It's right next to a Polariod booth.
The instructions say the needles are small
and barely felt. The pictures, it explains,
have nudity, but no gratuitous nudity.
Special imaging equipment considers
the color value of your own skin
and calibrates your reactions
to words shouted in your headphones.   
You know what words. Reading the instructions
brings some of these words to mind. You wonder
if this is part of the evaluation, if people
who are not racist think only of beautiful flowers,
or are beautiful flowers the very basis of racism?
Does everyone love the violet equally?
Does everyone think the tulip's been overdone?
You try to think of a brown flower.
There are some. You've seen them in catalogs.
They're called "chocolate." Black flowers, too,
with varieties named Nightwatch,
Black Pearl, a lily named Naomi Campbell.
Thinking of this makes you hopeful
the machine will know you're not a racist.
Or does remembering a black flower was named
Naomi Campbell mean you're a racist?
The inside of the booth is dimly lit with walls
that look as if they could swiftly close together.
Like a grape, you'd pop right out of your skin.

Copyright © 2015 by Karen Skolfield. Originally published in Split This Rock’s The Quarry: A Social Justice Poetry Database.

One summer she goes into the field as usual
stopping for a bit at the pool where she often
looks at herself, to see
if she detects any changes. She sees
the same person, the horrible mantle
of daughterliness still clinging to her.

The sun seems, in the water, very close.
That's my uncle spying again, she thinks—
everything in nature is in some way her relative.
I am never alone, she thinks,
turning the thought into a prayer.
Then death appears, like the answer to a prayer.

No one understands anymore
how beautiful he was. But Persephone remembers.
Also that he embraced her, right there,
with her uncle watching. She remembers
sunlight flashing on his bare arms.

This is the last moment she remembers clearly.
Then the dark god bore her away.

She also remembers, less clearly,
the chilling insight that from this moment
she couldn't live without him again.

The girl who disappears from the pool
will never return. A woman will return,
looking for the girl she was.

She stands by the pool saying, from time to time,
I was abducted, but it sounds
wrong to her, nothing like what she felt.
Then she says, I was not abducted.
Then she says, I offered myself, I wanted
to escape my body. Even, sometimes,
I willed this. But ignorance

cannot will knowledge. Ignorance
wills something imagined, which it believes exists.

All the different nouns—
she says them in rotation.
Death, husband, god, stranger.
Everything sounds so simple, so conventional.
I must have been, she thinks, a simple girl.

She can't remember herself as that person
but she keeps thinking the pool will remember
and explain to her the meaning of her prayer
so she can understand
whether it was answered or not.

"The Myth of Innocence" from Averno by Louise Glück. Copyright © 2006 by Louise Glück. Reprinted by permission of Farrar, Straus and Giroux, LLC.

Goliath was a giant, the bully of his side,
His coat of mail was brazen, his face was fierce with pride;
And when a shepherd stripling to challenge him was fain,
Eleven-foot Goliath ignored him in disdain.

But David didn’t trouble, his heart was cool and glad,
Though a sling and rounded pebbles were the only arms he had.
That slender slip of Jesse, he knew his cause was just,
So he stood up to the bully, and rolled him in the dust.

Those days are gone for ever, but the bully strain survives,
Though at the time of writing one can hardly say it thrives;
The chant of Chauvinism has become an idly yarn,
Like the “negligible British” since the Battle of the Marne.

Our German-made Goliath taunted Tommy on his size,
But the drubbing Tommy gave him has caused him much surprise;
And a hasty memorandum in the Teuton mind is stored—
“The little British Army must never be ignored.”

This poem is in the public domain.

Don’t knock at my door, little child,
     I cannot let you in,
You know not what a world this is
     Of cruelty and sin.
Wait in the still eternity
     Until I come to you,
The world is cruel, cruel, child,
     I cannot let you in!

Don’t knock at my heart, little one,
     I cannot bear the pain
Of turning deaf-ear to your call
     Time and time again!
You do not know the monster men
     Inhabiting the earth,
Be still, be still, my precious child,
     I must not give you birth!

This poem is in the public domain. Published in Poem-a-Day on June 8, 2019, by the Academy of American Poets.