Little maidens, when you look
On this little story-book,
Reading with attentive eye
Its enticing history,
Never think that hours of play
Are your only HOLIDAY,
And that in a HOUSE of joy
Lessons serve but to annoy:
If in any HOUSE you find
Children of a gentle mind,
Each the others pleasing ever—
Each the others vexing never—
Daily work and pastime daily
In their order taking gaily—
Then be very sure that they
Have a life of HOLIDAY.

A boat, beneath a sunny sky
Lingering onward dreamily
In an evening of July—

Children three that nestle near,
Eager eye and willing ear,
Pleased a simple tale to hear—

Long has paled that sunny sky:
Echoes fade and memories die:
Autumn frosts have slain July.

Still she haunts me, phantomwise,
Alice moving under skies
Never seen by waking eyes.

Children yet, the tale to hear,
Eager eye and willing ear,
Lovingly shall nestle near.

In a Wonderland they lie,
Dreaming as the days go by,
Dreaming as the summers die:

Ever drifting down the stream—
Lingering in the golden gleam—
Life, what is it but a dream?

The sun was shining on the sea,
   Shining with all his might:
He did his very best to make
   The billows smooth and bright—
And this was odd, because it was
   The middle of the night.

The moon was shining sulkily,
   Because she thought the sun
Had got no business to be there
   After the day was done—
"It's very rude of him," she said,
   "To come and spoil the fun!"

The sea was wet as wet could be,
   The sands were dry as dry.
You could not see a cloud because
   No cloud was in the sky:
No birds were flying overhead—
   There were no birds to fly.

The Walrus and the Carpenter
   Were walking close at hand:
They wept like anything to see
   Such quantities of sand:
"If this were only cleared away,"
   They said, "it would be grand!"

"If seven maids with seven mops
   Swept it for half a year,
Do you suppose," the Walrus said,
   "That they could get it clear?"
"I doubt it," said the Carpenter,
   And shed a bitter tear.

"0 Oysters, come and walk with us!"
   The Walrus did beseech.
"A pleasant walk, a pleasant talk,
   Along the briny beach:
We cannot do with more than four,
   To give a hand to each."

The eldest Oyster looked at him,
   But never a word he said;
The eldest Oyster winked his eye,
   And shook his heavy head—
Meaning to say he did not choose
   To leave the oyster-bed.

But four young Oysters hurried up,
   All eager for the treat:
Their coats were brushed, their faces washed,
   Their shoes were clean and neat—
And this was odd, because, you know,
   They hadn't any feet.

Four other Oysters followed them,
   And yet another four;
And thick and fast they came at last,
   And more and more and more—
All hopping through the frothy waves,
   And scrambling to the shore.

The Walrus and the Carpenter
   Walked on a mile or so,
And then they rested on a rock
   Conveniently low:
And all the little Oysters stood
   And waited in a row.

"The time has come," the Walrus said,
   "To talk of many things:
Of shoes—and ships—and sealing-wax—
   Of cabbages—and kings—
And why the sea is boiling hot—
   And whether pigs have wings."

"But wait a bit," the Oysters cried,
   "Before we have our chat;
For some of us are out of breath,
   And all of us are fat!"
"No hurry!" said the Carpenter.
   They thanked him much for that.

"A loaf of bread," the Walrus said,
   "Is what we chiefly need:
Pepper and vinegar besides
   Are very good indeed—
Now, if you're ready, Oysters dear,
   We can begin to feed."

"But not on us!" the Oysters cried,
   Turning a little blue.
"After such kindness, that would be
   A dismal thing to do!"
"The night is fine," the Walrus said,
   "Do you admire the view?

"It was so kind of you to come!
   And you are very nice!"
The Carpenter said nothing but
   "Cut us another slice.
I wish you were not quite so deaf—
   I've had to ask you twice!"

"It seems a shame," the Walrus said,
   "To play them such a trick.
After we've brought them out so far,
   And made them trot so quick!"
The Carpenter said nothing but
   "The butter's spread too thick!"

"I weep for you," the Walrus said:
   "I deeply sympathize."
With sobs and tears he sorted out
   Those of the largest size,
Holding his pocket-handkerchief
   Before his streaming eyes.

"0 Oysters," said the Carpenter,
   "You've had a pleasant run!
Shall we be trotting home again?"
   But answer came there none—
And this was scarcely odd, because
   They'd eaten every one.

Out of the cradle endlessly rocking,
Out of the mocking-bird’s throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands and the fields beyond, where the child leaving his bed wander’d alone, bareheaded, barefoot,
Down from the shower’d halo,
Up from the mystic play of shadows twining and twisting as if they were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories sad brother, from the fitful risings and fallings I heard,
From under that yellow half-moon late-risen and swollen as if with tears,
From those beginning notes of yearning and love there in the mist,
From the thousand responses of my heart never to cease,
From the myriad thence-arous’d words,
From the word stronger and more delicious than any,
From such as now they start the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither, ere all eludes me, hurriedly,
A man, yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them, but swiftly leaping beyond them,
A reminiscence sing.

Once Paumanok,
When the lilac-scent was in the air and Fifth-month grass was growing,
Up this seashore in some briers,
Two feather’d guests from Alabama, two together,
And their nest, and four light-green eggs spotted with brown,
And every day the he-bird to and fro near at hand,
And every day the she-bird crouch’d on her nest, silent, with bright eyes,
And every day I, a curious boy, never too close, never disturbing them,
Cautiously peering, absorbing, translating.

Shine! shine! shine!
Pour down your warmth, great sun!
While we bask, we two together.

Two together!
Winds blow south, or winds blow north,
Day come white, or niqht come black,
Home, or rivers and mountains from home,
Singing all time, minding no time,
While we two keep together.

Till of a sudden,
May-be kill’d, unknown to her mate,
One forenoon the she-bird crouch’d not on the nest,
Nor return’d that afternoon, nor the next,
Nor ever appear’d again.

And thenceforward all summer in the sound of the sea,
And at night under the full of the moon in calmer weather,
Over the hoarse surging of the sea,
Or flitting from brier to brier by day,
I saw, I heard at intervals the remaining one, the he-bird,
The solitary guest from Alabama.

Blow! blow! blow!
Blow up sea-winds along Paumanok’s shore;
I wait and I wait till you blow my mate to me.

Yes, when the stars glisten’d,
All night long on the prong of a moss-scallop’d stake,
Down almost amid the slapping waves,
Sat the lone singer wonderful causing tears.

He call’d on his mate,
He pour’d forth the meanings which I of all men know.
Yes my brother I know,         
The rest might not, but I have treasur’d every note,
For more than once dimly down to the beach gliding,
Silent, avoiding the moonbeams, blending myself with the
shadows,
Recalling now the obscure shapes, the echoes, the sounds
and sights after their sorts,
The white arms out in the breakers tirelessly tossing,
I, with bare feet, a child, the wind wafting my hair,
Listen’d long and long.

Listen’d to keep, to sing, now translating the notes,
Following you my brother.

Soothe! soothe! soothe!
Close on its wave soothes the wave behind,  
And again another behind embracing and lapping, every one close,
But my love soothes not me, not me.  

Low hangs the moon, it rose late,
It is lagging—O I think it is heavy with love, with love.

O madly the sea pushes upon the land,
With love, with love.

O night! do I not see my love fluttering out among the breakers?
What is that little black thing I see there in the white?

Loud! loud! loud!
Loud I call to you, my love!

Hiqh and clear I shoot my voice over the waves,
Surely you must know who is here, is here,
You must know who I am, my love.

Low-hanging moon!
What is that dusky spot in your brown yellow?
O it is the shape, the shape of my mate!
O moon do not keep her from me any longer.

Land! land! O land!
Whichever way I turn, O I think you could give me my mate back again if you only would,
For I am almost sure I see her dimly whichever way I look.

O rising stars!
Perhaps the one I want so much will rise, will rise with some of you.

O throat! O trembling throat!
Sound clearer through the atmosphere!
Pierce the woods, the earth,
Somewhere listening to catch you must be the one I want.

Shake out carols!
Solitary here, the niqht’s carols!
Carols of lonesome love! death’s carols!
Carols under that lagging, yellow, waning moon!
O under that moon where she droops almost down into the sea!
O reckless despairing carols.

But soft! sink low!
Soft! let me just murmur,
And do you wait a moment you husky-nois'd sea,
For somewhere I believe I heard my mate responding to me,
So faint, I must be still, be still to listen,
But not altogether still, for then she might not come immediately to me.

Hither my love!
Here I am! here!
With this just-sustain’d note I announce myself to you,
This gentle call is for you my love, for you.

Do not be decoy’d elsewhere,
That is the whistle of the wind, it is not my voice,
That is the fluttering, the fluttering of the spray,
Those are the shadows of leaves.

O darkness! O in vain!
O I am very sick and sorrowful.
O brown halo in the sky near the moon, drooping upon the sea!
O troubled reflection in the sea!        
O throat! O throbbing heart!
And I singing uselessly, uselessly all the night.         

O past! O happy life! O songs of joy!
In the air, in the woods, over fields,
Loved! loved! loved! loved! loved!
But my mate no more, no more with me!
We two together no more.

The aria sinking,
All else continuing, the stars shining,
The winds blowing, the notes of the bird continuous echoing,
With angry moans the fierce old mother incessantly moaning,
On the sands of Paumanok’s shore gray and rustling,
The yellow half-moon enlarged, sagging down, drooping, the face of the sea almost touching,
The boy ecstatic, with his bare feet the waves, with his hair the atmosphere dallying,
The love in the heart long pent, now loose, now at last tumultuously bursting,
The aria’s meaning, the ears, the soul, swiftly depositing,
The strange tears down the cheeks coursing,
The colloquy there, the trio, each uttering,
The undertone, the savage old mother incessantly crying,
To the boy’s soul’s questions sullenly timing, some drown’d secret hissing,
To the outsetting bard.

Demon or bird! (said the boy’s soul,)
Is it indeed toward your mate you sing? or is it really to me?
For I, that was a child, my tongue’s use sleeping, now I have heard you,
Now in a moment I know what I am for, I awake,
And already a thousand singers, a thousand songs, clearer, louder and more sorrowful than yours,
A thousand warbling echoes have started to life within me, never to die.

O you singer solitary, singing by yourself, projecting me,
O solitary me listening, never more shall I cease perpetuating you,
Never more shall I escape, never more the reverberations,
Never more the cries of unsatisfied love be absent from me,
Never again leave me to be the peaceful child I was before what there in the night,
By the sea under the yellow and sagging moon,
The messenger there arous’d, the fire, the sweet hell within,
The unknown want, the destiny of me.

O give me the clew! (it lurks in the night here somewhere,)
O if I am to have so much, let me have more!

A word then, (for I will conquer it,)
The word final, superior to all,
Subtle, sent up—what is it?—I listen;
Are you whispering it, and have been all the time, you sea-waves?
Is that it from your liquid rims and wet sands?

Whereto answering, the sea,
Delaying not, hurrying not,
Whisper’d me through the night, and very plainly before daybreak,
Lisp’d to me the low and delicious word death,
And again death, death, death, death,
Hissing melodious, neither like the bird nor like my arous’d child’s heart,
But edging near as privately for me rustling at my feet,
Creeping thence steadily up to my ears and laving me softly all over,
Death, death, death, death, death.

Which I do not forget,
But fuse the song of my dusky demon and brother,
That he sang to me in the moonlight on Paumanok’s gray beach,
With the thousand responsive songs at random,
My own songs awaked from that hour,
And with them the key, the word up from the waves,
The word of the sweetest song and all songs,
That strong and delicious word which, creeping to my feet,
(Or like some old crone rocking the cradle, swathed in sweet garments, bending aside,)
The sea whisper’d me.

^{John William Boone (1864–1927) world-renowned Ragtime pianist}

C

my motto for life

                      - merit, not sympathy, wins-

                                              my song against death.

E♭

i stroke piano’s

                           eighty eight mouths. each one sings

                                        hot colors of joy

                                                                                                 F

                                                                                     pentatonic black

                                                                 keys raise up high into bliss,

                                                 born to sing my name

                       F#

                    whippoorwill, hawk, crow

                                   sing madrigals for blind men.

                    forests blooms through each note.

                                   G

                               my eyes: buried deep

                                             beneath earth’s skin. my vision

                               begins in her womb.

                             B♭

                         darkness sounds like God

                                             flowering from earth's molten tomb...

                         writhed wind. chorded cries.

C

rain, flower, sea, wind

           map my dark horizon. i

                                              inhale earth’s songbook

1. 
There was an Old Man with a beard,
Who said, "It is just as I feared!--
Two Owls and a Hen,
Four Larks and a Wren,
Have all built their nests in my beard!"


10. 
There was an Old Man in a tree,
Who was horribly bored by a Bee;
When they said, "Does it buzz?"
He replied, "Yes, it does!
"It's a regular brute of a Bee!"


12. 
There was a Young Lady whose chin,
Resembled the point of a pin:
So she had it made sharp,
And purchased a harp,
And played several tunes with her chin.

The light of a candle
               is transferred to another candle—
               spring twilight.

I shall forget you presently, my dear,
So make the most of this, your little day,
Your little month, your little half a year
Ere I forget, or die, or move away,
And we are done forever; by and by
I shall forget you, as I said, but now,
If you entreat me with your loveliest lie
I will protest you with my favorite vow.
I would indeed that love were longer-lived,
And vows were not so brittle as they are,
But so it is, and nature has contrived
To struggle on without a break thus far,—
Whether or not we find what we are seeking
Is idle, biologically speaking.

I think a lot of y’all have just been watching Dr. King get beat
    up and, ah

                      vacillating opportunists straining for a note of
    militancy     and ah   

Hold your great buildings on my tiny wing      or     in my tiny  
    palm      same thing different sling   

and then they shot him   and     uh               left him on the front
    lawn  of everyone’s    vulgar  delirium  
for          having been chosen       walking home that night
     that’ll show you like    candy     and   love  
god     openly          reverse   order         

A bird gets along beautifully in the air, but once she is on the
    ground that special equipment hampers her a great deal.   

         And               Thereby home never gets to be a jaded
             resting place.
 

See, they return; ah, see the tentative
Movements, and the slow feet,          
The trouble in the pace and the uncertain      
Wavering!      

See, they return, one, and by one,              
With fear, as half-awakened; 
As if the snow should hesitate           
And murmur in the wind,      
            and half turn back;     
These were the "Wing'd-with-Awe,"         
            inviolable.       

Gods of the wingèd shoe!      
With them the silver hounds, 
            sniffing the trace of air!         

Haie! Haie!            
    These were the swift to harry;        
These the keen-scented;         
These were the souls of blood.          

Slow on the leash,      
            pallid the leash-men!