(Miles Davis, 1926–1991)
This is what heroin must feel like—
Miles Davis exacting
his way through “Autumn Leaves”—
pretty and cold, a slowly spreading frost
along synapses and veins,
mapping interstellar darkness
one blue note at a time. Sometimes you could hear
him thinking through the changes
like he was hunting himself, relentless
and without mercy, then a burst of blue
flame, squeezing the Harmon mute like a man screaming
from the bottom of a mine shaft—
but however brightly the darkness glows,
it is still darkness, and Miles was a blackbird
on a field of snow, beautiful, distant, quiet—
and however many steps you take to meet him he flies
ten more feet away.
Copyright © 2015 by Anthony Walton. This poem was first printed in Black Renaissance Noire, Vol. 15, Issue 1 (Spring–Summer 2015). Used with the permission of the author.
From I Know Your Kind (Milkweed Editions, 2017). Copyright © 2017 by William Brewer. Used with the permission of Milkweed Editions.
greeter
she hustles us in
eyes tired
shadows stutter
behind nervous trees
outer room
screen door grime
a porous portal
paneling drips
frantic carpet
living room
up early ricki lake
an endless loop
tv’s wide blue mouth
the only thing moving
pantry
she fast food she
buy one get one free
kitchen
parched bones
silently akimbo
peel of burn
gray of skin
he sizzles
cooks
"crack house" was originally published in mystic turf (Willow Books, 2012). Used with permission of the author.
Grandpa shrugged when the feds at the kitchen door
said the pigpen weeds were marijuana,
and they were there to cut them down and burn them.
“Got lots more weeds—feel free to cut them, too.”
Marijuana was in the news a lot
when I first heard this story. Mom
and I laughed at her father’s innocence,
briefly united in patronizing parents.
Years later when she told it, she paused and added,
“But Dad did have terrible arthritis
in his hands, and I wouldn’t bet
he didn’t know what he had growing there.”
And suddenly I saw the wooden box
with the slotted roller in the top,
cigarette rolling machine, the knob we’d turn
to send a crayon down to the waiting tray.
Of course everybody rolled their own
in the Depression, nothing damning there.
But I felt history cough, twist in my hand,
watched my solid mother grow translucent,
capable of recasting legend, fact.
The last time I heard it, she concluded,
“And you know, I wouldn’t care to bet
it wasn’t my mother who called those agents in.”
Copyright © 2017 Susan Blackwell Ramsey. Used with permission of the author. This poem originally appeared in The Southern Review, Summer 2017.