Motivated forgetting is a psychological defense mechanism whereby people cope with threatening and unwanted memories by suppressing them from consciousness.
            —Amy N. Dalton and Li Huang

              in Badagry there is a hung-
              ry well of water and memory

 

                                                         loss. in Badagry there was a well 
                                                         of people lost across a haven 

 

of water. in Badagry there was
a port overwhelmed in un-return. 

 

                                    to omit within the mind is to ebb
                                    heavenward. memory is a wealth 

 

                                                      choking the brain in un-respons-
                                                      ibility. violence in the mind and 

 

                                    the mind forgets in order to remember
                                    the self before the violence begot. 

 

in Badagry trauma washes ungod-
ly memory heavenward. in Bad-

 

                                       agry there is an attenuation well 
                                       meant to wish away a passage, 

 

                                                                      meant to unhaven a people.
                                                                      violence is underwhelming

 

                                         in return. what the body eats, 
                                         the mind waters. responsible 

 

is the memory for un-remittal. 
royal is the body for return. god is

 

                                     the mind for wafting. forgetting 
                                     is a port homeward. in Bad- 

 

                                                   agry hungry memory grows angry.
                                                   in Badagry the memories un- 

 

                 choke. trauma un-eats the royal. 
                 in Badagry there is a heaven 

 

                                               of people responsible for the birth- 
                                               right of remembering, for the well 

 

                                      of us across a haven of water
                                      overwhelmed in un-return.

Copyright © 2020 by Porsha Olayiwola. Originally published in Poem-a-Day on June 17, 2020, by the Academy of American Poets.

For Valentine

my girl positioned for a twerk session-

             knees bent, hands below the thigh, tongue out, head

turned to look at her body’s precession. 

she in tune. breath in. breasts hang. hips freshen. 

            she slow-wine. pulse waistline to a beat bled

for her, un-guilt the knees for the session.

fair saint of vertebrae- backbone blessing,

            her pop- in innate. her pop- out self- bred,

head locked into her holied procession. 

dance is proof she loves herself, no questions-

            no music required, no crowd needed. 

she arched into a gateway, protecting-

this dance is proof she loves me, no guessing. 

            a bronx bedroom, we hip-to-hip threaded. 

she turn to me, tranced by her possessin’. 

she coils herself to, calls forth a legend-

round bodied booty, bounce a praise ballad.

she break hold, turn whole in a twerk session. 

body charmed, spell-bent, toward progressing.

From i shimmer sometimes, too (Button Poetry, 2019) Copyright © 2019 by Porsha Olayiwola. Used with permission of the author.

Dedicated to the Poet Agostinho Neto,
President of The People’s Republic of Angola: 1976

1
I will no longer lightly walk behind
a one of you who fear me:
                                     Be afraid.
I plan to give you reasons for your jumpy fits
and facial tics
I will not walk politely on the pavements anymore
and this is dedicated in particular
to those who hear my footsteps
or the insubstantial rattling of my grocery
cart
then turn around
see me
and hurry on
away from this impressive terror I must be:
I plan to blossom bloody on an afternoon
surrounded by my comrades singing
terrible revenge in merciless
accelerating
rhythms
But
I have watched a blind man studying his face.
I have set the table in the evening and sat down
to eat the news.
Regularly
I have gone to sleep.
There is no one to forgive me.
The dead do not give a damn.
I live like a lover
who drops her dime into the phone
just as the subway shakes into the station
wasting her message
canceling the question of her call:
fulminating or forgetful but late
and always after the fact that could save or 
condemn me

I must become the action of my fate.

2
How many of my brothers and my sisters
will they kill
before I teach myself
retaliation?
Shall we pick a number? 
South Africa for instance:
do we agree that more than ten thousand
in less than a year but that less than
five thousand slaughtered in more than six
months will
WHAT IS THE MATTER WITH ME?

I must become a menace to my enemies.

3
And if I 
if I ever let you slide
who should be extirpated from my universe
who should be cauterized from earth
completely
(lawandorder jerkoffs of the first the
                   terrorist degree)
then let my body fail my soul
in its bedeviled lecheries

And if I 
if I ever let love go
because the hatred and the whisperings
become a phantom dictate I o-
bey in lieu of impulse and realities
(the blossoming flamingos of my
                   wild mimosa trees)
then let love freeze me
out.
I must become
I must become a menace to my enemies.

Copyright © 2017 by the June M. Jordan Literary Estate. Used with the permission of the June M. Jordan Literary Estate, www.junejordan.com.

She hangs onto sadness
the way somebody else treads water
waiting for the world
to see how much she hurts from family
madness pierced her rib cage
twenty years ago

And she’ll continue to compete as Victim
Absolute
until she finally receives a gold
medallion for her suffering
or a truly purple heart complete
with ribbons
so that she can hang that up

and then
move right along
perhaps/at last
to someplace

really new

Copyright © 2017 by the June M. Jordan Literary Estate. Used with the permission of the June M. Jordan Literary Estate, www.junejordan.com.