When you consider the radiance, that it does not withhold
itself but pours its abundance without selection into every
nook and cranny not overhung or hidden; when you consider

that birds' bones make no awful noise against the light but
lie low in the light as in a high testimony; when you consider
the radiance, that it will look into the guiltiest

swervings of the weaving heart and bear itself upon them,
not flinching into disguise or darkening; when you consider
the abundance of such resource as illuminates the glow-blue

bodies and gold-skeined wings of flies swarming the dumped
guts of a natural slaughter or the coil of shit and in no
way winces from its storms of generosity; when you consider

that air or vacuum, snow or shale, squid or wolf, rose or lichen,
each is accepted into as much light as it will take, then
the heart moves roomier, the man stands and looks about, the

leaf does not increase itself above the grass, and the dark
work of the deepest cells is of a tune with May bushes
and fear lit by the breadth of such calmly turns to praise.

From The Selected Poems: 1951-1977, Expanded Edition, W. W. Norton & Company, Inc. Copyright © 1986 by A. R. Ammons.

I said I will find what is lowly
and put the roots of my identity
down there:
each day I'll wake up
and find the lowly nearby,
a handy focus and reminder,
a ready measure of my significance,
the voice by which I would be heard,
the wills, the kinds of selfishness
I could
freely adopt as my own:

but though I have looked everywhere,
I can find nothing
to give myself to:
everything is

magnificent with existence, is in 
surfeit of glory:
nothing is diminished,
nothing has been diminished for me:

I said what is more lowly than the grass:
ah, underneath,
a ground-crust of dry-burnt moss:
I looked at it closely
and said this can be my habitat: but
nestling in I
found
below the brown exterior
green mechanisms beyond the intellect
awaiting resurrection in rain: so I got up

and ran saying there is nothing lowly in the universe:
I found a beggar:
he had stumps for legs: nobody was paying
him any attention: everybody went on by:
I nestled in and found his life:
there, love shook his body like a devastation:
I said
though I have looked everywhere
I can find nothing lowly
in the universe:

I whirled through transfigurations up and down,
transfigurations of size and shape and place:

at one sudden point came still,
stood in wonder:
moss, beggar, weed, tick, pine, self, magnificent
with being!

From The Selected Poems: 1951-1977, Expanded Edition, W. W. Norton & Company, Inc. Copyright © 1986 by A. R. Ammons.

When you consider the radiance, that it does not withhold
itself but pours its abundance without selection into every
nook and cranny not overhung or hidden; when you consider

that birds' bones make no awful noise against the light but
lie low in the light as in a high testimony; when you consider
the radiance, that it will look into the guiltiest

swervings of the weaving heart and bear itself upon them,
not flinching into disguise or darkening; when you consider
the abundance of such resource as illuminates the glow-blue

bodies and gold-skeined wings of flies swarming the dumped
guts of a natural slaughter or the coil of shit and in no
way winces from its storms of generosity; when you consider

that air or vacuum, snow or shale, squid or wolf, rose or lichen,
each is accepted into as much light as it will take, then
the heart moves roomier, the man stands and looks about, the

leaf does not increase itself above the grass, and the dark
work of the deepest cells is of a tune with May bushes
and fear lit by the breadth of such calmly turns to praise.

From The Selected Poems: 1951-1977, Expanded Edition, W. W. Norton & Company, Inc. Copyright © 1986 by A. R. Ammons.

The people of my time are passing away: my
wife is baking for a funeral, a 60-year-old who

died suddenly, when the phone rings, and it's
Ruth we care so much about in intensive care:

it was once weddings that came so thick and
fast, and then, first babies, such a hullabaloo:

now, it's this that and the other and somebody
else gone or on the brink: well, we never

thought we would live forever (although we did)
and now it looks like we won't: some of us

are losing a leg to diabetes, some don't know
what they went downstairs for, some know that

a hired watchful person is around, some like
to touch the cane tip into something steady,

so nice: we have already lost so many,
brushed the loss of ourselves ourselves: our

address books for so long a slow scramble now
are palimpsests, scribbles and scratches: our

index cards for Christmases, birthdays,
Halloweens drop clean away into sympathies:

at the same time we are getting used to so
many leaving, we are hanging on with a grip

to the ones left: we are not giving up on the
congestive heart failure or brain tumors, on

the nice old men left in empty houses or on
the widows who decide to travel a lot: we

think the sun may shine someday when we'll
drink wine together and think of what used to

be: until we die we will remember every
single thing, recall every word, love every

loss: then we will, as we must, leave it to
others to love, love that can grow brighter

and deeper till the very end, gaining strength
and getting more precious all the way. . . .

"In View of the Fact" is reprinted from Bosh and Flapdoodle by A. R. Ammons. Copyright © 2005. With permission of the publisher, W. W. Norton & Company, Inc.

You sleep with a dream of summer weather,
wake to the thrum of rain—roped down by rain.
Nothing out there but drop-heavy feathers of grass  
and rainy air. The plastic table on the terrace
has shed three legs on its way to the garden fence.     
The mountains have had the sense to disappear.  
It's the Celtic temperament—wind, then torrents, then remorse.
Glory rising like a curtain over distant water.
Old stonehouse, having steered us through the dark,
docks in a pool of shadow all its own.
That widening crack in the gloom is like good luck.
Luck, which neither you nor tomorrow can depend on.

Copyright © 2010 by Anne Stevenson. Used by permission of the author.

That fire in the garden's an illusion—
the double of the fire that cheers this room.
Now standing at the window in between them,
I watch the spiked montbretia suddenly bloom
and guess the glass is telling me a lie. 
But no, the flames are there. I can't deny
the evidence presented to my eye. 
Only to my doubt can I appeal 
for news of what is false and what is real.

Copyright © 2010 by Anne Stevenson. Used by permission of the author.