Liquid alignment of fabric and outer
                                       thigh. Slip.
Which mimics the thing it’s meant to allow.
                                       Passage

of air on either side of the tongue whose meat
                                       as if
to thicken the likeness of substance and sound
                                       meets just

that plot of upper palate behind the teeth.
                                       And yet  
at normal speed the very aptness loses its full
                                       bouquet.

“Salomé was wearing red pumps and the palest of
                                       pale blue
satin slips.” I would in my predictable girlhood
                                       have much

preferred a word I took to be scented like Giverny:
                                       “Salomé
was wearing red pumps and a pale blue satin
                                       chemise.”

It’s taken me all this time to hear the truer
                                       difference—slip—
which only wants a little lingering in the mouth
                                       to summon how it

thinks about the contours of the body. So the
                                       speed of it—
slip—and the lingering can resume their proper tug-
                                       of-war. The boy

they’d had the wit to cast as Salomé, both nude
                                       and may-as-well-be-
nude, was every inch presentable, flawless, as
                                       though one

might live in the body and feel no shame. No
                                       wonder,
forced to endure as they did the reek of the tidal
                                       Thames, our

predecessors took this for the universal object of
                                       desire. 
The history of the English stage right there in the
                                       slippage between not-
      
quite and already over and gone. And yes I
                                       get
the part about predation the grooming in all of its
                                       sordid detail,

I was never half so fair as this but fair enough
                                       to have been
fair game. In a town with limited options.
                                       I’ve spent

more than half my life trying to rid myself
                                       of aftermath
so let me be enchanted now. Youth at a safe
                                       remove.

We have to bury the urns, 
Mother and I. We tried to leave them in a back room, 
Decoyed by a gas lamp, and run out

But they landed behind us here, at the front gate.
It is 6th hour, early winter, black cold:
Only, on the other side of the rice-paper doors

The yellow ondol stone-heated floors
Are still warm. I look out to the blue
Lanterns along the runway, the bright airplane.

Off the back step, Mother, disorganized
As usual, has devised a clumsy rope and shovel
To bury the urns. I wonder out loud

how she ever became a doctor. 
Get out, she says Go to your father: he too 
Does not realize what is happening. You see,

Father is waiting at the airfield in a discarded U. S. Army
Overcoat. He has lost his hat, lost
His father, and is smoking Lucky's like crazy. . .

We grab through the tall weeds and wind
That begin to shoot under us like river ice.
It is snowing. We are crying, from the cold

Or what? It is only decades
Later that, tapping the cold, glowing jars,
I find they contain all that has made
The father have dominion over hers.