Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.
(America never was America to me.)
Let America be the dream the dreamers dreamed—
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.
(It never was America to me.)
O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.
(There’s never been equality for me,
Nor freedom in this “homeland of the free.”)
Say, who are you that mumbles in the dark?
And who are you that draws your veil across the stars?
I am the poor white, fooled and pushed apart,
I am the Negro bearing slavery’s scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek—
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.
I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one’s own greed!
I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the Negro, servant to you all.
I am the people, humble, hungry, mean—
Hungry yet today despite the dream.
Beaten yet today—O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.
Yet I’m the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That’s made America the land it has become.
O, I’m the man who sailed those early seas
In search of what I meant to be my home—
For I’m the one who left dark Ireland’s shore,
And Poland’s plain, and England’s grassy lea,
And torn from Black Africa’s strand I came
To build a “homeland of the free.”
The free?
Who said the free? Not me?
Surely not me? The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we’ve dreamed
And all the songs we’ve sung
And all the hopes we’ve held
And all the flags we’ve hung,
The millions who have nothing for our pay—
Except the dream that’s almost dead today.
O, let America be America again—
The land that never has been yet—
And yet must be—the land where every man is free.
The land that’s mine—the poor man’s, Indian’s, Negro’s, ME—
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.
Sure, call me any ugly name you choose—
The steel of freedom does not stain.
From those who live like leeches on the people’s lives,
We must take back our land again,
America!
O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath—
America will be!
Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain—
All, all the stretch of these great green states—
And make America again!
From The Collected Poems of Langston Hughes, published by Alfred A. Knopf, Inc. Copyright © 1994 the Estate of Langston Hughes. Used with permission.
Motivated forgetting is a psychological defense mechanism whereby people cope with threatening and unwanted memories by suppressing them from consciousness.
—Amy N. Dalton and Li Huang
in Badagry there is a hung-
ry well of water and memory
loss. in Badagry there was a well
of people lost across a haven
of water. in Badagry there was
a port overwhelmed in un-return.
to omit within the mind is to ebb
heavenward. memory is a wealth
choking the brain in un-respons-
ibility. violence in the mind and
the mind forgets in order to remember
the self before the violence begot.
in Badagry trauma washes ungod-
ly memory heavenward. in Bad-
agry there is an attenuation well
meant to wish away a passage,
meant to unhaven a people.
violence is underwhelming
in return. what the body eats,
the mind waters. responsible
is the memory for un-remittal.
royal is the body for return. god is
the mind for wafting. forgetting
is a port homeward. in Bad-
agry hungry memory grows angry.
in Badagry the memories un-
choke. trauma un-eats the royal.
in Badagry there is a heaven
of people responsible for the birth-
right of remembering, for the well
of us across a haven of water
overwhelmed in un-return.
Copyright © 2020 by Porsha Olayiwola. Originally published in Poem-a-Day on June 17, 2020 by the Academy of American Poets.
For Valentine
my girl positioned for a twerk session-
knees bent, hands below the thigh, tongue out, head
turned to look at her body’s precession.
she in tune. breath in. breasts hang. hips freshen.
she slow-wine. pulse waistline to a beat bled
for her, un-guilt the knees for the session.
fair saint of vertebrae- backbone blessing,
her pop- in innate. her pop- out self- bred,
head locked into her holied procession.
dance is proof she loves herself, no questions-
no music required, no crowd needed.
she arched into a gateway, protecting-
this dance is proof she loves me, no guessing.
a bronx bedroom, we hip-to-hip threaded.
she turn to me, tranced by her possessin’.
she coils herself to, calls forth a legend-
round bodied booty, bounce a praise ballad.
she break hold, turn whole in a twerk session.
body charmed, spell-bent, toward progressing.
From i shimmer sometimes, too (Button Poetry, 2019) Copyright © 2019 by Porsha Olayiwola. Used with permission of the author.
Dedicated to the Poet Agostinho Neto,
President of The People’s Republic of Angola: 1976
1
I will no longer lightly walk behind
a one of you who fear me:
Be afraid.
I plan to give you reasons for your jumpy fits
and facial tics
I will not walk politely on the pavements anymore
and this is dedicated in particular
to those who hear my footsteps
or the insubstantial rattling of my grocery
cart
then turn around
see me
and hurry on
away from this impressive terror I must be:
I plan to blossom bloody on an afternoon
surrounded by my comrades singing
terrible revenge in merciless
accelerating
rhythms
But
I have watched a blind man studying his face.
I have set the table in the evening and sat down
to eat the news.
Regularly
I have gone to sleep.
There is no one to forgive me.
The dead do not give a damn.
I live like a lover
who drops her dime into the phone
just as the subway shakes into the station
wasting her message
canceling the question of her call:
fulminating or forgetful but late
and always after the fact that could save or
condemn me
I must become the action of my fate.
2
How many of my brothers and my sisters
will they kill
before I teach myself
retaliation?
Shall we pick a number?
South Africa for instance:
do we agree that more than ten thousand
in less than a year but that less than
five thousand slaughtered in more than six
months will
WHAT IS THE MATTER WITH ME?
I must become a menace to my enemies.
3
And if I
if I ever let you slide
who should be extirpated from my universe
who should be cauterized from earth
completely
(lawandorder jerkoffs of the first the
terrorist degree)
then let my body fail my soul
in its bedeviled lecheries
And if I
if I ever let love go
because the hatred and the whisperings
become a phantom dictate I o-
bey in lieu of impulse and realities
(the blossoming flamingos of my
wild mimosa trees)
then let love freeze me
out.
I must become
I must become a menace to my enemies.
Copyright © 2017 by the June M. Jordan Literary Estate. Used with the permission of the June M. Jordan Literary Estate, www.junejordan.com.
She hangs onto sadness
the way somebody else treads water
waiting for the world
to see how much she hurts from family
madness pierced her rib cage
twenty years ago
And she’ll continue to compete as Victim
Absolute
until she finally receives a gold
medallion for her suffering
or a truly purple heart complete
with ribbons
so that she can hang that up
and then
move right along
perhaps/at last
to someplace
really new
Copyright © 2017 by the June M. Jordan Literary Estate. Used with the permission of the June M. Jordan Literary Estate, www.junejordan.com.