Ginkgo, cottonwood, pin oak, sweet gum, tulip tree:
our emotions resemble leaves and alive
to their shapes we are nourished.

Have you felt the expanse and contours of grief
along the edges of a big Norway maple?
Have you winced at the orange flare

searing the curves of a curling dogwood?
I have seen from the air logged islands,
each with a network of branching gravel roads,

and felt a moment of pure anger, aspen gold.
I have seen sandhill cranes moving in an open field,
a single white whooping crane in the flock.

And I have traveled along the contours
of leaves that have no name. Here
where the air is wet and the light is cool,

I feel what others are thinking and do not speak,
I know pleasure in the veins of a sugar maple,
I am living at the edge of a new leaf.

From The Redshifting Web: Poems 1970-1998, published by Copper Canyon Press, 1998. Copyright © 1998 by Arthur Sze. All rights reserved. Reprinted by permission of Copper Canyon Press, P.O. Box 271, Port Townsend, WA 98368.

translated by Robert Bly

The snowfall is so silent,
so slow,
bit by bit, with delicacy
it settles down on the earth
and covers over the fields.
The silent snow comes down
white and weightless;
snowfall makes no noise,
falls as forgetting falls,
flake after flake.
It covers the fields gently
while frost attacks them
with its sudden flashes of white;
covers everything with its pure
and silent covering;
not one thing on the ground
anywhere escapes it.
And wherever it falls it stays,
content and gay,
for snow does not slip off
as rain does,
but it stays and sinks in.
The flakes are skyflowers,
pale lilies from the clouds,
that wither on earth.
They come down blossoming
but then so quickly
they are gone;
they bloom only on the peak,
above the mountains,
and make the earth feel heavier
when they die inside.
Snow, delicate snow,
that falls with such lightness
on the head,
on the feelings,
come and cover over the sadness
that lies always in my reason.


La nevada es silenciosa

La nevada es silenciosa,
cosa lenta;
poco a poco y con blandura
reposa sobre la tierra
y cobija a la llanura.
Posa la nieve callada
blanca y leve;
la nevada no hace ruido;
cae como cae el olvido,
copo a copo.
Abriga blanda a los campos
cuando el hielo los hostiga;
con sus lampos de blancura;
cubre a todo con su capa
pura, silenciosa;
no se le escapa en el suelo
cosa alguna.
Donde cae allí se queda
leda y leve,
pues la nieve no resbala
como resbala la lluvia,
sino queda y cala.
Flores del cielo los copos,
blancos lirios de las nubes,
que en el suelo se ajan,
bajan floridos,
pero quedan pronto
derretidos;
florecen sólo en la cumbre,
sobre las montañas,
pesadumbre de la tierra,
y en sus entrañas perecen.
Nieve, blanda nieve,
la que cae tan leve
sobre la cabeza,
sobre el corazón,
ven y abriga mi tristeza
la que descansa en razón.

From Roots and Wings: Poetry from Spain 1900-1975, translated by Robert Bly, edited by Hardie St. Martin, and published by Harper & Row. © 1976 by Hardie St. Martin. Used with permission. All rights reserved.

You come to fetch me from my work to-night 
When supper's on the table, and we'll see 
If I can leave off burying the white 
Soft petals fallen from the apple tree. 
(Soft petals, yes, but not so barren quite, 
Mingled with these, smooth bean and wrinkled pea;) 
And go along with you ere you lose sight 
Of what you came for and become like me, 
Slave to a springtime passion for the earth. 
How Love burns through the Putting in the Seed 
On through the watching for that early birth 
When, just as the soil tarnishes with weed, 
The sturdy seedling with arched body comes 
Shouldering its way and shedding the earth crumbs.

This poem is in the public domain.

Fully occupied with growing—that's
the amaryllis. Growing especially
at night: it would take
only a bit more patience than I've got
to sit keeping watch with it till daylight;
the naked eye could register every hour's
increase in height. Like a child against a barn door,
proudly topping each year's achievement,
steadily up
goes each green stem, smooth, matte,
traces of reddish purple at the base, and almost
imperceptible vertical ridges
running the length of them:
Two robust stems from each bulb,
sometimes with sturdy leaves for company,
elegant sweeps of blade with rounded points.
Aloft, the gravid buds, shiny with fullness.

One morning—and so soon!—the first flower
has opened when you wake. Or you catch it poised
in a single, brief
moment of hesitation.
Next day, another,
shy at first like a foal,
even a third, a fourth,
carried triumphantly at the summit
of those strong columns, and each
a Juno, calm in brilliance,
a maiden giantess in modest splendor.
If humans could be
that intensely whole, undistracted, unhurried,
swift from sheer
unswerving impetus! If we could blossom
out of ourselves, giving
nothing imperfect, withholding nothing!

By Denise Levertov, from This Great Unknowing: Last Poems. Copyright © 1998 by The Denise Levertov Literary Trust, Paul A. Lacey and Valerie Trueblood Rapport, Co-Trustees. Reprinted by permission of New Directions Publishing Corp. All rights reserved. Used with permission.