I write to you from the predicament of Blackness.

You see, I’ve been here all my life and found,

on the atomic level, it’s impossible to walk through

most doorways. I can, however, move through

walls. I write to you from the empty seat that isn’t

empty. I write to you when a feel is copped.

I write myself out of bed. I write to you as the spook

who sat by the door. I write to you from Olivia

Pope’s apolitical mouth. I am here because I could

never get the hang of body death, though it has been

presented to me like one would offer a roofied cocktail

or high-interest loan. I am only here because I started

eating again. I am only here because I am ineligible

to exist otherwise. I’m only here because I left and

returned through an Atlantic wormhole. I write to you as

the American version of me. In the American version,

Orpheus’ lyre is a gun. Eurydice thinks of doctors,

or, rather a cold hand. It feels like one is sliding its sterile

nails over the curtains of her womb. Once, a healer’s hands

passed through my flesh, and I went on trial for stealing

ten fingers. When my spoon scrapes the bottom of a bowl

it sounds like a choir of siblings naming stars after their favorite

meals. Physicists are classifying new matters and energies

every day. Dark matter, Black flesh are in high demand,

and we never see a penny. I urge you. If you see a sister

walk through walls or survive the un-survivable, sip your

drink and learn to forget or love the taxed apparition before you.