Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than he can understand.
This poem is in the public domain.
I dreamed I stood upon a little hill, 
And at my feet there lay a ground, that seemed 
Like a waste garden, flowering at its will 
With buds and blossoms. There were pools that dreamed 
Black and unruffled; there were white lilies 
A few, and crocuses, and violets 
Purple or pale, snake-like fritillaries 
Scarce seen for the rank grass, and through green nets 
Blue eyes of shy peryenche winked in the sun. 
And there were curious flowers, before unknown, 
Flowers that were stained with moonlight, or with shades 
Of Nature’s willful moods; and here a one 
That had drunk in the transitory tone 
Of one brief moment in a sunset; blades 
Of grass that in an hundred springs had been 
Slowly but exquisitely nurtured by the stars, 
And watered with the scented dew long cupped 
In lilies, that for rays of sun had seen 
Only God’s glory, for never a sunrise mars 
The luminous air of Heaven. Beyond, abrupt, 
A grey stone wall, o’ergrown with velvet moss 
Uprose; and gazing I stood long, all mazed 
To see a place so strange, so sweet, so fair. 
And as I stood and marvelled, lo! across 
The garden came a youth; one hand he raised 
To shield him from the sun, his wind-tossed hair 
Was twined with flowers, and in his hand he bore 
A purple bunch of bursting grapes, his eyes 
Were clear as crystal, naked all was he, 
White as the snow on pathless mountains frore, 
Red were his lips as red wine-spilith that dyes 
A marble floor, his brow chalcedony. 
And he came near me, with his lips uncurled 
And kind, and caught my hand and kissed my mouth, 
And gave me grapes to eat, and said, ‘Sweet friend, 
Come I will show thee shadows of the world 
And images of life. See from the South 
Comes the pale pageant that hath never an end.’
And lo! within the garden of my dream 
I saw two walking on a shining plain 
Of golden light. The one did joyous seem 
And fair and blooming, and a sweet refrain 
Came from his lips; he sang of pretty maids 
And joyous love of comely girl and boy, 
His eyes were bright, and ’mid the dancing blades 
Of golden grass his feet did trip for joy; 
And in his hand he held an ivory lute 
With strings of gold that were as maidens’ hair, 
And sang with voice as tuneful as a flute, 
And round his neck three chains of roses were. 
But he that was his comrade walked aside; 
He was full sad and sweet, and his large eyes 
Were strange with wondrous brightness, staring wide 
With gazing; and he sighed with many sighs 
That moved me, and his cheeks were wan and white 
Like pallid lilies, and his lips were red 
Like poppies, and his hands he clenched tight, 
And yet again unclenched, and his head 
Was wreathed with moon-flowers pale as lips of death. 
A purple robe he wore, o’erwrought in gold 
With the device of a great snake, whose breath 
Was fiery flame: which when I did behold 
I fell a-weeping, and I cried, ‘Sweet youth, 
Tell me why, sad and sighing, thou dost rove 
These pleasent realms? I pray thee speak me sooth 
What is thy name?’ He said, ‘My name is Love.’
Then straight the first did turn himself to me 
And cried, ‘He lieth, for his name is Shame, 
But I am Love, and I was wont to be 
Alone in this fair garden, till he came 
Unasked by night; I am true Love, I fill 
The hearts of boy and girl with mutual flame.’
Then sighing, said the other, ‘Have thy will, 
I am the love that dare not speak its name.’
From The Chameleon, Vol. 1, No. 1 (December 1894). This poem is in the public domain.
The Thames nocturne of blue and gold
    Changed to a Harmony in grey:
    A barge with ochre-coloured hay
Dropt from the wharf: and chill and cold
The yellow fog came creeping down
    The bridges, till the houses’ walls
    Seemed changed to shadows, and S. Paul’s
Loomed like a bubble o’er the town.
Then suddenly arose the clang
    Of waking life; the streets were stirred
    With country waggons: and a bird
Flew to the glistening roofs and sang.
But one pale woman all alone,
    The daylight kissing her wan hair,
    Loitered beneath the gas lamps’ flare,
With lips of flame and heart of stone.
This poem is in the public domain.