year when you finally felt moved

enough to collide your gas particles with sun particles—
I’d rather share sunrise with him and loon call

over the lake with him, the slap of shoreline threaded
through screen windows with him. My heart

slams in my chest, against my shirt—it’s a kind
of kindling you’d never be able to light on your own. 

Copyright © 2016 by Aimee Nezhukumatathil. Originally published in Poem-a-Day on September 1, 2016, by the Academy of American Poets.

for Maya

We meet at a coffee shop. So much time has passed and who is time? Who is waiting by the windowsill? We make plans to go to a museum but we go to a bookshop instead. We’re leaning in, learning how to talk to each other again. I say, I’m obsessed with my grief and she says, I’m always in mourning. She laughs and it’s an extension of her body. She laughs and it moves the whole room. I say, My home is an extension of my body and she says, Most days are better with a long walk. The world moves without us—so we tend to a garden, a graveyard, a pot on the windowsill. Death is a comfort because it says, Transform but don’t hurry. There is a tenderness to growing older and we are listening for it. Steadier ways to move through the world and we are learning them. A way to touch your own body. A touch that says, Dig deeper. There, in the ground, there is our memory. I am near enough my roots. Time is my friend. Tomorrow is a place we are together.

Copyright © 2021 by Sanna Wani. Originally published in Poem-a-Day on January 15, 2021, by the Academy of American Poets.