Whiteacre

the trees all planted in the same month after the same fire

            each thick around
            as a man’s wrist

meticulously spaced grids cutting the sunshine

            into panels into planks
            and crossbeams of light

an incandescent architecture that is the home that was
    promised you

            the promise of your new
            purified body

your body rendered glasslike by fire now open to the light

            slicing through you
            through the glass

bones of your hands as you lift the light free of its verticals

            carry it blazing
            through your irradiated life

More by Monica Youn

Stealing The Scream

It was hardly a high-tech operation, stealing The Scream.
That we know for certain, and what was left behind--
a store-bought ladder, a broken window,
and fifty-one seconds of videotape, abstract as an overture.

And the rest? We don't know. But we can envision
moonlight coming in through the broken window,
casting a bright shape over everything--the paintings,
the floor tiles, the velvet ropes: a single, sharp-edged pattern;

the figure's fixed hysteria rendered suddenly ironic
by the fact of something happening; houses
clapping a thousand shingle hands to shocked cheeks
along the road from Oslo to Asgardstrand;

the guards rushing in--too late!--greeted only
by the gap-toothed smirk of the museum walls;
and dangling from the picture wire like a baited hook,
a postcard: "Thanks for the poor security."

The policemen, lost as tourists, stand whispering
in the galleries: ". . .but what does it all mean?"
Someone has the answers, someone who, grasping the frame,
saw his sun-red face reflected in that familiar boiling sky.

Ignatz Oasis

When you have left me
the sky drains of color

like the skin
of a tightening fist.

The sun commences
its gold prowl

batting at tinsel streamers
on the electric fan.

Crouching I hide
in the coolness I stole

from the brass rods 
of your bed.