Wanted

Coming Soon Jinrui Kan*


 

Performance artists for interactive captivity exhibit.

Okinawan Females with primitive tattoos needed.

Excessive facial and body hair preferred.

Must like working with people in close confinement.

Competitive wages.  
We will match any pay (if) given to 
Korean, Ainu, or Taiwanese aborigine entertainers.

Meals will be provided.  
Must be able to catch food that is thrown.

Looking for job security?  
Why not live, work, play. . . in a cage!





 

*I first read about da Jinrui Kan from scholar Wesley Ueunten.  In his essay "Okinawans on Mainland Japan: Discrimination, Imeeji, and Identity," published in Reflections on the Okinawan Experience: Essays commemorating 100 years of Okinawan immigration, Ueunten tells, "We can link the image of Okinawa being exotic and different to the idea that Okinawans were 'inferior.'  One of the most deplorable examples of this was the Jinrui kan (native people exhibition) at the Fifth Osaka Industrial Exposition in 1903. For this exhibition, exhibition organizers put Ainu, Taiwanese aborigine, Korean, and Okinawan women on display for Japanese to gawk at their 'primitiveness'" (49).

 

From Chiburu: Anthology of Hawai‘i Okinanwan Literature (Bess Press, 2023). Copyright © 2023 Lee A. Tonouchi. Used with the permission of the author.