Remember the sky that you were born under,
know each of the star’s stories.
Remember the moon, know who she is.
Remember the sun’s birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother’s, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.

“Remember.” Copyright © 1983 by Joy Harjo from She Had Some Horses by Joy Harjo. Used by permission of W. W. Norton & Company, Inc.

The world begins at a kitchen table. No matter what, we must eat to live.

The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.

We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.

It is here that children are given instructions on what it means to be human. We make men at it, we make women.

At this table we gossip, recall enemies and the ghosts of lovers.

Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.

This table has been a house in the rain, an umbrella in the sun.

Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to celebrate the terrible victory.

We have given birth on this table, and have prepared our parents for burial here.

At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.

Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.

From The Woman Who Fell From the Sky (W. W. Norton, 1994) by Joy Harjo. Copyright © 1994 by Joy Harjo. Used with permission of the author.

If I can’t save us

then let me feel you
happy and safe 
under my chin. 

If this will drown 
or burn 

then let us drink starlight
nap under trees
sing on beaches—

the morning rush to sit indoors
what, again? 

If we are dying

then let me rip open
and bleed Love,
spill it, spend it
see how much 
there is

the reward for misers is 
what, again? 

If this life is ending

then let me begin 
a new one 

Copyright © 2020 Lynna Odel. From All We Can Save: Truth, Courage, and Solutions for the Climate Crisis (One World, 2020) edited by Ayana Elizabeth Johnson and Katharine K. Wilkinson. Used with the permission of the editors.

It was snowing on the monuments
My dead father’s name next to my living mothers

You went further back into the cemetery
There where so many lies remain lost to winter

There with the named and the nameless
It was snowing on the monuments

All horizons packed with cloud cover
bodies
Some of us left in the vehicles
We came in

Some became some final gesture
Of departure’s sun borne reflect
behind auto glass
heat blowing feeling back into a face

It was snowing on the monuments
Even in the warmth of an engine turning over
You must forget how we came to this place
How we leave

A procession of memory
an immersion in going away
music

Voices of older songs already
In the broken gone
As some wheel turns us back
Onto a gray road

Copyright © 2020 by Gordon Henry. Originally published in Poem-a-Day on November 26, 2020, by the Academy of American Poets.

Put down that bag of potato chips, that white bread, that bottle of pop.

Turn off that cellphone, computer, and remote control.

Open the door, then close it behind you.

Take a breath offered by friendly winds. They travel the earth gathering essences of plants to clean.

Give it back with gratitude.

If you sing it will give your spirit lift to fly to the stars’ ears and back.

Acknowledge this earth who has cared for you since you were a dream planting itself precisely within your parents’ desire.

Let your moccasin feet take you to the encampment of the guardians who have known you before time, who will be there after time. They sit before the fire that has been there without time.

Let the earth stabilize your postcolonial insecure jitters.

Be respectful of the small insects, birds and animal people who accompany you.
Ask their forgiveness for the harm we humans have brought down upon them.

Don’t worry.
The heart knows the way though there may be high-rises, interstates, checkpoints, armed soldiers, massacres, wars, and those who will despise you because they despise themselves.

The journey might take you a few hours, a day, a year, a few years, a hundred, a thousand or even more.

Watch your mind. Without training it might run away and leave your heart for the immense human feast set by the thieves of time.

Do not hold regrets.

When you find your way to the circle, to the fire kept burning by the keepers of your soul, you will be welcomed.

You must clean yourself with cedar, sage, or other healing plant.

Cut the ties you have to failure and shame.

Let go the pain you are holding in your mind, your shoulders, your heart, all the way to your feet. Let go the pain of your ancestors to make way for those who are heading in our direction.

Ask for forgiveness.

Call upon the help of those who love you. These helpers take many forms: animal, element, bird, angel, saint, stone, or ancestor.

Call your spirit back. It may be caught in corners and creases of shame, judgment, and human abuse.

You must call in a way that your spirit will want to return.

Speak to it as you would to a beloved child.

Welcome your spirit back from its wandering. It may return in pieces, in tatters. Gather them together. They will be happy to be found after being lost for so long.

Your spirit will need to sleep awhile after it is bathed and given clean clothes.

Now you can have a party. Invite everyone you know who loves and supports you. Keep room for those who have no place else to go.

Make a giveaway, and remember, keep the speeches short.

Then, you must do this: help the next person find their way through the dark. 

Reprinted from Conflict Resolution for Holy Beings by Joy Harjo. Copyright © 2015 by Joy Harjo.  Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.

Sun makes the day new.
Tiny green plants emerge from earth.
Birds are singing the sky into place.
There is nowhere else I want to be but here.
I lean into the rhythm of your heart to see where it will take us.
We gallop into a warm, southern wind.
I link my legs to yours and we ride together,
Toward the ancient encampment of our relatives.
Where have you been? they ask.
And what has taken you so long?
That night after eating, singing, and dancing
We lay together under the stars.
We know ourselves to be part of mystery.
It is unspeakable.
It is everlasting.
It is for keeps.

                              MARCH 4, 2013, CHAMPAIGN, ILLINOIS

Reprinted from Conflict Resolution for Holy Beings by Joy Harjo. Copyright © 2015 by Joy Harjo.  Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.

To pray you open your whole self
To sky, to earth, to sun, to moon
To one whole voice that is you.
And know there is more
That you can't see, can't hear,
Can't know except in moments
Steadily growing, and in languages
That aren't always sound but other
Circles of motion.
Like eagle that Sunday morning
Over Salt River. Circled in blue sky
In wind, swept our hearts clean
With sacred wings.
We see you, see ourselves and know
That we must take the utmost care
And kindness in all things.
Breathe in, knowing we are made of
All this, and breathe, knowing
We are truly blessed because we
Were born, and die soon within a
True circle of motion, 
Like eagle rounding out the morning
Inside us. 
We pray that it will be done
In beauty.
In beauty.

From In Mad Love and War © 1990 by Joy Harjo. Reprinted by permission of Wesleyan University Press. 

Letters swallow themselves in seconds.
Notes friends tied to the doorknob,
transparent scarlet paper,
sizzle like moth wings,
marry the air.

So much of any year is flammable,
lists of vegetables, partial poems.
Orange swirling flame of days,
so little is a stone.

Where there was something and suddenly isn’t,
an absence shouts, celebrates, leaves a space.
I begin again with the smallest numbers.

Quick dance, shuffle of losses and leaves,
only the things I didn’t do
crackle after the blazing dies.

Naomi Shihab Nye, “Burning the Old Year” from Words Under the Words: Selected Poems. Copyright © 1995 by Naomi Shihab Nye. Reprinted with the permission of the author.

You are not fifteen, or twelve, or seventeen—
You are a hundred wild centuries

And fifteen, bringing with you
In every breath and in every step

Everyone who has come before you,
All the yous that you have been,

The mothers of your mother,
The fathers of your father.

If someone in your family tree was trouble,
A hundred were not:

The bad do not win—not finally,
No matter how loud they are.

We simply would not be here
If that were so.

You are made, fundamentally, from the good.
With this knowledge, you never march alone.

You are the breaking news of the century.
You are the good who has come forward

Through it all, even if so many days
Feel otherwise.  But think:

When you as a child learned to speak,
It’s not that you didn’t know words—

It’s that, from the centuries, you knew so many,
And it’s hard to choose the words that will be your own.

From those centuries we human beings bring with us
The simple solutions and songs,

The river bridges and star charts and song harmonies
All in service to a simple idea:

That we can make a house called tomorrow.
What we bring, finally, into the new day, every day,

Is ourselves.  And that’s all we need
To start.  That’s everything we require to keep going. 

Look back only for as long as you must,
Then go forward into the history you will make.

Be good, then better.  Write books.  Cure disease.
Make us proud.  Make yourself proud.

And those who came before you?  When you hear thunder,
Hear it as their applause.

Copyright © 2018 by Alberto Ríos. Used with the permission of the author.

We live in secret cities
And we travel unmapped roads.

We speak words between us that we recognize
But which cannot be looked up.

They are our words.
They come from very far inside our mouths.

You and I, we are the secret citizens of the city
Inside us, and inside us

There go all the cars we have driven
And seen, there are all the people

We know and have known, there
Are all the places that are

But which used to be as well. This is where
They went. They did not disappear.

We each take a piece 
Through the eye and through the ear.

It's loud inside us, in there, and when we speak
In the outside world

We have to hope that some of that sound
Does not come out, that an arm

Not reach out
In place of the tongue.

Copyright © 1998 by Alberto Rios. All rights reserved. Used with permission.

can be enough to make you look up
at the yellowed leaves of the apple tree, the few
that survived the rains and frost, shot
with late afternoon sun. They glow a deep
orange-gold against a blue so sheer, a single bird
would rip it like silk. You may have to break
your heart, but it isn’t nothing
to know even one moment alive. The sound
of an oar in an oarlock or a ruminant
animal tearing grass. The smell of grated ginger.
The ruby neon of the liquor store sign.
Warm socks. You remember your mother,
her precision a ceremony, as she gathered
the white cotton, slipped it over your toes,
drew up the heel, turned the cuff. A breath
can uncoil as you walk across your own muddy yard,
the big dipper pouring night down over you, and everything
you dread, all you can’t bear, dissolves
and, like a needle slipped into your vein—
that sudden rush of the world.

Copyright © 2016 by Ellen Bass. Originally published in Poem-a-Day on November 18, 2016, by the Academy of American Poets.


Enough seen….Enough had....Enough…
                           —Arthur Rimbaud

No. It will never be enough. Never
enough wind clamoring in the trees,
sun and shadow handling each leaf, never enough clang
of my neighbor hammering,
the iron nails, relenting wood, sound waves
lapping over roofs, never enough
bees purposeful at the throats
of lilies. How could we be replete
with the flesh of ripe tomatoes, the unique
scent of their crushed leaves. It would take many
births to be done with the thatness of that.

Oh blame life. That we just want more.
Summer rain. Mud. A cup of tea.
Our teeth, our eyes. A baby in a stroller.
Another spoonful of crème brûlée, sweet burnt crust crackling.
And hot showers, oh lovely, lovely hot showers.

Today was a good day.
My mother-in-law sat on the porch, eating crackers and cheese
with a watered-down margarita
and though her nails are no longer stop-light red
and she can’t remember who’s alive and dead,
still, this was a day
with no weeping, no unstoppable weeping.

Last night, through the small window of my laptop,
I watched a dying man kill himself in Switzerland.
He wore a blue shirt and snow was falling
onto a small blue house, onto dark needles of pine and fir.
He didn’t step outside to feel the snow on his face.
He sat at a table with his wife and drank poison.

Online I found a plastic bag complete with Velcro
and a hole for a tube to a propane tank. I wouldn’t have to
move our Weber. I could just slide
down the stucco to the flagstones, where the healthy
weeds are sprouting through the cracks.
Maybe it wouldn’t be half-bad
to go out looking at the yellowing leaves of the old camellia.
And from there I could see the chickens scratching—
if we still have chickens then. And yet…

this little hat of life, how will I bear
to take it off while I can still reach up? Snug woolen watch cap,
lacy bonnet, yellow cloche with the yellow veil
I wore the Easter I turned thirteen when my mother let me
    promenade
with Tommy Spagnola on the boardwalk in Atlantic City.

Oxygen, oxygen, the cry of the body—and you always want to
    give it
what it wants. But I must say no—
enough, enough

with more tenderness
than I have ever given to a lover, the gift
of the nipple hardening under my fingertip, more
tenderness than to my newborn,
when I held her still flecked
with my blood. I’ll say the most gentle refusal
to this dear dumb animal and tighten
the clasp around my throat that once was kissed and kissed
until the blood couldn’t rest in its channel, but rose
to the surface like a fish that couldn’t wait to be caught.

 

Copyright © 2015 by Ellen Bass. Originally published in Poem-a-Day on August 14, 2015, by the Academy of American Poets.

Palm-sized and fledgling, a beak
protruding from the sleeve, I
have kept my birds muted
for so long, I fear they’ve grown
accustom to a grim quietude.
What chaos could ensue
should a wing get loose?
Come overdue burst, come
flock, swarm, talon, and claw.
Scatter the coop’s roost, free
the cygnet and its shadow. Crack
and scratch at the state’s cage,
cut through cloud and branch,
no matter the dumb hourglass’s
white sand yawning grain by grain.
What cannot be contained
cannot be contained.

Copyright © 2020 Ada Limón. This poem was co-commissioned by the Academy of American Poets and the New York Philharmonic as part of the Project 19 initiative.

I read a Korean poem
with the line “Today you are the youngest
you will ever be.” Today I am the oldest
I have been. Today we drink
buckwheat tea. Today I have heat
in my apartment. Today I think
about the word chada in Korean.
It means cold. It means to be filled with.
It means to kick. To wear. Today we’re worn.
Today you wear the cold. Your chilled skin.
My heart kicks on my skin. Someone said
winter has broken his windows. The heat inside
and the cold outside sent lightning across glass.
Today my heart wears you like curtains. Today
it fills with you. The window in my room
is full of leaves ready to fall. Chada, you say. It’s tea.
We drink. It is cold outside.

From A Cruelty Special to Our Species (Ecco, 2018). Copyright © 2018 by Emily Jungmin Yoon. Used with the permission of Ecco.

Beneath heaven’s vault
remember always walking
through halls of cloud
down aisles of sunlight
or through high hedges
of the green rain
walk in the world
highheeled with swirl of cape
hand at the swordhilt
of your pride
Keep a tall throat
Remain aghast at life

Enter each day
as upon a stage
lighted and waiting
for your step
Crave upward as flame
have keenness in the nostril
Give your eyes
to agony or rapture

Train your hands
as birds to be
brooding or nimble
Move your body
as the horses
sweeping on slender hooves
over crag and prairie
with fleeing manes
and aloofness of their limbs

Take earth for your own large room
and the floor of the earth
carpeted with sunlight
and hung round with silver wind
for your dancing place

From Collected Poems by May Swenson. Copyright © 2013 by The Literary Estate of May Swenson. Reprinted by permission of The Library of America. This poem appeared in Poem-a-Day on June 6, 2013. Browse the Poem-a-Day archive.

For hours, the flowers were enough.
Before the flowers, Adam had been enough.
Before Adam, just being a rib was enough.
Just being inside Adam’s body, near his heart, enough.
Enough to be so near his heart, enough
to feel that sweet steady rhythm, enough
to be a part of something bigger was enough.
And before the rib, being clay was enough.
And before clay, just being earth was enough.
And before earth, being nothing was enough.
But then enough was no longer enough.
The flowers bowed their heads, as if to say, enough,
and so Eve, surrounded by peonies, and alone enough,
wished very hard for something, and the wish was enough
to make the pinecone grow wings; the wish was enough
to point to the sky, say bird, and wait for something to sing.

Copyright © 2016 by Nicole Callihan. “The Origin of Birds” was originally published in Rise Up Review. Used with permission of the author.