I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.

Not in July or any month
have I had the pleasure—if it is a pleasure—
of fishing on the Susquehanna.

I am more likely to be found
in a quiet room like this one—
a painting of a woman on the wall,

a bowl of tangerines on the table—
trying to manufacture the sensation
of fishing on the Susquehanna.

There is little doubt
that others have been fishing
on the Susquehanna,

rowing upstream in a wooden boat,
sliding the oars under the water
then raising them to drip in the light.

But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia

when I balanced a little egg of time
in front of a painting
in which that river curled around a bend

under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandanna

sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.

That is something I am unlikely
ever to do, I remember
saying to myself and the person next to me.

Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,

even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame.

From Picnic, Lightning by Billy Collins. Copyright © 1998 by Billy Collins. Reprinted by permission of the University of Pittsburgh Press. All rights reserved.

for matthew z and matthew r
I remember telling the joke
about child molestation and seeing
the face of the young man
I didn't know well enough 
turn from something with light
inside of it into something like
an animal that's had its brain
bashed in, something like that, some
sky inside him breaking 
all over the table and the beers.
It's amazing, finding out
my thoughtlessness has no bounds,
is no match for any barbarian, 
that it runs wild and hard
like the Mississippi. No, the Rio Grande.
No, the Columbia. A great river
of thorns and when this stranger
stood up and muttered
something about a cigarette, 
the Hazmat team 
in my chest begins to cordon 
off my heart, glowing
a toxic yellow, 
and all I could think about
was the punch line "sexy kids,"
that was it, "sexy kids," and all the children
I've cared for, wiping
their noses, rocking them to sleep,
all the nieces and nephews I love, 
and how no one ever 
opened me up like a can of soup
in the second grade, the man
now standing on the sidewalk, smoke smothering
his body, a ghost unable 
to hold his wrists down 
or make a sound like a large knee in between 
two small knees, but terrifying and horrible all the same.

Copyright © 2011 by Matthew Dickman. Used with permission of the author.