In the emptiness where depression sleeps,
I washed my grief down with a chianti-dark river,
its bitter currents singing me into numbness.
I raised a toast to the starless sky, my glass
a mausoleum of denial, reflecting
only what I wished to see.
I wore the music like a second skin,
let it vibrate through my bones,
tried to shake the sadness away,
dancing with the shadows of dust left behind.
I sought solace in the twist of my curls,
hoping my own reflection would morph
into someone I don’t remember.
What few coins I had, I tossed in the air,
wishing on each as it fell, until the balance ran crimson,
debt blooming like roses on my credit card.
I unknotted love from my life,
hoping for solace in solitude,
believing that a lonely heart heals quicker.
It still clung to me: a bitter cologne in the summer heat.
Then I outran the sun, crossing borders,
but melancholy claimed me in every time zone.
In the circles of busyness, I ran,
whirling dervish, spinning out of control,
became as dizzying as what was within—
my world, a blur.
From We Alive, Beloved by Frederick Joseph (Row House Publishing, 2024). Copyright © 2024 by Frederick Joseph. Reprinted with the permission of the poet.
i read somewhere
that a group of ladybugs is called
a loveliness. and i wonder
what the person who gave them
that name (surely someone of at least
measurable humanity) knew,
or thought they did, about what love
—what kind, specifically—so embeds
itself in a thing that the thing,
subsequently, becomes an embodiment
of that love: the way river breaks into current;
the way trees make forest, simply
by standing closer to each other
than to anything else…
…by which I mean: i need you
to tell me which of my black spots
you find loveliest. which interruption
of my red feels most human
to the forest of your fingers; the current
you river into touch
along my breaking skin.
Copyright © 2024 Ariana Benson. Originally published in Kenyon Review, Summer 2024. Published with permission of the poet.