won’t you celebrate with me

what i have shaped into

a kind of life? i had no model.

born in babylon

both nonwhite and woman

what did i see to be except myself?

i made it up

here on this bridge between

starshine and clay,

my one hand holding tight

my other hand; come celebrate

with me that everyday

something has tried to kill me

and has failed.

Lucille Clifton, “won’t you celebrate with me” from Collected Poems of Lucille Clifton. Copyright © 1991 by Lucille Clifton. Reprinted with the permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd., boaeditions.org.

Remember the sky that you were born under,
know each of the star’s stories.
Remember the moon, know who she is.
Remember the sun’s birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother’s, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.

“Remember.” Copyright © 1983 by Joy Harjo from She Had Some Horses by Joy Harjo. Used by permission of W. W. Norton & Company, Inc.

I wish I were like Johnny Cash
& thought my heart was mine.

I’ve worn a black suit
my entire life. It suits the war
my eyes ignite.

My sins sit on my lap,
bald, blind, desperate
for the mercy of lost roads,
glottal white lines.

Only smoke will take me
far to nowhere—

a woman living
between
her own burning road

& a charmed God—

the unmarked sky
where a plague of blackbirds

fell across my back
like an unlit cross.

Copyright © 2015 by Rachel Eliza Griffiths. Used with permission of the author.

My skeleton,
you who once ached
with your own growing larger

are now,
each year
imperceptibly smaller,
lighter,
absorbed by your own
concentration.

When I danced,
you danced.
When you broke,
I.

And so it was lying down,
walking,
climbing the tiring stairs.
Your jaws. My bread.

Someday you,
what is left of you,
will be flensed of this marriage.

Angular wristbone's arthritis,
cracked harp of ribcage,
blunt of heel,
opened bowl of the skull,
twin platters of pelvis—
each of you will leave me behind,
at last serene.

What did I know of your days,
your nights,
I who held you all my life
inside my hands
and thought they were empty?

You who held me all my life
inside your hands
as a new mother holds
her own unblanketed child,
not thinking at all.

—2013

Copyright © 2013 by Jane Hirshfield. Used with permission of the author. This poem appeared in Poem-a-Day on October 14, 2013.

The world asks, as it asks daily: 
And what can you make, can you do, to change my deep-broken, fractured?

I count, this first day of another year, what remains. 
I have a mountain, a kitchen, two hands. 

Can admire with two eyes the mountain, 
actual, recalcitrant, shuffling its pebbles, sheltering foxes and beetles.

Can make black-eyed peas and collards.
Can make, from last year’s late-ripening persimmons, a pudding.

Can climb a stepladder, change the bulb in a track light.

For four years, I woke each day first to the mountain, 
then to the question.

The feet of the new sufferings followed the feet of the old, 
and still they surprised.

I brought salt, brought oil, to the question. Brought sweet tea, 
brought postcards and stamps. For four years, each day, something.

Stone did not become apple. War did not become peace. 
Yet joy still stays joy. Sequins stay sequins. Words still bespangle, bewilder. 

Today, I woke without answer. 

The day answers, unpockets a thought from a friend

don’t despair of this falling world, not yet

didn’t it give you the asking

Copyright © Jane Hirshfield. Used with permission of the author.

Like all

who believe in the senses,

I was an accountant,

copyist,

statistician.

Not registrar,

witness.

Permitted to touch

the leaf of a thistle,

the trembling

work of a spider.

To ponder the Hubble’s recordings.

It did not matter

if I believed in

the party of particle or of wave,

as I carried no weapon.

It did not matter if I believed.

I weighed ashes,

actions,

cities that glittered like rubies,

on the scales I was given,

calibrated

in units of fear and amazement.

I wrote the word it, the word is.

I entered the debt that is owed to the real.

Forgive,

spine-covered leaf, soft-bodied spider,

octopus lifting

one curious tentacle back toward the hand of the diver

that in such black ink

I set down your flammable colors.

—2018

from Ledger (Knopf, 2020); first appeared in The Times Literary Supplement. Used by permission of the author, all rights reserved.

Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.

How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.

Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.

Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.

From Homage to Clio by W. H. Auden, published by Random House. Copyright © 1960 W. H. Auden, renewed by the Estate of W. H. Auden. Used by permission of Curtis Brown, Ltd.

we were never caught

we partied the southwest, smoked it from L.A. to El Dorado
worked odd jobs between delusions of escape
drunk on the admonitions of parents, parsons & professors
driving faster than the road or law allowed.
our high-pitched laughter was young, heartless & disrespected
authority. we could be heard for miles in the night

the Grand Canyon of a new manhood.
womanhood discovered
like the first sighting of Mount Wilson

we rebelled against the southwestern wind

we got so naturally ripped, we sprouted wings,
crashed parties on the moon, and howled at the earth

we lived off love. It was all we had to eat

when you split you took all the wisdom
and left me the worry

Copyright © 2001 by Wanda Coleman. Reprinted from Mercurochrome: New Poems with the permission of Black Sparrow Press. All rights reserved.

When the bass drops on Bill Withers’ 
Better Off Dead, it’s like 7 a.m.  
and I confess I’m looking 
over my shoulder once or twice
just to make sure no one in Brooklyn 
is peeking into my third-floor window 
to see me in pajamas I haven’t washed 
for three weeks before I slide 
from sink to stove in one long groove 
left foot first then back to the window side
with my chin up and both fists clenched 
like two small sacks of stolen nickels
and I can almost hear the silver 
hit the floor by the dozens
when I let loose and sway a little back 
and just like that I’m a lizard grown 
two new good legs on a breeze
-bent limb. I’m a grown-ass man 
with a three-day wish and two days to live.
And just like that everyone knows 
my heart’s broke and no one is home. 
Just like that, I’m water. 
Just like that, I’m the boat. 
Just like that, I’m both things in the whole world 
rocking. Sometimes sadness is just 
what comes between the dancing. And bam!, 
my mother’s dead and, bam!, my brother’s 
children are laughing. Just like—ok, it’s true 
I can’t pop up from my knees so quick these days 
and no one ever said I could sing but 
tell me my body ain’t good enough 
for this. I’ll count the aches another time, 
one in each ankle, the sharp spike in my back, 
this mud-muscle throbbing in my going bones, 
I’m missing the six biggest screws 
to hold this blessed mess together. I’m wind-
rattled. The wood’s splitting. The hinges are
falling off. When the first bridge ends,
just like that, I’m a flung open door. 

Copyright © 2014 by Patrick Rosal. Used with permission of the author. This poem appeared in Poem-A-Day on April 18, 2014. Browse the Poem-A-Day archive.

to Mary Rose

Here is our little yard  

too small            for a pool  
or chickens   let alone 

a game of tag or touch 
football       Then 

again   this stub-  
born patch  

of crabgrass  is just 
big enough      to get down  

flat on our backs 
with eyes wide open    and face 

the whole gray sky  just 
as a good drizzle 

begins                   I know  
we’ve had a monsoon  

of grieving to do  
which is why  

I promise    to lie 
beside you  

for as long as you like  
or need  

We’ll let our elbows 
kiss     under the downpour  

until we’re soaked  
like two huge nets  
                    left  

beside the sea  
whose heavy old

ropes strain  
stout with fish 

If we had to     we could  
feed a multitude  

with our sorrows  
If we had to  

we could name   a loss  
for every other  

drop of rain   All these  
foreign flowers 

you plant from pot  
to plot  

with muddy fingers  
—passion, jasmine, tuberose—  

we’ll sip 
the dew from them  

My darling                here
is the door I promised  

Here
is our broken bowl Here  

                        my hands  
In the home of our dreams  

the windows open  
in every  

weather—doused  
or dry—May we never  

be so parched 

Copyright © 2024 by Patrick Rosal. Originally published in Poem-a-Day on March 13, 2024, by the Academy of American Poets. 

This fireman comes every afternoon
to the café on the corner
dressed for his shift in clean dark blues
This time       it’s the second Wednesday of January
and he’s meeting his daughter again
who must be five or six
and who is always waiting for her father like this
in her charcoal gray plaid skirt
with green and red stripes
She probably comes here straight from school
her glasses a couple nickels thick

By now I know     that she can sit       (except
for her one leg swinging from the chair) 
absolutely still      while her father pulls       
fighters’ wraps from his work bag
and begins half way down the girl’s forearm
winding the fabric in overlapping spirals
slowly toward her fist           then     he props            
her wrist      like a pro    on his own hand
unraveling the black cloth   weaving it          
between her thumb and forefinger
around the palm            taut but
not so much that it cuts off the blood          then
up the hand and between the other fingers
to protect the knuckles         the tough           
humpback guppies just under the skin           

He does this once with her left       then again
to her right      To be sure her pops knows he has done
a good job       she nods        Good job       Good      
Maybe you’re right              I don’t know what love is
A father kisses the top of his daughter’s head
and knocks her glasses cockeyed
He sits back and downs the last of the backwash
in his coffee cup         They got 10 minutes to kill
before they walk across the street         down the block
and out of sight         She wants to test
her dad’s handiwork            by throwing 
a couple jab-cross combos from her seat
There is nothing in the daughter’s face         
that says     she is afraid         
There is nothing in the father’s face              
to say he is not                     He checks his watch                 
then holds up his palms    as if to show his daughter            
that nothing is burning                     In Philadelphia
there are fires      I’ve seen those  in my lifetime too

Copyright © 2018 by Patrick Rosal. Originally published in Poem-a-Day on April 23, 2018, by the Academy of American Poets.

I skim sadness like fat off the surface
of cooling soup. Don't care about
metaphor but wish it would arrive
me. There’s a cool current of air
this hot day I want to ride.
I have no lover, not even my love.
I have no other, not even I.

Copyright @ 2014 by Rachel Zucker. Used with permission of the author. This poem appeared in Poem-a-Day on May 28, 2014.