Find and share the perfect poems.
1. Though our radiator is painted the color of the walls we know he's there. Whatever we set on top of him bursts angrily into flame. He has come to be known as Petulant. He has come to be known as Wasted Space. To be contrary, the radiator will not heat us when we need it. "If only I could find his fucking face," I say to her (who sleeps beside me), "I'd stick something in his eye. I'd stick this in his eye." And I hold out a fork. Night has grown up around us and this luminous fork is our only light. 2. By the light of our luminous fork I see the old Mexican shortwave radio weeping on the corner. All her tubes are cracked and it is late in the century. No one will be putting on a hat and boots to find tubes for her, because they can't be found. She is like the last auk in its cage with a shattered wishbone, while the naturalists were helpless and could offer to bring it something, again and again. She is like the last passenger pigeon when it realized it was the last passenger pigeon. We don't notice her anymore. "God's curse on you for ignoring me," she used to moan at night. Now she only weeps or says her prayers, but either way we can't hear her because her tubes are withered and it is late in the century. 3. The luminous fork is also worthy of investigation: Our grandparents cannot remember when the luminous fork first came into their lives. It was prefigured by the tools of Poseidon and Michael. It has appeared in my poems before. It is the last of the luminous flatware and is lonely in our drawer. Imagine a luminous fork in the company of our silverware and their steely glances. Think about this fork who cannot share his secrets with the dark knives, who will never lie with the smooth spoons. The luminous fork knows that someday when I open the drawer I won't recognize him among the tarnished forks pointing at me, just as I am told one day there will come a knock at my door that I won't answer.
It was a basement with its own basement, and in that basement were machines and dusty weapons, the engines of the house; where the floor gave way because of intense pressure from below, and magma boiled up through the wood-looking tiles; where to leap to safety broke my sister's foot; where the animals that weren't as smart as we were captured and admired; where we watched in horror as the ski lift lifted the men inexorably to death; it was my favorite room in the house.
Then there was the night I decided that if I ignored everyone
I would transcend,
so I covered my ears with my hands,
stepped off the porch and rose like a wet crow
and the sprinklers chattered to each other over the fences.
And "How long will you be gone?" my neighbor called nervously,
my neighbor whose saw I had borrowed,
and "Come down right now!" my landlord called out,
climbing to the roof of his Cadillac to reach me
as he got smaller and smaller.
And there I was with the stars hanging above my house like live wires
and the night sky the color of stockings.
I stuck out my tongue to taste the sky
but could not taste.
I inhaled deeply
but could not smell.
I used to look to the sky for comfort
and now there was nothing, not even a seam,
and I looked down and saw that it did not even reach the ground.
And my only company was the satellites counting their sleep
and the Sorrowful Mother swinging her empty dipper in the darkness,
the Sorrowful Mother picking her way through the stars over my roof.
And I knew I was nowhere and if I ever took my hands from my ears
I would fall.
In the middle garden is the secret wedding,
that hides always under the other one
and under the shiny things of the other one. Under a tree
one hand reaches through the grainy dusk toward another.
Two right hands. The ring is a weed that will surely die.
There is no one else for miles,
and even those people far away are deaf and blind.
There is no one to bless this.
There are the dark trees, and just beyond the trees.