slides down into my body, soft
lambs wool, what everybody
in school is wearing, and for me
to have it my mother worked twenty
hours at the fast-food joint.
The sweater fits like a lover,
sleeves snug, thin on the waist.
As I run my fingers through the knit,
I see my mother over the hot oil in the fryers
dipping a strainer full of stringed potatoes.
In a twenty hour period my mother waits
on hundreds of customers: she pushes
each order under ninety seconds, slaps
the refried beans she mashed during prep time,
the lull before rush hours, onto steamed tortillas,
the room's pressing heat melting her make-up.
Every clean strand of weave becomes a question.
How many burritos can one make in a continuous day?
How many pounds of onions, lettuce and tomatoes
pass through the slicer? How do her wrists
sustain the scraping, lifting and flipping
of meat patties?           And twenty

hours are merely links
in the chain of days startlingly similar,
that begin in the blue morning with my mother
putting on her polyester uniform, which,
even when it's newly-washed, smells
of mashed beans and cooked ground beef.

Copyright © 2014 by Joseph O. Legaspi. Reprinted from Split This Rock’s The Quarry: A Social Justice Poetry Database.

I love a white v-neck t-shirt
on you: two cotton strips racing
to a point they both arrived at: there
vigor barely contained, flaming hair,
collarless, fenced-in skin that shines.
Cool drop of hem, soft & lived-in,
so unlike my father, to bed you go,
flushed with fur in a rabbit’s burrow
or nest for a flightless bird, brooding. 
Let me be that endangered species,
huddled in the vessel of the inverted
triangle: gaped mouth of a great white
fish on the verge of striking, poised
to devour & feed on skin, on all. 

Copyright © 2016 by Joseph O. Legaspi. From Aviary, Bestiary (Organic Weapon Arts, 2014). Used with permission of the author.

You walk through Heaven anywhere to any-

where on that soft green grass    or nowhere it

Don’t matter anywhere you walk a bright

And cool and it’s about    a foot-wide stream of

The cleanest water anywhere with each

Step you take parts the grass beside you

On your left side    if you’re left-handed

And on your right side otherwise just reach

 

Down if you’re thirsty or you’re dirty or

You’re hot    they got the sun in Heaven still

And folks get hot sometimes    me    sometimes I

Walk just to see the stream appear

Sometimes I lead it    through my name    on Earth I couldn’t spell

My name now my great thirst has been revealed to me

Copyright © 2019 Shane McCrae. This poem originally appeared in Kenyon Review, March/April 2019. Reprinted with permission of the author.

Even the gods misuse the unfolding blue. Even the gods misread the windflower’s nod toward sunlight as consent to consume. Still, you envy the horse that draws their chariot. Bone of their bone. The wilting mash of air alone keeps you from scaling Olympus with gifts of dead or dying things dangling from your mouth—your breath, like the sea, inching away. It is rumored gods grow where the blood of a hanged man drips. You insist on being this man. The gods abuse your grace. Still, you’d rather live among   the clear, cloudless white, enjoying what is left of their ambrosia. Who  should  be  happy  this  time?  Who  brings  cake  to whom? Pray  the  gods  do  not  misquote  your  covetous pulse for chaos, the black from which they were conceived. Even the eyes of gods must adjust to light. Even gods have gods.

Copyright © 2017 by Nicole Sealey. Originally published in Ploughshares. Used with permission of the author.

The great thing
is not having
a mind. Feelings:
oh, I have those; they
govern me. I have
a lord in heaven
called the sun, and open
for him, showing him
the fire of my own heart, fire
like his presence.
What could such glory be
if not a heart? Oh my brothers and sisters,
were you like me once, long ago,
before you were human? Did you
permit yourselves
to open once, who would never
open again? Because in truth
I am speaking now
the way you do. I speak
because I am shattered.

From The Wild Iris, published by Ecco Press, 1992. Copyright © 1992 by Louise Glück. All rights reserved. Used with permission. This poem appeared in Poem-a-Day on October 10, 2020.

I give up touch. My hand holds stems 
         of air, while I remember 
         the long hair I wore 
         as a not-girl child. 

 I give up touch to feel 
         safe in a body. How could I be 
         the girl they saw the man 

         I am? Somewhere beyond language 

we are touching 
only the long hair   

of the cool stream 
meeting the lake   

and I remember   

sky when I look down 
into its surface, my face 
only veil, and below, rocks fish   

my shadow. My pulse. Sun and moon 
         set and rise. Everywhere branches 
         tangle. Mist from the lake 

         catches in my beard. Once a butterfly 
         rested there. The moment I said I’m not 

         a flower, she lifted away 
         and I was all bloom.  

What is our essence and who 
         drinks its nectar? A small god 

         surely lives in my throat 
         a kind of temple. I have fed him flesh 

         from the forest floor 
         and he cradles my eyes 

         and he grows me up 
         into the green 
         of trees. I know 

         he’s gold though he’s only ever been 
         visible in dreams. He appears 

         as my mother, childhood 
         pets, a first love, a ghost 

         story whispered over flashlight 
         in a backyard tent, neighbors 
         whose names I’ve lost.   

Here is where I try to hear him.   

Here is where I study how to love him 

         bring him elderberry, oxeye 
         daisy, row of purple 
         foxglove, leopard 
         slug, mock orange, morning 
         glory, mountain lettuce.   

It rains here often. I learn to be water 
in a garden. A handsome solitude is not the same   

as loneliness. It’s here I call my little gold god   

beloved, friend. 

Copyright © 2020 by Ely Shipley. Originally published in Poem-a-Day on December 22, 2020, by the Academy of American Poets.

For 7 days and 7 nights, I’ve been shooting free throws
           The doctor said I needed focus

There is no net because some guy tried hanging himself from it
           But the moonlight betrayed him

In the courtyard where we sit, a dandelion grows
           I see you’re uncomfortable. Ignore these

blood-brick walls, cemented ground, nurse station window
          There’s forgiveness here. And I need to apologize

You’re seeing me in these weed-green scrubs, bone-cloth robe
           I unscrewed the roof from our home
                       swallowed all the memories

Did I tell you the cops wrote “superficial cuts” in their report?
          They didn’t understand when I said

I needed something red. They didn’t understand when I said
           I needed to paint my chest vermillion

I’m scared to go home. Have I told you that?
           I’ve always been

I keep having a nightmare where my hands grow into copper antlers
           I keep having this nightmare where I hold
                       a dandelion in one hand, a robin in the other

I made you something during craft hour. A paint-by-numbers thing
          Two deer in a winter forest full of birch trees
                       Look, a tiny spot of orange. Hunter orange

Blaze orange. See the buck? His antlers are still velvet
          See how strong he’s standing?      No, wait
                       his right front leg is soft on the ground.       No

He’s not standing, he’s kneeling. Only,
          He’s not kneeling
                       He’s fallen. Notice

There’s only one deer now and he’s still
          His tongue juts from the corner of his mouth
                       His eyes are focused on me
Wait, his head is missing. The antlers are gone.  Everything
          Is gone. There’s a bright streak
                       of red screaming across the snow 

There are only shadows now and boot prints. There’s only snow
          I made you something during craft hour
                       A cheap paint-by-numbers rip-off of O’Keeffe

A forest of birch trees but the math of it all didn’t make sense
         So I painted the numbers blank, then left
                       I couldn’t focus so I went and shot free throws

I thought about the man who tried hanging himself
         How afraid he must have been about going home
                      That dandelion is his ghost. His head

A thousand yellow florets, burning. The sun
         Never felt so good. I’m glad you’re here.

Copyright © 2016 b: william bearheart. This poem originally appeared in Boston Review. Reprinted with the permission of Carrie Bearheart.

I’m sick and tired of being sick and tired 

           She meant
                      No more turned cheek
                      No more patience for the obstruction
                      of black woman’s right to vote
                      & plant & feed her family

           She meant
                      Equality will cost you your luxurious life
                      If a Black woman can’t vote
                      If a brown baby can’t be fed
                      If we all don’t have the same opportunity America promised

           She meant
                      Ain’t no mountain boulder enough
                      to wan off a determined woman

           She meant
                      Here
           Look at my hands
                      Each palm holds a history
                      of the 16 shots that chased me
                      harm free from a plantation shack

           Look at my eyes
                      Both these are windows
                      these little lights of mine

           She meant
                      Nothing but death can stop me
                      from marching out a jail cell still a free woman

           She meant
                      Nothing but death can stop me from running for Congress

           She meant
                      No black jack beating will stop my feet from working
                      & my heart from swelling
                      & my mouth from praying

           She meant
                      America! you will learn freedom feels like
                      butter beans, potatoes & cotton seeds
                      picked by my sturdy hands

           She meant

           Look
           Victoria Gray, Anna Divine & Me
           In our rightful seats on the house floor

           She meant  
                      Until my children
                      & my children’s children
                      & they babies too
                      can March & vote
                      & get back in interest
                      what was planted
                      in this blessed land

           She meant
                      I ain’t stopping America
                      I ain’t stopping America

Not even death can take away from my woman’s hands
what I’ve rightfully earned

Copyright © 2019 by Mahogany Browne. Originally featured in Vibe. Used with permission of the author.