I had no idea that the gate I would step through 
to finally enter this world 

would be the space my brother's body made. He was 
a little taller than me: a young man 

but grown, himself by then, 
done at twenty-eight, having folded every sheet, 

rinsed every glass he would ever rinse under the cold 
and running water. 

This is what you have been waiting for, he used to say to me. 
And I'd say, What? 

And he'd say, This—holding up my cheese and mustard sandwich. 
And I'd say, What? 

And he'd say, This, sort of looking around. 

From What the Living Do (W. W. Norton, 1997). Copyright © 1997 by Marie Howe. Used with the permission of the author.

I am not resigned to the shutting away of loving hearts in the hard ground.
So it is, and so it will be, for so it has been, time out of mind:
Into the darkness they go, the wise and the lovely. Crowned
With lilies and with laurel they go; but I am not resigned.

Lovers and thinkers, into the earth with you.
Be one with the dull, the indiscriminate dust.
A fragment of what you felt, of what you knew,
A formula, a phrase remains,—but the best is lost.

The answers quick and keen, the honest look, the laughter, the love,—
They are gone. They are gone to feed the roses. Elegant and curled
Is the blossom. Fragrant is the blossom. I know. But I do not approve. 
More precious was the light in your eyes than all the roses in the world.

Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know. But I do not approve. And I am not resigned.

Edna St. Vincent Millay, "Dirge Without Music" from The Buck in the Snow and Other Poems. Copyright © 1928 Edna St. Vincent Millay. Used with permission of The Millay Society.

Here dead lie we because we did not choose
     To live and shame the land from which we sprung.
Life, to be sure, is nothing much to lose;
     But young men think it is, and we were young.

This poem is in the public domain.

We cross under
the midnight shield
and learn that bullets

can curse the air.
A symposium
of endangered stars

evicts itself to
the water. Another
convoy leaves the kiln.

The crowded dead
turn into the earth’s
unfolded bed sheet.

We drift near banks,
creatures of the Mekong,
heads bobbing like

ghosts without bodies,
toward the farthest shore.
With every treading

soak, the wading leg,
we beg ourselves to live,
to float the mortared

cartilage and burial
tissue in this river yard
of amputated hearts.

This poem originally appeared in American Poets, Spring-Summer 2016. Copyright © 2016 Mai Der Vang. Used with permission of the author.