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About this Poem 

“Miracles” was first published in Whitman’s Leaves of Grass (Fowler & Wells, 1856) as “Poem of Perfect Miracles.” It appeared in this revised form during his lifetime in the 1881 edition published by James R. Osgood and Company.

Miracles

Why, who makes much of a miracle?
As to me I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of the
        water,
Or stand under trees in the woods,
Or talk by day with any one I love, or sleep in the bed at night
        with any one I love,
Or sit at table at dinner with the rest,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive of a summer
        forenoon,
Or animals feeding in the fields,
Or birds, or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown, or of stars shining so
        quiet and bright,
Or the exquisite delicate thin curve of the new moon in spring;
These with the rest, one and all, are to me miracles,
The whole referring, yet each distinct and in its place.

To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the
        same,
Every foot of the interior swarms with the same.

To me the sea is a continual miracle,
The fishes that swim—the rocks—the motion of the waves—the
        ships with men in them,
What stranger miracles are there?

This poem is in the public domain. 

This poem is in the public domain. 

Walt Whitman

Walt Whitman

Born on May 31, 1819, Walt Whitman is the author of Leaves of Grass and, along with Emily Dickinson, is considered one of the architects of a uniquely American poetic voice. 

by this poet

poem
          (From a talk I had lately with a German spiritualist)

Nothing is ever really lost, or can be lost,
No birth, identity, form—no object of the world.
Nor life, nor force, nor any visible thing;
Appearance must not foil, nor shifted sphere confuse thy brain.
Ample are time and space—ample the fields of
poem

We two, how long we were fool’d,
Now transmuted, we swiftly escape as Nature escapes,
We are Nature, long have we been absent, but now we return,
We become plants, trunks, foliage, roots, bark,
We are bedded in the ground, we are rocks,
We are oaks, we grow in

poem

There was a child went forth every day,
And the first object he looked upon and received with wonder or pity or love or dread, that object he became,
And that object became part of him for the day or a certain part of the day . . . . or for many years