Here where the trees tremble with your flight
I sit and braid thin whips to beat you down.
How shall we ever find you who have gone
In little dresses, lisping through the town?

Great men on horses hunt you, and strong boys
Employ their arrows in the shallow air.
But I shall be heard whistling where I follow
Braiding long wisps of grass and stallion’s hair.

And in the night when thirty hawks are high
In pendent rhythm, and all the wayside loud;
When they are burning field and bush and hedge,
I’ll steal you like a penny from the crowd.

This poem is in the public domain. Published in Poem-a-Day on October 15, 2023, by the Academy of American Poets.

I stand at my window and listen;
Only the plaintive murmur of a swarm of cicadas.
I stand on the wet grass and ponder,
And turn to the east and behold you,
Great yellow moon.
Why do you frighten me so,
You captive of the coconut glade?
I have seen you before,
Have flirted with you so many a night.

When my heart, ever throbbing, never listless,
Had pined for the moonlight to calm it.
But you were a dainty whiteness
That kissed my brow then.
A gentle, pale flutter
That touched my aching breast.

You are a lonely yellow moon now.
You are ghastly, spectral tonight,
Alone
Behind your prison bars of coconut trees.
That is why
I do not dare take you into my hand
And press you against my cheek
To feel how cold you are.

I am afraid of you, yellow moon.

This poem is in the public domain. Published in Poem-a-Day on May 20, 2023, by the Academy of American Poets.

Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than he can understand.

This poem is in the public domain.

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

From The Poetry of Robert Frost edited by Edward Connery Lathem. Copyright © 1923, 1947, 1969 by Henry Holt and Company, copyright © 1942, 1951 by Robert Frost, copyright © 1970, 1975 by Lesley Frost Ballantine. Reprinted by permission of Henry Holt and Company, LLC.