Forgive me, I’m no good at this. I can’t write back. I never read your letter.
I can’t say I got your note. I haven’t had the strength to open the envelope.
The mail stacks up by the door. Your hand’s illegible. Your postcards were
defaced. Wash your wet hair? Any document you meant to send has yet to
reach me. The untied parcel service never delivered. I regret to say I’m
unable to reply to your unexpressed desires. I didn’t get the book you sent.
By the way, my computer was stolen. Now I’m unable to process words. I
suffer from aphasia. I’ve just returned from Kenya and Korea. Didn’t you
get a card from me yet? What can I tell you? I forgot what I was going to
say. I still can’t find a pen that works and then I broke my pencil. You know
how scarce paper is these days. I admit I haven’t been recycling. I never
have time to read the Times. I’m out of shopping bags to put the old news
in. I didn’t get to the market. I meant to clip the coupons. I haven’t read
the mail yet. I can’t get out the door to work, so I called in sick. I went to
bed with writer’s cramp. If I couldn’t get back to writing, I thought I’d catch
up on my reading. Then Oprah came on with a fabulous author plugging her
best selling book.

Originally published in Santa Monica Review, fall 1997. Copyright © 1997 by Harryette Mullen. All rights reserved. Used by permission of the author.

Not that anyone would
notice it at first.
I have taken to marveling
at the trees in our park.
One thing I can tell you:
they are beautiful
and they know it.
They are also tired,
hundreds of years
stuck in one spot—
beautiful paralytics.
When I am under them,
they feel my gaze,
watch me wave my foolish
hand, and envy the joy
of being a moving target.

Loungers on the benches
begin to notice.
One to another,
"Well, you see all kinds..."
Most of them sit looking
down at nothing as if there
was truly nothing else to
look at until there is
that woman waving up
to the branching boughs
of these old trees. Raise your
heads, pals, look high,
you may see more than
you ever thought possible,
up where something might
be waving back, to tell her
she has seen the marvelous.

From Coming to That by Dorothea Tanning. Copyright © 2011 by Dorothea Tanning. Used with permission of Graywolf Press. All rights reserved.

Up until this sore minute, you could turn the key, pivot away.

But mine is the only medicine now

wherever you go or follow.

The past is so far away, but it flickers,

then cleaves the night. The bones

of the past splinter between our teeth.

This is our life, love. Why did I think

it would be anything less than too much

of everything? I know you remember that cheap motel

on the coast where we drank red wine,

the sea flashing its gold scales as sun

soaked our skin. You said, This must be

what people mean when they say

I could die now. Now

we’re so much closer

to death than we were then. Who isn’t crushed,

stubbed out beneath a clumsy heel?

Who hasn’t stood at the open window,

sleepless, for the solace of the damp air?

I had to get old to carry both buckets

yoked on my shoulders. Sweet

and bitter waters I drink from.

Let me know you, ox you.

I want your scent in my hair.

I want your jokes.

Hang your kisses on all my branches, please.

Sink your fingers into the darkness of my fur.

 

Copyright © 2020 by Ellen Bass. Originally published in Poem-a-Day on February 13, 2020, by the Academy of American Poets.

Bring me your pain, love. Spread 
it out like fine rugs, silk sashes, 
warm eggs, cinnamon
and cloves in burlap sacks. Show me

the detail, the intricate embroidery 
on the collar, tiny shell buttons, 
the hem stitched the way you were taught,
pricking just a thread, almost invisible.

Unclasp it like jewels, the gold 
still hot from your body. Empty 
your basket of figs. Spill your wine.

That hard nugget of pain, I would suck it, 
cradling it on my tongue like the slick 
seed of pomegranate. I would lift it

tenderly, as a great animal might 
carry a small one in the private 
cave of the mouth.

Reprinted from Mules of Love by Ellen Bass, with the permission of BOA Editions, Ltd. Copyright © 2002 by Ellen Bass. All rights reserved.