The sea called—
you faced the estuary,
you were drowned as the tide passed.—
I am glad of this—
at least you have escaped.

The heavy sea-mist stifles me.
I choke with each breath—
a curious peril, this—
the gods have invented
curious torture for us.

One of us, pierced in the flank,
dragged himself across the marsh,
he tore at the bay-roots,
lost hold on the crumbling bank—

Another crawled—too late—
for shelter under the cliffs.

I am glad the tide swept you out,
O beloved,
you of all this ghastly host
alone untouched,
your white flesh covered with salt
as with myrrh and burnt iris.

We were hemmed in this place,
so few of us, so few of us to fight
their sure lances,
the straight thrust—effortless
with slight life of muscle and shoulder.

So straight—only we were left,
the four of us—somehow shut off.

And the marsh dragged one back,
and another perished under the cliff,
and the tide swept you out.

Your feet cut steel on the paths,
I followed for the strength
of life and grasp.
I have seen beautiful feet
but never beauty welded with strength.
I marvelled at your height.

You stood almost level
with the lance-bearers
and so slight.

And I wondered as you clasped
your shoulder-strap
at the strength of your wrist
and the turn of your young fingers,
and the lift of your shorn locks,
and the bronze
of your sun-burnt neck.

All of this,
and the curious knee-cap,
fitted above the wrought greaves,
and the sharp muscles of your back
which the tunic could not cover—
the outline
no garment could deface.

I wonder if you knew how I watched,
how I crowded before the spearsmen—
but the gods wanted you,
the gods wanted you back.

This poem is in the public domain.

The pigeons ignore us gently as we
scream at one another in the parking
lot of an upscale grocer. The cicadas
are numbed by their own complaints,
so numbed I won’t even try to describe
the noise and tenor of their hum, but hum
they do like a child humming with his
fingers in his ears. Which, coincidentally,
is what our son is doing. Red shopping
carts crash together, and even the humans
walking by do so dumbly, as if to say,
no comment. As if two red-faced adults
in tears is as common as the polluted air
they breathe and keep reading about in
Time and Newsweek, but are clueless
as to what to do about it. Is this why we’re
separating our recycling by glass, by plastic,
by paper? Or why we’re buying organic
produce at a place that smells like patchouli
and port-o-potties? I ask you. Pigeons scoot,
and finches hop, and cicadas shout and shed
themselves into loose approximations of what
we might have in a different time called heaven.

Copyright © 2014 by Nick DePascal. Used with permission of the author.

my roommate one year in college
would say of my smallness 
that any man who found me attractive
had a trace of the pedophilic  


& i would shrink                    newly girled
twenty-one with my eyebrows
plucked to grownup arches             sprouting
back every three weeks  
in sharp little shoots             already men         
have tried to steal me


in their taxis   corral me into alleyways
of the new city            already
the demand  for my name              though
no one ever asks how old i am


though no one ever did      i feel creaking
& ancient in the repetition
of it all   i feel my girlhood gone for
generations    my entire
line of blood crowded with exhausted
women            their unlined faces 


frozen in time            with only a thickness
about the waist          a small shoot
of gray to belie the years


i make up names to hand
to strangers at parties  
i trim years from my age & share without
being asked    that i am
fifteen              seventeen      & no one blinks  
no one             stops wanting       


i am disappeared      like all the girls
before me    around me 
all the girls to come             


everyone thinks
i am a little girl & still
they hunt me               still they show their teeth        
i am so tired i am
one thousand  years old          one thousand
years older when touched

Copyright © 2019 by Safia Elhillo. Originally published in Poem-a-Day on February 13, 2019, by the Academy of American Poets.

As I’m walking on West Cliff Drive, a man runs
toward me pushing one of those jogging strollers
with shock absorbers so the baby can keep sleeping,
which this baby is. I can just get a glimpse
of its almost translucent eyelids. The father is young,
a jungle of indigo and carnelian tattooed
from knuckle to jaw, leafy vines and blossoms,
saints and symbols. Thick wooden plugs pierce
his lobes and his sunglasses testify
to the radiance haloed around him. I’m so jealous.
As I often am. It’s a kind of obsession.
I want him to have been my child’s father.
I want to have married a man who wanted
to be in a body, who wanted to live in it so much
that he marked it up like a book, underlining,
highlighting, writing in the margins, I was here.
Not like my dead ex-husband, who was always
fighting against the flesh, who sat for hours
on his zafu chanting om and then went out
and broke his hand punching the car.
I imagine when this galloping man gets home
he’s going to want to have sex with his wife,
who slept in late, and then he’ll eat
barbecued ribs and let the baby teethe on a bone
while he drinks a cold dark beer. I can’t stop
wishing my daughter had had a father like that.
I can’t stop wishing I’d had that life. Oh, I know
it’s a miracle to have a life. Any life at all.
It took eight years for my parents to conceive me.
First there was the war and then just waiting.
And my mother’s bones so narrow, she had to be slit
and I airlifted. That anyone is born,
each precarious success from sperm and egg
to zygote, embryo, infant, is a wonder.
And here I am, alive.
Almost seventy years and nothing has killed me.
Not the car I totalled running a stop sign
or the spirochete that screwed into my blood.
Not the tree that fell in the forest exactly
where I was standing—my best friend shoving me
backward so I fell on my ass as it crashed.
I’m alive.
And I gave birth to a child.
So she didn’t get a father who’d sling her
onto his shoulder. And so much else she didn’t get.
I’ve cried most of my life over that.
And now there’s everything that we can’t talk about.
We love—but cannot take
too much of each other.
Yet she is the one who, when I asked her to kill me
if I no longer had my mind—
we were on our way into Ross,
shopping for dresses. That’s something
she likes and they all look adorable on her—
she’s the only one
who didn’t hesitate or refuse
or waver or flinch.
As we strode across the parking lot
she said, O.K., but when’s the cutoff?
That’s what I need to know.

Originally published in The New Yorker. Copyright © 2017 by Ellen Bass. Used with the permission of the poet.