When I’m on the Bed

called death, I hope
to be thinking about
the texture of the bucatini
at Campiello, how they seated us
in the bar by the pizza cooks, but when we asked to sit elsewhere

they put us beside
a giant strangler fig
with fake orchids we thought were real.
Al dente, which I pronounced al Dante, in honor of my nephew,
in honor of the circles of hell, my heritage. When I’m on the bed called            death

I hope I recall your smile that evening
when you learned budino means pudding,
a butterscotch pudding, which we more than managed
despite finishing our entrées. In la stanza della morte, shoving off
my mortal foil, may I be dreaming of butterscotch pudding, the feel of 
     my hand

on your back, recalling the call you made
from a mile down the beach to tell me there were no
yellow hilly hoop hoops, greater cheena reenas, or froo froostilts.
I walk back to the car while you call again, this time to tell me you found
a flock of dunlins and semipalmated sandpipers. There’s an actual flush            toilet 

at the parking lot! And potable water! And my love calls again,
this time to say he’s nearing the path to the parking lot. No, I don’t have
the keys to the car or a single coin, but I’ve got water, binoculars, and my          phone,
a little notebook to write down the species—tricolored heron, royal tern,          wood stork—
which I’ll add to my list of what to think about when I’m on my giant                  bucatini platter of a bed.

“When I’m on the Bed”: From Terminal Surreal (Acre Books, 2025) by Martha Silano. Copyright © 2025 by Martha Silano. Reprinted by permission of the poet.