the return of poem to be read from right to left
"[for] when you are ready
to follow a tendency of anonymous feathers
—Zaina Alsous
say i ،well
particular in one no to
backed ive time first the isnt this
disaster a of out us
*scratch record*
here got we how wondering aint you nah
*frame freeze*
NDE an like feel doesnt it if and
right living aint probably you
that get dont you if and
you for aint poem this
*scene the to back pan now*
(out FBI NSA CIA the kicked we’ve that now)
12 on hand left
seat passenger the of top the gripping hand right
here out cantered i oh
back galloping im now
return i
،reader dear ،you and
return i ،saying my of tired are
belt his unbuckles man a
security entering before
aroused is someone and
state our is this
asks poem this of draft shorter a see to professor first the
device stylistic this sustain could i long how
think you do long how ،prof dunno i ،w counter i
™ pneumoic hegemonic demonic heteronormative khwhite the
؟itself sustain can
rage road and clown class the all and american im now
be never could i
device no is this ،besides
lolololol palindrome is lol
pandemic global whole a took it
yourselves institutionalize to you for
lol
bioterrorism took it
antiracism in training get to you for
lol
well are unwell the why is it
unwell are well the and
duress under
11:11 is it
many am i
air the in miles thousand
sound a without poem a make to trying
words english of number the counting of tired grew i wrote i
capture to takes it
another in one
writing of tired grown have i now but
limitations inherent your towards
compassion
yes
have i
it
up woke you
iraq in
you among dull the
metaphor a is that think still
storm / desert am i then hello ،well
up wake woke the watch and dawn at sill your on sit i
gender had sandman the thought you haha
eye your out sleep the wipe i
evr nevr was iraq :news breaking)
spreading creamcheese your on waiting
(democracy cube ice free BPA infused charcoal
species Invasive i
Ante i
body
language own your in you
how look
light we
n
language
we so
fly
toni like
who elmaz taught
me taught
so were you
w up caught
make(r) my
model and
missed you
glory the
flight this of
creature mythical i
future the in far so gone1 [already]
own my made i
country
two only w
citizenship
:questions
؟real who2
؟free who
reading hologram my this
you to
me showed book a writing coz
yourselves save to read cant yall
english you teach to arabic an write to had i guess
steph yo
pushin still im
brooklyn from ،yea
/n yall did
n nvaders
؟yet doors those open
i thought you know i)
humbled am i all be would
(review semiTYN that for grateful am i
iraq that is how and...
؟you for going revision
window the at still you or
؟pm 8 it was or 7 at clappin
applause yr needed ever one no
protection need we
:question another
it at are we while
؟bulletproof window the is
hate assassin i
nonviolent a this
up stick
slow bullets your
timelines future as fast mine
me end to tried still you where
infinity infinite i
can i only
me unend
:write you when read i what is this
bar bar bar
how at look
yourselves reveal you
me tell you before now
is anger my how
،well
justified well
you for translate me let
vvvvvvvvvvvvvvvv=angry
smart v v vv
fools suffer to afford longer no can=angry
you carry longer no can
you welcome i and
me join to
to moved supremacists white the all why that’s
themselves reproduce to racing carolina north
meanwhile
it has legend
born was i when
:mean name / myself named i
injustice to surrender to refuse who those
mmmmany many many many am i and
wind was i
me make to tried they and
language
/ translate to tried
me empire to
free this catch cant they
appearance third my is this but
me paid have they time first the and
it say so
:me with
loot the gimme
gimme
gimme
gimmee
me mind dont
mean i
me mine dont
donate humbly i
to back peanuts 50 these
elephants of academy the
royalties own my am i
tatted already book next my
body this on
morrie w tuesdays got they yea
charleen w thursdays got i
؟we is we how see you dont
together
history of lock the picking
come
something you show to want i
؟too poems makes kusama yayoi know you did
see to here are we what isnt that but
now painting is she there
dots just are those think might you
trauma every transforming is she but....
tacumeh friend my and me with walk a take let’s now
published get to how know to wants and grandma his about me telling is he
conversation the before
:turn a takes
convenient is it when black only are egyptians says he
anything say dont i and
ends black his where know i because
begins mine and
try would who seminar senior our in wife now his was it
...africa of part isnt egypt ،me tell to
see never you egypt of part the from im
me fool cant you
ourselves colonize we when hate i besides
+looted they while looking wasnt yall like
hand one with history country’s my whitewashed
other the with plantations the moved and
that love you why know dont you like
...much so cotton N-A-I-T-P-Y-G-E zero zero one
why wondering still im
uncomfortable so me makes it
truth the tell to
myself for up stand and
remember i then and
you of 99.9% because is it ،oh
gaslight to how me taught
self my
word strange a about ask to calls ounie sister my
book her of review recent a in used
nialism-de says she
DENIHILISM :hear i and
unsound sonically
correct etymologically but
attempt would that everything de-nihilate to seek i
me annihilate to
me of many the
finger a lift to have never we and
denihiliate to
lack and mediocrity own your
competence of
end your be will
ALIVE AM I 858 72020
listening and
last capitalism’s to
scream
say kawara on days many how and
AM I
LIVE A
recorded been has anger my
assurance quality your for
minor in
key major and
treasure hidden a was i
known be to wished i and
creation created i
known be could i so
in came i ،yea
high riding
horse trojan thoroughbred hotblooded a on
arab or black is it
whose on depending
on or in rollin we house
palestine in up wake will you soon
؟yet there we are
؟progress your at
us killin they how
؟here still p---t but
chief in predator
؟doubt the of benefit
haa
name another by hope that’s
narrative national the written finally i have
possible it makes that
؟me w reckon to you for
precog that this
speak postverbal
the get you did
؟yet EXTRATRANSMISSION3
good what’s knows poet the
living time hard a has but
it
؟cages in children the put they why know you
fly can we know they because
wings got passport every why reason same
long too for mine hold they when like dont i why that’s
envelope an just is body the and
stamps the forgetting about dream same the having keep i why be must
condescension your and condensation in grew i
cumulus i
you radius and circumference i
fractal i
dahlia i
dunyah i
abstract i
conceptual i
:story out coming my
:one no
:store supply art the in one no absolutely
؟with you help can I anything there is ،hi :employee store art
brushes these all up feeling am i way the question that expecting was i :me
...soon closing are we that just it’s no *expression shocked*:employee store art
am i
now learning
color about
blend to
of instead
mute
bristle every but brush your clean can you
pigment of memory the has
chosen and given: families two got
:you for translate also will i this / long very name last our
favored highly and blessed are who we
see to yet have you whom we
other each find who we
be me letting for you thank
you thank
you love i
now niece my call i
say
nok knock
bok bok
؟say cowcat the did what
mooo
yowww
ring ring
matrix the from calling
arabophone the up pick
up taking of me accused who everyone to sorry oops and
this before space queer
!delimited was it know didnt i
condition(s) the shame but poets the love we
kstksttsktsk
grace saving our
low go they when said
flow nile the way the that’s becoz high go we
say josé hear i now
one this for wild you
wild n wile i
poem this teach you when
state Avatar in it wrote i kids the tell
astral i
last i
me qualify can test DNA no
say to is which
me standardize modern evr never will you
ask i now
؟america in surveillve will who
؟america in surveillve will who
؟america in surveillve will who
“ ”
“ ”
“ ”
“ ”
“ ”
“ ”
؟real who
؟free who
real who
؟free who
r e a l who
؟free who
*This poem is best viewed on desktop.
“Sun Ra’s consistent statement, musically and spoken, is that this is a primitive world. Its practices, beliefs, religions, are uneducated, unenlightened, savage, destructive, already in the past. . . .That’s why Sun Ra returned only to say he left. Into the Future. Into Space.” —Amiri Baraka
Instead of an Arabic footnote, here is a list of artists who inspire, and were with me in the making of this poem...and so much more (in some kind of order of appearance): Kameelah Janan Rasheed, Elmaz Abinader, Suheir Hammad, Toni Morrison, Tavonne S. Carson, Ava Duvernay, Solmaz Sharif, Monica Sok, Justin Phillip Reed, Xandria Phillips, Charleen McClure, Nabila Lovelace, Ashley M. Jones, Danez Smith, René Magritte, Jay Deshpande, José Olivarez, Jonah Mixon-Webster, The Desert Crew, Fred Moten, John Rufo, S*ean D. Henry-Smith, Andrea Abi-Karam, Belal Mobarak, Jess Rizkallah, Hayan Charara, Randa Jarrar, Zaina Alsous, Roberto Montes, James Baldwin, Mo Browne, Audre Lorde, Adrian Piper, Evie Shockley, Airea D. Matthews, Tyehimba Jess, Harryette Mullen, Safia Elhillo, Ricardo Maldonado, Mejdulene B. Shomali, Philip Metres, and Raymond Antrobus. Shokran.
“The word Black, has geographic power, pulls everybody in:” —Gwendolyn Brooks, Primer for Blacks
