Everyone needs a genie and a lamp.
Ancient red handprints in a hard-to-get-to cave.
A wireless charger for their liver
after years of heedless drinking.
Also, not to dematerialize before seeing Venice,
which itself may soon dematerialize
beneath the Adriatic. Upstairs, my brother
bangs the supper dishes. My wish
is to be too drunk to think
about the sermon at the funeral mass,
the priest mumbling no one knew what,
or the coffin fed into the back of the hearse
and driven off with another brother’s body
while his widow went to pieces on the curb.
According to the internet, there are three things
a genie can’t do: no granting the wish for more wishes.
No bringing back the dead. For that,
you’ve got religion. Also, no making someone fall
in love with you. Luckily there are potions,
even if they’re bad for your digestion. I wish
my friend had never been diagnosed with Parkinson’s.
That we still lived together in that house
among the trees. I’d like to go there now
on a magically self-cleaning carpet
for when my dying cat throws up again,
and grieve.
From Exit Opera (W. W. Norton, 2024) by Kim Addonizio. Copyright © 2024 by Kim Addonizio. Used with the permission of the publisher.
was no consolation to the woman
whose husband was strung out on opioids.
Gone to a better place: useless and suspect intel
for the couple at their daughter’s funeral
though there are better places to be
than a freezing church in February, standing
before a casket with a princess motif.
Some moments can’t be eased
and it’s no good offering clichés like stale
meat to a tiger with a taste for human suffering.
When I hear the word miracle I want to throw up
on a platter of deviled eggs. Everything happens
for a reason: more good tidings someone will try
to trepan your skull to insert. When fire
inhales your house, you don’t care what the haiku says
about seeing the rising moon. You want
an avalanche to bury you. You want to lie down
under a slab of snow, dumb as a jarred
sideshow embryo. What a circus.
The tents dismantled, the train moving on,
always moving, starting slow and gaining speed,
taking you where you never wanted to go.
Copyright © 2024 by Kim Addonizio. Originally published in Poem-a-Day on March 12, 2024, by the Academy of American Poets.
For Stella
I dreamt we were already there.
Some things were right
and some were not.
And somehow Tuesday
was Wednesday
was Monday again.
I slept then woke
and then fell asleep again
and when I slept again
I dreamt we were already there.
Things were right some
and were some not.
My father died yesterday, she said.
Yesterday, some things were and.
Today some are not.
Copyright © 2018 Lynley Edmeades. This poem originally appeared in The Cincinnati Review, Summer 2018. Used with permission of the author.
I had no idea that the gate I would step through
to finally enter this world
would be the space my brother’s body made. He was
a little taller than me: a young man
but grown, himself by then,
done at twenty-eight, having folded every sheet,
rinsed every glass he would ever rinse under the cold
and running water.
This is what you have been waiting for, he used to say to me.
And I’d say, What?
And he’d say, This—holding up my cheese and mustard sandwich.
And I’d say, What?
And he’d say, This, sort of looking around.
From What the Living Do (W. W. Norton, 1997). Copyright © 1997 by Marie Howe. Used with the permission of the author.