When I Buy Pictures

- 1887-1972

or what is closer to the truth,
when I look at that of which I may regard myself as the imaginary possessor,
I fix upon what would give me pleasure in my average moments:
the satire upon curiousity in which no more is discernible
than the intensity of the mood;
or quite the opposite—the old thing, the medieval decorated hat-box,
in which there are hounds with waists diminishing like the waist of the hour-glass,
and deer and birds and seated people;
it may be no more than a square of parquetry; the literal biography perhaps,
in letters standing well apart upon a parchment-like expanse;
an artichoke in six varieties of blue; the snipe-legged hieroglyphic in three parts;
the silver fence protecting Adam's grave, or Michael taking Adam by the wrist.
Too stern an intellectual emphasis upon this quality or that detracts from one's enjoyment.
It must not wish to disarm anything; nor may the approved triumph easily be honored—
that which is great because something else is small.
It comes to this: of whatever sort it is,
it must be "lit with piercing glances into the life of things";
it must acknowledge the spiritual forces which have made it.

The Paper Nautilus

   For authorities whose hopes
are shaped by mercenaries?
   Writers entrapped by
   teatime fame and by
commuters' comforts?  Not for these
   the paper nautilus
   constructs her thin glass shell.

   Giving her perishable
souvenir of hope, a dull
   white outside and smooth-
   edged inner surface
glossy as the sea, the watchful
   maker of it guards it
   day and night; she scarcely

   eats until the eggs are hatched.
Buried eight-fold in her eight
   arms, for she is in
   a sense a devil-
fish, her glass ram'shorn-cradled freight
   is hid but is not crushed;
   as Hercules, bitten

   by a crab loyal to the hydra,
was hindered to succeed,
   the intensively
   watched eggs coming from
the shell free it when they are freed,—
   leaving its wasp-nest flaws
   of white on white, and close-

   laid Ionic chiton-folds
like the lines in the mane of
   a Parthenon horse,
   round which the arms had
wound themselves as if they knew love
   is the only fortress
   strong enough to trust to.

He "Digesteth Harde Yron"

   Although the aepyornis
   or roc that lived in Madagascar, and
the moa are extinct,
the camel-sparrow, linked
   with them in size--the large sparrow
Xenophon saw walking by a stream--was and is
a symbol of justice.

   This bird watches his chicks with
   a maternal concentration-and he's
been mothering the eggs
at night six weeks--his legs
   their only weapon of defense.
He is swifter than a horse; he has a foot hard
as a hoof; the leopard

   is not more suspicious.  How
   could he, prized for plumes and eggs and young
used even as a riding-beast, respect men
   hiding actor-like in ostrich skins, with the right hand
making the neck move as if alive
and from a bag the left hand strewing grain, that ostriches

   might be decoyed and killed!  Yes, this is he
whose plume was anciently
the plume of justice; he
   whose comic duckling head on its
great neck revolves with compass-needle nervousness
when he stands guard,

   in S-like foragings as he is
   preening the down on his leaden-skinned back.
The egg piously shown
as Leda's very own
   from which Castor and Pollux hatched,
was an ostrich-egg.  And what could have been more fit
for the Chinese lawn it

   grazed on as a gift to an
   emperor who admired strange birds, than this
one, who builds his mud-made
nest in dust yet will wade
   in lake or sea till only the head shows.

	.	.	.	.	.	.	.

   Six hundred ostrich-brains served
   at one banquet, the ostrich-plume-tipped tent
and desert spear, jewel-
gorgeous ugly egg-shell
   goblets, eight pairs of ostriches
in harness, dramatize a meaning
always missed by the externalist.

   The power of the visible
   is the invisible; as even where
no tree of freedom grows,
so-called brute courage knows.
   Heroism is exhausting, yet
it contradicts a greed that did not wisely spare
the harmless solitaire

   or great auk in its grandeur;
   unsolicitude having swallowed up
all giant birds but an alert gargantuan
   little-winged, magnificently speedy running-bird.
This one remaining rebel
is the sparrow-camel.

Baseball and Writing

(Suggested by post-game broadcasts)

Fanaticism?  No.  Writing is exciting
and baseball is like writing.
   You can never tell with either
      how it will go
      or what you will do;
   generating excitement—
   a fever in the victim—
   pitcher, catcher, fielder, batter.
	Victim in what category?
Owlman watching from the press box?
	To whom does it apply?
	Who is excited?  Might it be I?

It's a pitcher's battle all the way—a duel—
a catcher's, as, with cruel
   puma paw, Elston Howard lumbers lightly
      back to plate.  (His spring 
      de-winged a bat swing.)
   They have that killer instinct;
   yet Elston—whose catching
   arm has hurt them all with the bat—
	when questioned, says, unenviously,
   "I'm very satisfied.  We won."
	Shorn of the batting crown, says, "We";
	robbed by a technicality.

When three players on a side play three positions
and modify conditions,
   the massive run need not be everything.
      "Going, going . . . "  Is
      it?  Roger Maris
   has it, running fast.  You will
   never see a finer catch.  Well . . .
   "Mickey, leaping like the devil"—why
	gild it, although deer sounds better—
snares what was speeding towards its treetop nest,
	one-handing the souvenir-to-be
	meant to be caught by you or me.

Assign Yogi Berra to Cape Canaveral;
he could handle any missile.
   He is no feather.  "Strike! . . . Strike two!"
      Fouled back.  A blur.
      It's gone.  You would infer
   that the bat had eyes.
   He put the wood to that one.
Praised, Skowron says, "Thanks, Mel.
   I think I helped a little bit."
	All business, each, and modesty.
        Blanchard, Richardson, Kubek, Boyer.
	In that galaxy of nine, say which
	won the pennant?  Each.  It was he.

Those two magnificent saves from the knee-throws
by Boyer, finesses in twos—
   like Whitey's three kinds of pitch and pre-
      diagnosis
      with pick-off psychosis.
   Pitching is a large subject.
   Your arm, too true at first, can learn to
   catch your corners—even trouble
	Mickey Mantle.  ("Grazed a Yankee!
My baby pitcher, Montejo!"
	With some pedagogy,
	you'll be tough, premature prodigy.)

They crowd him and curve him and aim for the knees.  Trying
indeed!  The secret implying:
   "I can stand here, bat held steady."
      One may suit him;
       none has hit him.
   Imponderables smite him.
   Muscle kinks, infections, spike wounds
   require food, rest, respite from ruffians.  (Drat it!
	Celebrity costs privacy!)
Cow's milk, "tiger's milk," soy milk, carrot juice,
	brewer's yeast (high-potency—
	concentrates presage victory

sped by Luis Arroyo, Hector Lopez—
deadly in a pinch.  And "Yes,
   it's work; I want you to bear down,
      but enjoy it
      while you're doing it."
   Mr. Houk and Mr. Sain,
   if you have a rummage sale,
   don't sell Roland Sheldon or Tom Tresh.
	Studded with stars in belt and crown,
the Stadium is an adastrium.
	O flashing Orion,
	your stars are muscled like the lion. 

Related Poems

In Paris

Today as we walk in Paris I promise to focus
More on the sights before us than on the woman
We noticed yesterday in the photograph at the print shop,
The slender brunette who looked like you
As she posed with a violin case by a horse-drawn omnibus
Near the Luxembourg Gardens. Today I won't linger long
On the obvious point that her name is as lost to history
As the name of the graveyard where her bones
Have been crumbling to dust for over a century.
The streets we're to wander will shine more brightly
Now that it's clear the day of her death
Is of little importance compared to the moment
Caught in the photograph as she makes her way
Through afternoon light like this toward the Seine. 
The cold rain that fell this morning has given way to sunshine.
The gleaming puddles reflect our mood
Just as they reflected hers as she stepped around them
Smiling to herself, happy that her audition
An hour before went well. After practicing scales
For years in a village whose name isn't recorded,
She can study in Paris with one of the masters.
No way of telling now how close her life
Came to the life she hoped for as she rambled,
On the day of the photograph, along the quay.
But why do I need to know when she herself,
If offered a chance to peruse the book of the future,
Might shake her head no and turn away?
She wants to focus on her afternoon, now almost gone,
As we want to focus on ours as we stand
Here on the bridge she stood on to watch
The steamers push up against the current or ease down.
This flickering light on the water as boats pass by
Is the flow that many painters have tried to capture
Without holding too still. By the time these boats arrive
Far off in the provinces and give up their cargoes,
Who knows where the flow may have carried us?
But to think now of our leaving is to wrong the moment.
We have to be wholly here as she was
If we want the city that welcomed her
To welcome us as students trained in her school
To enjoy the music as much as she did
When she didn't grieve that she couldn't stay