My friend says I was not a good son
you understand
I say yes I understand

he says I did not go
to see my parents very often you know
and I say yes I know

even when I was living in the same city he says
maybe I would go there once
a month or maybe even less
I say oh yes

he says the last time I went to see my father
I say the last time I saw my father

he says the last time I saw my father
he was asking me about my life
how I was making out and he
went into the next room
to get something to give me

oh I say
feeling again the cold
of my father's hand the last time
he says and my father turned
in the doorway and saw me
look at my wristwatch and he
said you know I would like you to stay
and talk with me

oh yes I say

but if you are busy he said
I don't want you to feel that you
have to
just because I'm here

I say nothing

he says my father
said maybe
you have important work you are doing
or maybe you should be seeing
somebody I don't want to keep you

I look out the window
my friend is older than I am
he says and I told my father it was so
and I got up and left him then
you know

though there was nowhere I had to go
and nothing I had to do

From Opening the Hand, by W. S. Merwin, published by Atheneum. Copyright © 1983 by W. S. Merwin. Used with permission.

A light is on in my father’s study.
“Still up?” he says, and we are silent,
looking at the harbor lights,
listening to the surf
and the creak of coconut boughs.
 

He is working late on cases.
No impassioned speech! He argues from evidence,
actually pacing out and measuring,
while the fans revolving on the ceiling
winnow the true from the false.
 

Once he passed a brass curtain rod
through a head made out of plaster
and showed the jury the angle of fire—
where the murderer must have stood.
For years, all through my childhood,
if I opened a closet . . . bang!
There would be the dead man’s head
with a black hole in the forehead.
 

All the arguing in the world
will not stay the moon.
She has come all the way from Russia
to gaze for a while in a mango tree
and light the wall of a veranda,
before resuming her interrupted journey
beyond the harbor and the lighthouse
at Port Royal, turning away
from land to the open sea.
 

Yet, nothing in nature changes, from that day to this,
she is still the mother of us all.
I can see the drifting offshore lights,
black posts where the pelicans brood.
 

And the light that used to shine
at night in my father’s study
now shines as late in mine.

From Collected Poems by Louis Simpson, published by Paragon House, 1988. Copyright © 1988 by Louis Simpson. All rights reserved. Used with permission. (Originally published in Caviare at the Funeral, Franklin Watts, 1980.)